Chapter 12
 CHILDHOOD 
 

TEXTBOOK EXCERCISES

THINK IT OUT

1. Identify the stanza that talks of each of the following:

Individuality rationalism hypocrisy

Answer:

Individuality: Stanza 3. Here the poet realises that his mind is truly his own and that he can think independently.

Rationalism: Stanza 1. Here the poet begins to question accepted beliefs and realises that Hell and Heaven cannot be found as actual places in Geography.

Hypocrisy: Stanza 2. Here the poet notices that adults talk about love but do not always behave lovingly towards one another.

2. What according to the poem is involved in the process of growing up?

Answer: According to the poem, growing up involves the development of rational thinking, awareness and individuality. A child gradually learns to distinguish between reality and imagination and begins to question ideas that were once accepted without doubt.

Growing up also means recognising the difference between what adults say and what they actually do. Finally, a person develops an independent mind and learns to form thoughts and opinions of his own.

3. What is the poet’s feeling towards childhood?

Answer: The poet has a nostalgic and reflective feeling towards childhood. He repeatedly wonders when his childhood disappeared, showing that its loss is important to him.

At the same time, he understands that growing up has given him rational thinking and independence. In the end, he associates childhood with the innocence visible on an infant’s face.

4. Which do you think are the most poetic lines? Why?

Answer: The lines in the final stanza where the poet imagines childhood as hidden in an infant’s face are the most poetic.

These lines are especially beautiful because they express the abstract idea of childhood through the simple image of an innocent infant. The image suggests purity, simplicity and innocence, while also showing that the poet’s own childhood has passed away.

SHORT ANSWER TYPE QUESTIONS

1. Do you think the poet is nostalgic about his childhood? Does he feel the loss of his childhood as a great loss?

Answer: Yes, the poet appears nostalgic about his childhood. His repeated questions about when and where childhood disappeared show that he feels its loss deeply.

Childhood represents innocence and simplicity for him. However, he also recognises that growing up gives a person rational thinking and an independent mind. Thus, his feeling combines nostalgia with acceptance.

2. Why is the age of eleven so important for the poet? Do you think he attained adulthood at the Age of eleven?

Answer: The age of eleven is important because the poet remembers it as a possible stage when he began to question his childhood beliefs about Heaven and Hell.

He realised that they could not be found as actual places in Geography. However, this does not necessarily mean that he became fully adult at eleven. It was only an important step towards rational thinking and maturity.

3. What does the poet say about the hypocrisy of the grown ups?

Answer: The poet observes that grown-ups often say that they love one another and speak about love, but their actions do not always show the same feeling.

This difference between what adults preach and what they actually practise makes the poet aware of their hypocrisy. Recognising this contradiction becomes an important stage in his growth.

4. What is the difference between childhood and adulthood? Do you think the only difference is between, that of innocence and ‘hypocrisy’?

Answer: Childhood is associated with innocence, trust and dependence on the ideas of others, while adulthood is associated with rational thought, experience and independent judgement.

The difference is not limited only to innocence and hypocrisy. Growing up also involves learning to distinguish reality from imagination, questioning accepted beliefs and developing one’s own thoughts and identity.

5. Is independent thinking a step towards adulthood ? If so, how?

Answer: Yes, independent thinking is an important step towards adulthood.

A child often accepts the ideas and beliefs of adults without questioning them. As a person grows up, he begins to examine ideas for himself and form his own opinions. When he realises that his thoughts belong to him alone, he moves towards maturity and individuality.

6. In the last stanza the poet asks “Where did my childhood go”? The previous three stanzas begin with “When did my childhood go?” Do you think that this change is quite significant?

Answer: Yes, this change is very significant. In the first three stanzas, the poet asks “when” because he is trying to identify the stage or moment at which his childhood ended.

In the last stanza, the question changes to “where”. Now he is no longer searching for a particular time but for the place where childhood has gone. He finally imagines it as being hidden in the innocent face of an infant.

7. Has the poet got an answer to the question : “Where did my childhood go”?

Answer: Yes, the poet arrives at a symbolic answer to his question.

He feels that his childhood has gone to some forgotten place and that its innocence can now be seen in an infant’s face. The infant represents the purity, simplicity and innocence that the poet associates with childhood.

8. Identify where the poet talks of

i) Individuality ii) rationalism iii) hypocrisy

Answer:

i) Individuality: The poet talks of individuality in stanza three. He realises that his mind is his own and that he can think independently without being completely guided by others.

ii) rationalism: Rationalism is presented in stanza one. The poet begins to question the literal existence of Hell and Heaven and learns to distinguish between imagination and reality.

iii) hypocrisy: Hypocrisy appears in stanza two. The poet notices that adults speak and preach about love but do not always practise love in their actions.










Teacher Generate Question Answer 

TEXTBOOK EXCERCISES

 THINK IT OUT 

1. Identify the stanza that talks of each of the following:
āύিāĻŽ্āύāϞিāĻ–িāϤ āĻĒ্ā§°āϤিāϟো āϏ্āĻ¤ā§ąāϕ⧰ āĻŦিāώāϝ়ে āωāϞ্āϞেāĻ– āϕ⧰া āϏ্āĻ¤ā§ąāĻ•āϟো āϚিāύাāĻ•্āϤ āϕ⧰āĻ•:
Individuality              rationalism                      hypocrisy
 
āϏ্āĻŦāĻ•ীāϝ়āϤা                     āϝুāĻ•্āϤিāĻŦাāĻĻ                          āĻ­āĻŖ্āĻĄাāĻŽি

Answer:-  Individuality : stanza no. 3
                  Rationalism : stanza no. 1
                  Hypocrisy    : stanza no.2
 
                  āϏ্āĻŦāĻ•ীāϝ়āϤা : āϏ্āĻ¤ā§ąāĻ• āύং 3
                  āϝুāĻ•্āϤিāĻŦাāĻĻ : āϏ্āĻ¤ā§ąāĻ• āύং 1
                  āĻ­āĻŖ্āĻĄাāĻŽি : āϏ্āĻ¤ā§ąāĻ• āύং 2


2. What according to the poem is involved in the process of growing up?
āĻ•āĻŦিāϤাāϟোā§° āĻŽāϤে āĻĄাāϙ⧰ āĻšোā§ąাā§° āĻĒ্ā§°āĻ•্ā§°িāϝ়াāϤ āĻ•ি āϜāĻĄ়িāϤ āφāĻ›ে?

Answer:-  The process of growing up involves many things. First of all it begins with the stage when one can differentiate between reality and imaginary things. The second stage is reached when one can differentiate between  what adults preach and what they do.  He can see through their hypocrisy. And lastly, independent thinking is the sign of a mature man. He is not influenced or directed by others as he was in his childhood.

 āĻĄাāϙ⧰ āĻšোā§ąাā§° āĻĒ্ā§°āĻ•্ā§°িāϝ়াāϟোāϤ āĻŦāĻšুāϤো āĻŦāϏ্āϤু āĻ…āύ্āϤ⧰্āĻ­ুāĻ•্āϤ āĻĨাāĻ•ে। āĻĒ্ā§°āĻĨāĻŽāϤে āĻāχāϟো āĻŽāĻž্āϚ⧰ āĻĒā§°া āφ⧰āĻŽ্āĻ­ āĻšāϝ় āϝেāϤিāϝ়া āĻāϜāύে āĻŦাāϏ্āĻ¤ā§ą āφ⧰ু āĻ•াāϞ্āĻĒāύিāĻ• āĻŦāϏ্āϤুā§° āĻŽাāϜāϤ āĻĒাā§°্āĻĨāĻ•্āϝ āϕ⧰িāĻŦ āĻĒাā§°ে। āĻĻ্āĻŦিāϤীāϝ় āĻĒā§°্āϝাāϝ়āϤ āωāĻĒāύীāϤ āĻšāϝ় āϝেāϤিāϝ়া āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ•āϏāĻ•āϞে āĻ•ি āĻĒ্ā§°āϚাā§° āϕ⧰ে āφ⧰ু āϤেāĻ“ঁāϞোāĻ•ে āĻ•ি āϕ⧰ে āϤাā§° āĻŽাāϜāϤ āĻĒাā§°্āĻĨāĻ•্āϝ āϕ⧰িāĻŦ āĻĒাā§°ে।  āϤেāĻ“ঁ āϤেāĻ“ঁāϞোāϕ⧰ āĻ­āĻŖ্āĻĄাāĻŽিā§° āϜ⧰িāϝ়āϤে āϚাāĻŦ āĻĒাā§°ে। āφ⧰ু āĻļেāώāϤ, āϏ্āĻŦāϤāύ্āϤ্ā§° āϚিāύ্āϤা āĻšৈāĻ›ে āĻāϜāύ āĻĒā§°িāĻĒāĻ•্āĻ• āĻŽাāύুāĻšā§° āϞāĻ•্āώāĻŖ। āϤেāĻ“ঁ āĻļৈāĻļā§ąā§° āĻĻā§°ে āφāύ⧰ āĻĻ্āĻŦাā§°া āĻĒ্ā§°āĻ­াā§ąিāϤ āĻŦা āĻĒā§°িāϚাāϞিāϤ āύāĻšāϝ় । 


3. What is the poet’s feeling towards childhood?
    āĻļৈāĻļā§ąā§° āĻĒ্ā§°āϤি āĻ•āĻŦিā§° āĻ…āύুāĻ­ā§ą āĻ•ি?

Answer:- The poet seems to be nostalgic about his childhood. But it has been  lost and will not come back. He seems to suffer from a sense of loss.

 āĻ•āĻŦিāϜāύে āϤেāĻ“ঁā§° āĻļৈāĻļā§ąā§° āĻŦিāώāϝ়ে āύāϏ্āϟাāϞāϜিāĻ• āϝেāύ āϞাāĻ—িāĻ›ে। āĻ•িāύ্āϤু āĻāχāϟো āĻšেā§°াāχ āĻ—ৈāĻ›ে āφ⧰ু āϘূā§°ি āύাāĻšে। āϤেāĻ“ঁ āϞোāĻ•āϚাāύ⧰ āĻ…āύুāĻ­ূāϤিāϤ āĻ­ুāĻ—ি āĻĨāĻ•া āϝেāύ āϞাāĻ—িāĻ›ে।




4. Which do you think are the most poetic lines? Why?
    āφāĻĒুāύি āφāϟাāχāϤāĻ•ৈ āĻ•াāĻŦ্āϝিāĻ• āĻļাā§°ী āĻŦোā§° āĻ•োāύāϟো āĻŦুāϞি āĻ­াāĻŦে? āĻ•িāϝ়?

Answer:-  The most poetic lines in the poem are.
‘It went to some forgotten place,
That’s hidden in an infant’s face.
These two lines form a rhyming couplet. They lift us back to the innocent world of an infant where the poet’s childhood seems to be lying hidden.

āĻ•āĻŦিāϤাāϟোā§° āφāϟাāχāϤāĻ•ৈ āĻ•াāĻŦ্āϝিāĻ• āĻļাā§°ীāĻŦোā§° āĻšৈāĻ›ে।
'āĻāϟা āĻ•িāĻ›ু āĻĒাāĻšā§°ি āϝোā§ąা āϜাāϝ়āĻ—াāϝ় āĻ—িāϝ়েāĻ›িāϞ,
āϏেāχāϟো āĻāϟা āĻ•েঁāϚুā§ąাā§° āĻŽুāĻ–āϤ āϞুāĻ•াāχ āφāĻ›ে।
āĻāχ āĻĻুāϟা āĻļাā§°ীāϝ়ে āĻāϟা ā§°িāĻŽিং āĻ•াāĻĒāϞ āĻ—āĻ āύ āϕ⧰ে। āϤেāĻ“ঁāϞোāĻ•ে āφāĻŽাāĻ• āĻāϟা āĻ•েঁāϚুā§ąাā§° āύিāώ্āĻĒাāĻĒ āĻĒৃāĻĨিā§ąীāϞৈ āϘূā§°াāχ āφāύে āϝ'āϤ āĻ•āĻŦিā§° āĻļৈāĻļā§ą āϞুāĻ•াāχ āĻĨāĻ•া āϝেāύ āϞাāĻ—ে।



SHORT ANSWER TYPE QUESTIONS
āϚāĻŽু āωāϤ্āϤ⧰ āĻĒ্ā§°āĻ•াā§°ā§° āĻĒ্ā§°āĻļ্āύ


1. Do you think the poet is nostalgic about his childhood? Does he feel the loss of his childhood as a great loss?

āφāĻĒুāύি āĻ­াāĻŦেāύে āϝে āĻ•āĻŦিāϜāύে āϤেāĻ“ঁā§° āĻļৈāĻļā§ąā§° āĻŦিāώāϝ়ে āύāϏ্āϟাāϞāϜিāĻ•? āϤেāĻ“ঁ āύিāϜ⧰ āĻļৈāĻļā§ąāĻšে āĻšেā§°ুāĻ“ā§ąাāϟো āĻāĻ• āĻĄাāϙ⧰ āĻ•্āώāϤি āĻŦুāϞি āĻ…āύুāĻ­ā§ą āϕ⧰ে āύেāĻ•ি?

Answer:- Naturally the poet grows nostalgic about his childhood. Childhood means innocence and loss of it means the loss of innocence. The poet suffers from a sense of loss and speculates on how and when he suffered that loss.

  āϏ্āĻŦাāĻ­াā§ąিāĻ•āϤে āĻ•āĻŦিāϜāύে āϤেāĻ“ঁā§° āĻļৈāĻļā§ąā§° āĻŦিāώāϝ়ে āύāϏ্āϟাāϞāϜিāĻ• āĻšৈ āĻĒā§°ে। āĻļৈāĻļā§ą āĻŽাāύে āύিā§°্āĻĻোāώāϤা āφ⧰ু āχāϝ়াā§° āĻ•্āώāϤি ā§° āĻ…ā§°্āĻĨ āĻšৈāĻ›ে āύিā§°্āĻĻোāώāϤা āĻšেā§°ুāĻ“ā§ąা। āĻ•āĻŦিāϜāύ āĻ•্āώāϤিā§° āĻ…āύুāĻ­ূāϤিāϤ āĻ­ুāĻ—িāφāĻ›ে āφ⧰ু āϤেāĻ“ঁ āĻ•েāύেāĻ•ৈ āφ⧰ু āĻ•েāϤিāϝ়া āϏেāχ āĻ•্āώāϤিā§° āϏāύ্āĻŽুāĻ–ীāύ āĻšৈāĻ›িāϞ āϏেāχ āĻŦিāώāϝ়ে āĻ…āύুāĻŽাāύ āϕ⧰ে।



2. Why is the age of eleven so important for the poet? Do you think he attained adulthood at the Age of eleven?
āĻ•āĻŦিā§° āĻŦাāĻŦে āĻāϘাā§° āĻŦāϛ⧰ āĻŦāϝ়āϏ āĻ•িāϝ় āχāĻŽাāύ āĻ—ুā§°ুāϤ্āĻŦāĻĒূā§°্āĻŖ? āφāĻĒুāύি āĻ­াāĻŦেāύে āϝে āϤেāĻ“ঁ āĻāϘাā§° āĻŦāϛ⧰ āĻŦāϝ়āϏāϤ āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ• āĻšৈāĻ›িāϞ?

Answer:- At the age  of eleven the poet was able to differentiate between fact and fiction, truth and imaginary speculation. He realised that ‘hell’ and ‘heaven’ are merely imaginary concepts. They don’t exist in the world of reality or even in geography books. The age of eleven was the first step towards maturity and rational thinking.

 āĻāϘাā§° āĻŦāϛ⧰ āĻŦāϝ়āϏāϤ āĻ•āĻŦিāϜāύে āϏāϤ্āϝ āφ⧰ু āĻ•āϞ্āĻĒāĻ•াāĻšিāύী, āϏāϤ্āϝ āφ⧰ু āĻ•াāϞ্āĻĒāύিāĻ• āĻ…āύুāĻŽাāύ⧰ āĻŽাāϜāϤ āĻĒাā§°্āĻĨāĻ•্āϝ āϕ⧰িāĻŦāϞৈ āϏāĻ•্āώāĻŽ āĻšৈāĻ›িāϞ। āϤেāĻ“ঁ āωāĻĒāϞāĻŦ্āϧি āϕ⧰িāĻ›িāϞ āϝে 'āύ⧰āĻ•' āφ⧰ু 'āϏ্āĻŦā§°্āĻ—' āĻ•েā§ąāϞ āĻ•াāϞ্āĻĒāύিāĻ• āϧাā§°āĻŖা। āϏেāχāĻŦোā§° āĻŦাāϏ্āĻ¤ā§ąā§° āĻĒৃāĻĨিā§ąীāϤ āĻŦা āφāύāĻ•ি āĻ­ূāĻ—োāϞ⧰ āĻ•িāϤাāĻĒāϤো āύাāχ। āĻāϘাā§° āĻŦāϛ⧰ āĻŦāϝ়āϏ āĻĒā§°িāĻĒāĻ•্āĻ•āϤা āφ⧰ু āϝুāĻ•্āϤিāϏāĻ™্āĻ—āϤ āϚিāύ্āϤাāϧাā§°াā§° āĻĻিāĻļāϤ āĻĒ্ā§°āĻĨāĻŽ āĻĒāĻĻāĻ•্āώেāĻĒ āφāĻ›িāϞ।



3. What does the poet say about the hypocrisy of the grown ups?
     āĻĄাāϙ⧰ āϞোāĻ•āϏāĻ•āϞ⧰ āĻ­āĻŖ্āĻĄাāĻŽিā§° āĻŦিāώāϝ়ে āĻ•āĻŦিāϝ়ে āĻ•ি āĻ•āϝ়?

Answer:  There was a process of growing up.  He was no more  a child when he could see through the hypocrisy of the grown up people.  It was a step towards adulthood. The grown ups  are not as good as they appear to be. Nor do they practise love in their actions as they preach it so frequently.

      āĻĄাāϙ⧰ āĻšোā§ąাā§° āĻāϟা āĻĒ্ā§°āĻ•্ā§°িāϝ়া āφāĻ›িāϞ।  āĻĄাāϙ⧰ āĻŽাāύুāĻšā§° āĻ­āĻŖ্āĻĄাāĻŽিā§° āĻŽাāϜেā§°ে āϤেāĻ“ঁ āφ⧰ু āĻļিāĻļু āύাāĻ›িāϞ।  āĻāχāϟো āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ•āĻšোā§ąাā§° āĻĻিāĻļāϤ āĻāϟা āĻĒāĻĻāĻ•্āώেāĻĒ āφāĻ›িāϞ। āĻĄাāϙ⧰ āĻŦোā§° āϏিāĻŽাāύ āĻ­াāϞ āύāĻšāϝ় āϝিāĻŽাāύ āĻĻেāĻ–া āϝাāϝ়। āĻŦা āϤেāĻ“ঁāϞোāĻ•ে āϤেāĻ“ঁāϞোāϕ⧰ āĻ•াā§°্āϝ্āϝāϤ āĻĒ্ā§°েāĻŽā§° āĻ…āĻ­্āϝাāϏ āύāϕ⧰ে āϝিāĻšেāϤু āϤেāĻ“ঁāϞোāĻ•ে āχāϝ়াāĻ• āχāĻŽাāύ āϏāϘāύাāχ āĻĒ্ā§°āϚাā§° āϕ⧰ে।



4. What is the difference between childhood and adulthood? Do you think the only difference is between, that of innocence and ‘hypocrisy’?

 āĻļৈāĻļā§ą āφ⧰ু āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ•āϤাā§° āĻŽাāϜāϤ āĻĒাā§°্āĻĨāĻ•্āϝ āĻ•ি? āφāĻĒুāύি āĻ­াāĻŦেāύে āϝে āĻāĻ•āĻŽাāϤ্ā§° āĻĒাā§°্āĻĨāĻ•্āϝ āĻšৈāĻ›ে āύিā§°্āĻĻোāώāϤা āφ⧰ু 'āĻ­āĻŖ্āĻĄাāĻŽি'ā§° āĻŽাāϜāϤ?

Answer:- It appears so. Childhood stands for innocence. It knows no crafts or hypocrisy. The moment a man is able to differentiate between the preaching’s  and actions of the grown ups, he takes a step forward towards maturity. Hypocrisy and crafty nature is associated only with the world of adults.

āĻāύেāĻ•ুā§ąা āϞাāĻ—িāĻ›ে। āĻļৈāĻļā§ąā§° āĻ…ā§°্āĻĨ āĻšৈāĻ›ে āύিā§°্āĻĻোāώāϤা। āχ āĻ•োāύো āĻ•াā§°ুāĻļিāϞ্āĻĒ āĻŦা āĻ­āĻŖ্āĻĄাāĻŽি āύাāϜাāύে। āϝেāϤিāϝ়াāχ āĻāϜāύ āĻŽাāύুāĻšে āĻĒ্ā§°āϚাā§° āφ⧰ু āĻĄাāϙ⧰ āϞোāĻ•āϏāĻ•āϞ⧰ āĻ•াā§°্āϝ্āϝ⧰ āĻŽাāϜāϤ āĻĒাā§°্āĻĨāĻ•্āϝ āϕ⧰িāĻŦāϞৈ āϏāĻ•্āώāĻŽ āĻšāϝ়, āϤেāϤিāϝ়া āϤেāĻ“ঁ āĻĒā§°িāĻĒāĻ•্āĻ•āϤাā§° āĻĻিāĻļāϤ āĻāĻ–োāϜ āφāĻ—ুā§ąাāχ āϝাāϝ়। āĻ­āĻŖ্āĻĄাāĻŽি āφ⧰ু āĻ•ৌāĻļāϞী āĻĒ্ā§°āĻ•ৃāϤি āĻ•েā§ąāϞ āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āϕ⧰ āĻĒৃāĻĨিā§ąীā§° āϏৈāϤে āϏāĻŽ্āĻĒā§°্āĻ•িāϤ।



5. Is independent thinking a step towards adulthood ? If so, how?

 āϏ্āĻŦāϤāύ্āϤ্ā§° āϚিāύ্āϤা āϧাā§°āĻŖ āϕ⧰াāϟো āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ•āĻšোā§ąাā§° āĻĻিāĻļāϤ āĻāĻ• āĻĒāĻĻāĻ•্āώেāĻĒ āύেāĻ•ি? āϝāĻĻি āĻšāϝ়, āĻ•েāύেāĻ•ৈ?

Answer:- Certainly, it is. A child has no independence. His thinking is always influenced and directed by adults. The day he starts thinking independently, he takes a step ahead towards maturity. The day he feels that his thoughts are his own and only his own, then, it is a definite step towards adulthood.

 āύিāĻļ্āϚিāϤāĻ­াā§ąে, āĻāχāϟো āĻšৈāĻ›ে। āĻļিāĻļুāĻāϟাā§° āĻ•োāύো āϏ্āĻŦাāϧীāύāϤা āύাāχ। āϤেāĻ“ঁā§° āϚিāύ্āϤাāϧাā§°া āϏāĻĻাāϝ় āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ•āϏāĻ•āϞ⧰ āĻĻ্āĻŦাā§°া āĻĒ্ā§°āĻ­াā§ąিāϤ āφ⧰ু āĻĒā§°িāϚাāϞিāϤ āĻšāϝ়। āϝিāĻĻিāύা āϤেāĻ“ঁ āϏ্āĻŦāϤāύ্āϤ্ā§°āĻ­াā§ąে āϚিāύ্āϤা āϕ⧰া āφ⧰āĻŽ্āĻ­ āϕ⧰ে, āϤেāĻ“ঁ āĻĒā§°িāĻĒāĻ•্āĻ•āϤাā§° āĻĻিāĻļāϤ āĻāĻ–োāϜ āφāĻ—ুā§ąাāχ āϝাāϝ়। āϝিāĻĻিāύা āϤেāĻ“ঁ āĻ…āύুāĻ­ā§ą āϕ⧰ে āϝে āϤেāĻ“ঁā§° āϚিāύ্āϤাāĻŦোā§° āϤেāĻ“ঁā§° āύিāϜ⧰ āφ⧰ু āĻ•েā§ąāϞ āϤেāĻ“ঁā§° āύিāϜ⧰, āϤেāύেāĻš'āϞে, āĻāϝ়া āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ•āĻšোā§ąাā§° āĻĻিāĻļāϤ āĻāĻ• āύিā§°্āĻĻিāώ্āϟ āĻĒāĻĻāĻ•্āώেāĻĒ।



6. In the last stanza the poet asks “Where did my childhood go”? The previous three stanzas begin with “When did my childhood go?” Do you think that this change is quite significant?

 āĻļেāώ⧰ āϏ্āĻ¤ā§ąāĻ•āϤ āĻ•āĻŦিāϜāύে āϏুāϧিāĻ›িāϞ "āĻŽোā§° āĻļৈāĻļā§ą āĻ•'āϞৈ āĻ—ৈāĻ›িāϞ"? āφāĻ—ā§° āϤিāύিāϟা āϏ্āĻ¤ā§ąāĻ• "āĻŽোā§° āĻļৈāĻļā§ą āĻ•েāϤিāϝ়া āĻ—ৈāĻ›িāϞ?" ā§°ে āφ⧰āĻŽ্āĻ­ āĻšāϝ়। āφāĻĒুāύি āĻ­াāĻŦেāύে āϝে āĻāχ āĻĒā§°িā§ąā§°্āϤāύāϟো āϝāĻĨেāώ্āϟ āĻ—ুā§°ুāϤ্āĻŦāĻĒূā§°্āĻŖ?

Answer:- In all the previous stanzas, the poet has been asking the same question. He wants to know the stage when he lost his childhood and suddenly grew up as an adult. But in the last stanza he asks. ‘Where did my childhood go?’ He wants to know the place and not the time. And finally he finds an answer. ‘That’s hidden in an infant’s face.’

 āφāĻ—ā§° āϏāĻ•āϞো āϏ্āĻ¤ā§ąāĻ•āϤ, āĻ•āĻŦিāϝ়ে āĻāĻ•েāϟা āĻĒ্ā§°āĻļ্āύ āϏুāϧি āφāĻšিāĻ›ে। āϤেāĻ“ঁ āϏেāχ āĻŽāĻž্āϚāϟো āϜাāύিāĻŦ āĻŦিāϚাā§°ে āϝেāϤিāϝ়া āϤেāĻ“ঁ āĻļৈāĻļā§ą āĻšেā§°ুā§ąাāχāĻ›িāϞ āφ⧰ু āĻšāĻ াāϤে āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ• āĻšিāϚাāĻĒে āĻĄাāϙ⧰ āĻšৈāĻ›িāϞ। āĻ•িāύ্āϤু āĻļেāώ⧰ āϏ্āĻ¤ā§ąāĻ•āϤ āϤেāĻ“ঁ āϏুāϧিāĻ›িāϞ। 'āφāĻŽাāϰ āĻļৈāĻļāĻŦ āĻ•োāĻĨাāϝ় āĻ—িāϝ়েāĻ›িāϞ? āϤেāĻ“ঁ āĻ াāχāĻ–āύ āϜাāύিāĻŦ āĻŦিāϚাā§°ে āφ⧰ু āϏāĻŽāϝ় āϟো āύāĻšāϝ়। āφ⧰ু āĻļেāώāϤ āϤেāĻ“ঁ āĻāϟা āωāϤ্āϤ⧰ āĻŦিāϚাā§°ি āĻĒাāϞে। 'āĻ“āϟা āĻāĻ•āϟা āĻ¨ā§ąāϜাāϤāĻ•েāϰ āĻŽুāĻ–ে āϞুāĻ•āύো āφāĻ›ে।




7. Has the poet got an answer to the question : “Where did my childhood go”?

 āĻ•āĻŦিāϜāύে āĻāχ āĻĒ্ā§°āĻļ্āύāϟোā§° āωāϤ্āϤ⧰ āĻĒাāχāĻ›ে āύেāĻ•ি: "āĻŽোā§° āĻļৈāĻļā§ą āĻ•'āϞৈ āĻ—ৈāĻ›িāϞ"?

Answer:- It seems that the poet has got the final answer. He realises that his childhood is lying hidden in an infant’s innocent face and has been deliberately forgotten. His lost childhood is lying hidden somewhere in the innocence which is present only over an infant’s face.

  āĻāύেāĻ•ুā§ąা āϞাāĻ—িāĻ›ে āϝে āĻ•āĻŦিāϝ়ে āϚূāĻĄ়াāύ্āϤ āωāϤ্āϤ⧰ āĻĒাāχāĻ›ে। āϤেāĻ“ঁ āωāĻĒāϞāĻŦ্āϧি āϕ⧰ে āϝে āϤেāĻ“ঁā§° āĻļৈāĻļā§ą āĻāϟা āĻ•েঁāϚুā§ąাā§° āύিāώ্āĻĒাāĻĒ āĻŽুāĻ–āϤ āϞুāĻ•াāχ āφāĻ›ে āφ⧰ু āχāϚ্āĻ›াāĻ•ৃāϤāĻ­াā§ąে āĻĒাāĻšā§°ি āĻ—ৈāĻ›ে। āϤেāĻ“ঁā§° āĻšেā§°ুāĻ“ā§ąা āĻļৈāĻļā§ąāϟো āĻ•েā§ąāϞ āĻ•েঁāϚুā§ąাā§° āĻŽুāĻ–āϤ āĻĨāĻ•া āύিā§°্āĻĻোāώāϤাāϤ āϕ⧰āĻŦাāϤ āϞুāĻ•াāχ āφāĻ›ে।



8. Identify where the poet talks of
    āĻ•āĻŦিāϝ়ে āĻ•'ā§° āĻ•āĻĨা āĻ•āϝ় āϚিāύাāĻ•্āϤ āϕ⧰āĻ•

āĻ•) āϏ্āĻŦāĻ•ীāϝ়āϤা āφāχ ) āϝুāĻ•্āϤিāĻŦাāĻĻ āϤৃāϤীāϝ়) āĻ­āĻŖ্āĻĄাāĻŽি।


i) Individuality    ii) rationalism    iii) hypocrisy

āĻ•) āϏ্āĻŦāĻ•ীāϝ়āϤা         āĻ–) āϝুāĻ•্āϤিāĻŦাāĻĻ          āĻ—) āĻ­āĻŖ্āĻĄাāĻŽি    

Answer:- i) The poet talks of his ‘individuality’ in stanza three. Here is a person whose mind is really his own and who can think independently. He is not influenced or directed by others.  Ii) The poet’s rationalism is shown in stanza first. Here he comes to realise for the first time that ‘hell’ and ‘heaven’ are merely imaginary concepts. He can now differentiate between facts and fiction. Iii) The poet can see through the hypocrisy of the grown ups in  stanza two. Adults are not what they appear to be. They talk and preach of love but seldom practice it.

  āĻ•āĻŦিāϜāύে āϤেāĻ“ঁā§° 'āϏ্āĻŦāĻ•ীāϝ়āϤা'ā§° āĻ•āĻĨা āϏ্āĻ¤ā§ąāĻ• āϤিāύিāϤ āĻ•ৈāĻ›ে। āχāϝ়াāϤ āĻāϜāύ āĻŦ্āϝāĻ•্āϤি āφāĻ›ে āϝাā§° āĻŽāύ āϏঁāϚাāĻ•ৈāϝ়ে āϤেāĻ“ঁā§° āύিāϜ⧰ āφ⧰ু āϝি āϏ্āĻŦāϤāύ্āϤ্ā§°āĻ­াā§ąে āϚিāύ্āϤা āϕ⧰িāĻŦ āĻĒাā§°ে। āϤেāĻ“ঁ āφāύ⧰ āĻĻ্āĻŦাā§°া āĻĒ্ā§°āĻ­াā§ąিāϤ āĻŦা āĻĒā§°িāϚাāϞিāϤ āύāĻšāϝ়।  āĻĻ্āĻŦিāϤীāϝ়) āĻ•āĻŦিā§° āϝুāĻ•্āϤিāĻŦাāĻĻ āĻĒ্ā§°āĻĨāĻŽে āϏ্āĻ¤ā§ąāĻ•āϤ āĻĻেāĻ–ুāĻ“ā§ąা āĻšৈāĻ›ে। āχāϝ়াāϤ āϤেāĻ“ঁ āĻĒ্ā§°āĻĨāĻŽāĻŦাā§°ā§° āĻŦাāĻŦে āωāĻĒāϞāĻŦ্āϧি āϕ⧰িāĻŦāϞৈ āφāĻšিāĻ›ে āϝে 'āύ⧰āĻ•' āφ⧰ু 'āϏ্āĻŦā§°্āĻ—' āĻ•েā§ąāϞ āĻ•াāϞ্āĻĒāύিāĻ• āϧাā§°āĻŖা। āϤেāĻ“ঁ āĻāϤিāϝ়া āϤāĻĨ্āϝ āφ⧰ু āĻ•āϞ্āĻĒāĻ•াāĻšিāύীā§° āĻŽাāϜāϤ āĻĒাā§°্āĻĨāĻ•্āϝ āϕ⧰িāĻŦ āĻĒাā§°ে। āϤৃāϤীāϝ়) āĻ•āĻŦিāϝ়ে āĻĄাāϙ⧰ āϞোāĻ•āϏāĻ•āϞ⧰ āĻ­āĻŖ্āĻĄাāĻŽিā§° āϜ⧰িāϝ়āϤে āĻĻ্āĻŦিāϤীāϝ় āϏ্āĻ¤ā§ąāĻ•āϤ āϚাāĻŦ āĻĒাā§°ে। āĻĒ্ā§°াāĻĒ্āