Chapter 3

Forms and Genres in Drama


Objective Type Questions & Answers:

1. Define Tragedy.

Ans: Tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character.

2. Who is the author of the 'Poetics'?

Ans: Aristotle.

3. Name the book by Friedrich Nietzsche discussing the origins of Greek tragedy.

Ans: The Birth of Tragedy (1872).

4. Where were the Athenian tragedies performed?

Ans: The Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus.

5. What is the Tragedy of miscalculation?

Ans: The protagonist's error of judgment has tragic consequences.

6. What do you mean by domestic tragedy?

Ans: Domestic tragedies are tragedies in which the tragic protagonists are ordinary middle-class or working-class individuals.

7. Who argues that tragedy may also depict ordinary people in domestic surroundings?

Ans: Arthur Miller in his essay "Tragedy and the Common Man."

8. How does Aristotle define tragedy?

Ans: Aristotle wrote in his work Poetics that tragedy is characterized by seriousness and involves a great person who experiences a reversal of fortune (Peripeteia).

9. What is a classical comedy?

Ans: Classical comedy is a type of comedy, wherein the author follows the classical rules of ancient Greek and Roman writers.

10. Who is called the father of comedies?

Ans: Aristophanes.

11. Name a famous classical comedy.

Ans: Lysistrata, The Wasps, The Acharnians.

12. What are the most important classical rules of comedy?

Ans: The three unities of Time, Place and Time.

13. What is the main function of romantic comedy?

Ans: Its aim is not didactic or moral. Its main function is to provide entertainment to the readers or audiences.

14. What, according to the ancient belief, the human body was made of?

Ans: According to the ancient belief, the human body was made of four elements-air, fire, water and earth.

15. What is the reason behind the birth of the SentimentalComedy? 

Ans: The Sentimental Comedy came into being as a reaction to the 18th-century Comedy of Manners.

16. Name the playwrights who composed sentimental comedies.

Ans: Richard Steele, Hugh Kelly and Oliver Goldsmith.

17. What is a Comedy of Intrigue?

Ans: Comedy of intrigue, also called comedy of situation, is a subgenre of comedy that typically features characters who are trying to outwit each other in a complex web of lies and deception.

18. What is a mask?

Ans: It is a form of comedy wherein the actors wear masks. It was imported to England from Italy and became popular in the Elizabethan age.

19. What is Farce?

Ans: A farce is a literary work that contains ridiculous plots. exaggerated characters and over-the-top situations for comedic effect.

20. Where does the word 'farce' come from?

Ans: The word farce comes from the 15th century French word farcir, meaning "stuffing" or "forcemeat."

21. What are the elements of Farce?

Ans: The Elements of Farce are humor, settings and intent.

22. Name a famous Farce by Shakespeare.

Ans: The Taming of the Shrew.

►►► Very Short Type Questions & Answers:

1. What, according to Aristotle, the six elements of tragedy?

Ans: According to Aristotle, tragedy has six main elements: plot, character, diction, thought, spectacle (scenic effect), and song (music), of which the first two are primary.

2. What are the three divisions of comedy?

Ans: As Aristotle wrote in his Poetics, comedy is defined by the representation of laughable people, and involves some kind of blunder or ugliness that does not cause pain or disaster. Athenian comedy is divided into three periods: Old Comedy, Middle Comedy, and New Comedy. 

 3. What is the first comedy drama?

Ans: Ralph Roister Doister is a sixteenth-century play by Nicholas Udall, which was once regarded as the first comedy to be written in the English language.

4. Write a note on Shakespeare's famous farce The Taming of the Shrew..

Ans: Shakespeare's famous comedy is about the crazy courtship between wild Katherina and her eccentric suitor Petruchio. Katherina's younger sister, Bianca, cannot marry until Katherina marries, so the latter reluctantly agrees to marry Petruchio. Throughout the play, he comically torments Katerina until he "tames" her and wins her heart. Meanwhile, Bianca marries Lucentio; in the end, she and Katherina compete to see who the most obedient wife is.

5. What is Theatre Music?

Ans: Theatre music refers to a wide range of music composed or adapted for performance in theatres. Genres of theatre music include opera, ballet and several forms of musical theatre, from pantomime to operetta and modern stage musicals and revues.

