Chapter 11
Composed Upon Westminster
►► Very Short Type Questions & Answers:
1. What type of poem is 'Composed Upon Westminster
Bridge'?
Ans: It is a Petrarchan (Italian) sonnet.
2. Which city is the poet describing?
Ans: London.
3. What does the city wear "like a garment"?
Ans: The beauty of the morning.
4. Who would be "dull of soul" according to the
poet?
Ans: Someone who cannot appreciate the beauty of the scene.
5. What literary device is used in "the very houses
seem asleep"?
Ans: Personification.
►► Short Type Questions & Answers:
1. Explain the significance of the phrase "like a
garment" in the poem. How does this metaphor contribute to the overall
meaning?
Ans: The phrase "like a garment" in
'Composed upon Westminster Bridge' is a powerful metaphor that enhances the
poem's depiction of London's early morning beauty. By comparing the city to a
person clothed in the morning's light, Wordsworth suggests a transformation, as
if London has been momentarily purified and adorned by nature. This imagery
softens the usual perception of an industrial city, presenting it instead as
something organic and harmonious with the natural world.
The metaphor also implies a temporary state, reinforcing the
idea that this beauty is fleeting. Just as clothing can be changed, the
peaceful and radiant London of dawn will soon give way to the hustle and bustle
of daily life. This aligns with the poem's theme of capturing a rare, tranquil
moment in an otherwise busy metropolis. Additionally, the phrase evokes a sense
of reverence, as if the city is dressed in sacred or regal attire, elevating
its status beyond mere architecture to something almost divine.
Overall, this metaphor contributes to the poem's celebration
of unexpected beauty, showing that even a great city, often associated with
noise and industry, can possess a quiet, natural elegance at the right moment.
2. What is the effect of the exclamation "Dear
God!" in the poem? How does it reflect the poet's emotions?
Ans: The exclamation "Dear God!" in
'Composed upon Westminster Bridge' is a moment of profound emotional intensity,
reflecting Wordsworth's overwhelming awe and reverence for the beauty he
witnesses. This sudden invocation of the divine suggests that the poet is
almost spiritually moved by the scene before him. It emphasizes that the quiet,
radiant London of the early morning is not just pleasing to the eye but deeply
stirring to the soul.
This exclamation also reinforces the idea that the beauty of
the city at dawn is unexpected and almost miraculous. Wordsworth, a poet known
for his love of nature, finds himself astonished by the grandeur of an urban
landscape, a setting usually associated with human industry rather than natural
beauty. The phrase acts as a spontaneous outburst of admiration, highlighting
the sincerity of his response.
Additionally, "Dear God!" elevates the moment
beyond mere description, suggesting a sense of gratitude or even worship. It
aligns with the Romantic belief that beauty-whether in nature or, in this rare
case, the city can inspire deep, spiritual reflection. By including this
exclamation, Wordsworth conveys that this fleeting vision of London's stillness
is something sacred and unforgettable.
► Long Type Questions & Answers:
1. Explore the role of light in the poem and its impact
on Wordsworth's vision of London.
Ans: In 'Composed upon Westminster Bridge', light
plays a significant role in shaping Wordsworth's vision of London, transforming
the city from a mundane, industrial space into an extraordinary and sublime
landscape. The role of light in the poem is essential in conveying a sense of
purity, tranquility, and awe, central to Wordsworth's Romantic ideals.
The poem's setting is early morning, when the city is bathed
in the soft, golden light of the rising sun. Wordsworth describes this light as
"the beauty of the morning; silent, bare," which emphasizes its
delicate, ethereal quality. The morning light acts as a purifier, cleansing the
city of its usual associations with noise, smog, and chaos. In this quiet
moment, London is illuminated in a way that reveals its inherent majesty, as if
the city were glowing with an unearthly, almost spiritual radiance. This light
reveals the true beauty of the city, allowing Wordsworth to perceive it not
just as a human-made construct but as a harmonious extension of nature.
The light also symbolizes clarity and transcendence.
Romantic poets often used light to represent moments of insight or spiritual
elevation.
For Wordsworth, the clear light of dawn brings a sense of
purity and truth, offering a new perspective on the city. The light enhances
the stillness and silence of the scene, making the city appear timeless and
untainted by the rush of everyday life. The sunlight reflects off the buildings
and the Thames, making the city appear "all bright and glittering in the
smokeless air," as though it were an idealized, almost heavenly version of
itself. This is a sharp contrast to the dark, polluted image that many might
associate with London, showing how light can reveal a more harmonious, sublime
vision.
Moreover, the light ties the human-made city to the natural
world. The sun, a natural force, interacts with the city's architecture and
river, blending the two realms in a moment of beauty. In Romanticism, the
connection between the human and the natural world is often a source of
spiritual insight, and in this poem, the light reflects this unity.
Overall, light in 'Composed upon Westminster Bridge'
amplifies the poem's themes of purity, beauty, and transcendence. It transforms
London from a common, everyday city into a sublime, awe-inspiring landscape,
allowing Wordsworth to experience it as both a work of nature and human
achievement. This light reinforces the Romantic belief in finding beauty and
inspiration in unexpected places, elevating the urban scene to the realm of the
sublime.
2. How does Wordsworth's portrayal of London in 'Composed
upon Westminster Bridge' reflect Romantic ideals?
Ans: William Wordsworth's 'Composed upon Westminster
Bridge' September 3, 1802 reflects key Romantic ideals through its depiction of
London as a place of sublime beauty, harmony, and deep emotional resonance.
Unlike the typical Romantic focus on untamed Wordsworth finds poetic
inspiration in an urban landscape, yet he presents the city as if it were part
of nature itself-silent, tranquil, and bathed in the soft morning light.
A central Romantic ideal in the poem is the concept of the
sublime, a feeling of awe and reverence in response to natural or extraordinary
beauty. Wordsworth describes London in the early morning as "a sight so
touching in its majesty," elevating the city to a near-spiritual
experience. The stillness of dawn transforms the city into something pure and
almost divine, free from the noise and industrial activity that would otherwise
characterize urban life. This reflects the Romantic belief in transcendent experiences
that elevate the soul beyond ordinary existence.
Another key Romantic theme is the deep emotional connection
between the individual and the external world. Wordsworth does not merely
describe London; he experiences it with profound sensitivity, as seen in lines
like "Dear God! the very houses seem asleep." The personification of
the city emphasizes its organic quality, aligning it with nature rather than
industry. The poem suggests that beauty and peace are not exclusive to the
countryside but can be found anywhere if one looks with a receptive heart an idea
central to Romanticism.
Furthermore, Wordsworth's focus on the momentary and
ephemeral aligns with the Romantic fascination with fleeting beauty. The serene
vision of London at dawn is temporary, a rare moment of unity between human
creation and nature. This emphasis on the transient but deeply moving aspects
of experience reflects the Romantic ideal of capturing intense personal
emotions in poetry.
Ultimately, 'Composed upon Westminster Bridge' embodies
Romantic ideals by portraying an emotional and spiritual response to beauty,
blurring the line between nature and the human-made world, and celebrating the
individual's ability to find awe in unexpected places.