6. Write a note on Ballet and Dance Music.

Ans: Theatre productions, particularly those with elaborate dance sequences, incorporate ballet and dance music. Composers create pieces that synchronize with choreography, enhancing the visual and auditory elements of the performance.

7. Write a note on Experimental and Avant-Garde Approaches.

Ans: Some theatre productions, particularly those in the realm of experimental or avant-garde theatre, may feature unconventional and innovative music. This can include electronic sounds, non-traditional instruments, or abstract compositions that challenge traditional norms.

►► Short Type Questions & Answers:

1. What are the four species of tragedy?

Ans: According to Aristotle, there are four species of tragedy:

(a) Complex, which involves Peripety and Discovery.

(b) Suffering, tragedies of such nature can be seen in the Greek mythological stories of Ajaxes and Ixions.

(c) Character, a tragedy of moral or ethical character. Tragedies of this nature can be found in Phthiotides and Peleus.

(d) Spectacle that of a horror-like theme. Examples of this nature are Phorcides and Prometheus.

2. Explain Aristotle's 'Anagnorisis'.

Ans: Anagnorisis, in Aristotle's Poetics, refers to a moment of recognition or discovery in a play or story where a character realizes an important truth about themselves, another character, or the situation. It often leads to a change in the character's understanding, bringing clarity and resolution to the narrative. This element is crucial for creating a powerful and impactful storyline, contributing to the overall development of the plot and characters.

3. What is the function of comedy?

Ans: Though there are many functions of comedy, the most important and visible function of comedy is to provide entertainment to the readers. The reader is forced to laugh at the follies of various characters in the comedy.

Thus, he feels jubilant and forgets the humdrum of life. George Meredith, in his Idea of Comedy, is of the view that comedy appeals to the intelligence unadulterated and unassuming and targets our heads. In other words, comedy is an artificial play, and its main function is to focus attention on what ails the world. Comedy is critical but in its scourge of folly and vice.

There is no contempt or anger in a comedy. He is also of the view that the laughter of a comedy is impersonal, polite and very near to a smile. Comedy exposes and ridicules stupidity and immorality but without the wrath of the reformer. There is no contempt or anger in a comedy.

4. Write a note on comedy as a genre.

Ans: Comedy, as a dramatic genre, aims to entertain and amuse through humor. It often explores the lighter side of life, highlighting the absurdities and incongruities of human behavior. While its primary goal is laughter, comedy can also serve as a powerful tool for social commentary, challenging societal norms and exposing contradictions. Classic comedic elements include satire, wordplay, and exaggeration. in comedic works restoration of order, providing a cathartic experience for the audience.

5. Write a note on the history of tragicomedy.

Ans: Tragicomedy, a genre blending elements of tragedy and comedy, has a rich history dating back to ancient Greece. Aristophanes, a Greek playwright, experimented with combining serious and humorous elements in his plays. During the Renaissance, tragicomedy gained prominence in works like Shakespeare's "The Tempest" and "The Winter's Tale." In the 17th century, John Fletcher and Francis Beaumont contributed to the genre's development with plays like "Philaster." Tragicomedy continued to evolve, with Molière's comedies and the later works of playwrights like Tom Stoppard showcasing its versatility. Today, tragicomedy remains a compelling genre, exploring the complexities of human experience through a unique fusion of tragedy and comedy.

Long Type Questions & Answers:

1. What are the elements of a Tragedy?

Ans: A play can include any number of elements that identify it as a tragedy, the most common being a tragic hero, a tragic flaw and catharsis.

(a) Tragic Hero: Atragic hero is a central character whose choices or weaknesses lead to their downfall. They initially possess some admirable or valiant quality, such as bravery, compassion, or decency. But, their bad judgment or moral failings, however momentary, result in failure that has disastrous consequences.

Tragic heroes include Oedipus in Sophocles's Oedipus Rex, whose hubris causes him to fulfill the unthinkable prophecy of murdering his father, marrying his mother, and gouging out his own eyes; and Willy Loman in Arthur Miller's Death of a Salesman, who falls short of his own high standards as a husband and father and kills himself so his family will have the financial support provided by the insurance money.

(b) Tragic Flaw: A tragic flaw is a character trait that triggers the tragic hero's defeat. The flaw might be a decision or mistake the character makes or a limitation they possess. For instance, the title character in Macbeth has the tragic flaw of unbridled ambition, which drives him to join forces with his power-hungry wife and try to murder the king.

In Tennessee Williams's A Streetcar Named Desire, it is Blanche DuBois's emotional fragility-mixed with hearty doses of mental illness and alcoholism-that is her tragic flaw. It shatters under the bullying of her brother-in-law, bringing about her undoing and her ultimate commitment to a mental institution.

(c) Catharsis: Catharsis is a purging or purification of emotions. In Aristotle's definition of tragedy, the audience undergoes a sort of catharsis, but so do the characters. Even if the characters do not survive or experience any type of redemption in the end, the process of catharsis can, emotionally or spiritually speaking, cleanse them of their pain.

Othello's suicide at the play's end, after he realizes that lago's deception has led Othello to kill his wife Desdemona, is a catharsis of sorts. The suicide does not absolve Othello of culpability, but it does absolve him of his pain.

2. Why do you think tragedy is a popular genre? Is tragedy entertaining? What benefit do people derive from watching the downfall of a tragic hero?

Ans: Tragedy remains a popular genre for several reasons. While the idea of enjoying the downfall of characters might seem paradoxical, the appeal lies in the emotional and intellectual impact it has on the audience.

(i) Catharsis and Emotional Release: Tragedies provide a cathartic experience for the audience. The emotional intensity and the empathetic connection with the characters allow viewers to experience and release emotions like pity and fear in a controlled environment. This emotional release can be both therapeutic and fulfilling.

(ii) Identification and Empathy: Audiences often identify with the struggles and flaws of tragic heroes. The portrayal of human imperfections makes the characters relatable, and viewers can empathize with their challenges, creating a powerful emotional bond.

(iii) Exploration of Complex Themes: Tragedies tackle profound and complex themes such as morality, fate, and the consequences of human actions. Watching a tragic narrative unfold allows the audience to engage in thought-provoking reflections on these universal aspects of the human experience.

(iv) Character Development and Realism: Tragedies often feature well-developed characters with depth and complexity. The exploration of their flaws and the consequences of their choices adds a layer of realism and psychological depth to the narrative, enhancing the overall storytelling experience.

(v) Intellectual Stimulation: Tragedies prompt intellectual inquiry by challenging the audience to consider moral and philosophical questions. The downfall of a tragic hero serves as a cautionary tale, encouraging contemplation on the complexities of life and the consequences of certain actions.

(vi) Artistic Expression: Tragedy allows for powerful artistic expression, including heightened language, dramatic scenes, and symbolic elements. The artistic presentation contributes to the aesthetic value of the work, making it engaging and memorable.

(vii) Narrative Tension and Suspense: The inherent tension in a tragedy, as the audience anticipates the inevitable downfall, creates a sense of suspense. This anticipation keeps viewers engaged, wondering how the tragic events will unfold and resolve.

In summary, while the concept of enjoying tragedy might seem contradictory, the appeal lies in the emotional, intellectual, and artistic experiences it offers. The engagement with profound themes, identification with complex characters, and the cathartic release of emotions contribute to the enduring popularity of the tragic genre.

6. Write a note on Shakespearean Tragedy.

Ans: Shakespearean tragedy represents a genre of dramatic works Penned by William Shakespearet that explores profound themes, s, and the inevitability of tragic outcomes. These tragedies, human ase Shakespeare's unparalleled ability dowcase and contenties, marked to delve into the darker Aspects of the human condition. Here are key characteristics of Shakespearean tragedy:

(a) Tragic Hero: Central to Shakespearean tragedy is the concept of the tragic hero. This protagonist, often of noble stature, possesses a fatal flaw (hamartia) that leads to their downfall. Despite their virtues, the tragic hero is flawed in a way that contributes to their own destruction.

(b) Conflict: Intense conflicts, both internal and external, drive the narrative of Shakespearean tragedies. The protagonists grapple with moral dilemmas, societal pressures, and the consequences of their actions.

(c) Supernatural Elements: Many tragedies include supernatural elements, such as ghosts, witches, or supernatural visions. These elements add a layer of mysticism and foreboding to the narrative, heightening the tragedy's impact.

(d) Fate and Destiny: Themes of fate and destiny permeate Shakespearean tragedies. Characters often struggle against a predetermined destiny, with their efforts ultimately proving futile in the face of inexorable forces.

(e) Complex Characters: Shakespeare's tragic characters are multifaceted and undergo profound psychological journeys. Their internal conflicts and moral struggles contribute to the complexity of the narrative.

(f) Soliloquies: The use of soliloquies allows the audience insight into the inner thoughts and emotions of the characters. These introspective monologues contribute to the depth of character development.

(g) Catharsis: The tragedies aim to evoke a sense of catharsis in the audience-an emotional release and purging of pity and fear. Witnessing the downfall of the tragic hero prompts reflection and empathy.

(h) Moral and Ethical Dilemmas: Shakespearean tragedies often present characters with challenging moral and ethical choices. These dilemmas contribute to the exploration of human nature and morality.

(1) High Stakes: The consequences of actions in Shakespearean tragedies are grave and often lead to death or ruin. The stakes are high, and the tragic events have far-reaching implications for the characters and society.

(j) Structural Elements: structure of Shakespearean tragedies typically includes five acts. The progression builds tension, introduces conflicts, and leads to a climax, followed by the denouement.

Notable examples of Shakespearean tragedies include "Hamlet," "Othello," "King Lear," "Macbeth," and "Romeo and Juliet." These works remain timeless, continuing to captivate audiences with their exploration of human nature, moral complexities, and the inexorable forces that lead to tragic outcomes.

3. Discuss the growth of comedy as a genre in English literature.

Ans: The growth of comedy as a genre in English literature has evolved significantly over the centuries, reflecting changes in societal norms, literary trends, and artistic expression. Here is a brief overview:

(a) Ancient Roots: Comedy in English literature has ancient roots, drawing inspiration from Greek and Roman comedic traditions. Aristophanes in Greek literature and Plautus in Roman literature laid foundations for humor in dramatic works.

(b) Medieval Farce: During the medieval period, farce and clements were present performances entertainment. comedic in mystery plays and morality plays. These often featured exaggerated characters and s Isituations for

(c) Shakespearean Comedy: William Shakespeare, in the late 16th andearly 17th centuries, made significant contributions to English comedic literature. His comedies, such as "A Midsummer Night's Dream" and Twelfth Night," combined wit, wordplay, and intricate plots, exploring themes like love, mistaken identity, and societal conventions.

(d) Restoration Comedy: In the late 17th century, the Restoration period saw the rise of comedy as a distinct genre with plays characterized by wit, satire, and sexual innuendo. Playwrights like William Congreve ("The Way of the World") crafted comedies reflecting the changing social landscape.

(e) 18th Century Satire: The 18th century witnessed the emergence of satirical comedy, with writers like Jonathan Swift and Henry Fielding using humor to critique politics, society, and human behavior. Satire became a powerful tool for social commentary.

(f) Victorian Comedy: In the 19th century, Victorian comedy often blended humor with moral lessons. The works of authors like Oscar Wilde ("The Importance of Being Earnest") showcased wit and social satire, challenging societal norms and conventions.

(g) Modern and Contemporary Comedy: The 20th century saw the diversification of comedic forms in literature. Absurdist comedy, black comedy, and experimental styles became prominent. Authors like P.G. Wodehouse, Evelyn Waugh, and later, Tom Stoppard, contributed to the evolution of comedic literature.

(h) Postmodern and Multicultural Influences: In the late 20th and early 21st centuries, comedy in English literature continued to evolve with influences from postmodernism and multicultural perspectives. Authors explored a wide range of comedic styles, addressing diverse themes and perspectives.

(i) Expansion into Other Media: With the advent of film, television, and digital media, comedy expanded beyond literature. Comedic storytelling found new avenues for expression, reaching broader audiences through sitcoms, stand-up comedy, and comedic novels adapted into various formats.

(j) Diverse Voices: Contemporary comedic literature embraces diverse voices, exploring a range of themes, identities, and perspectives.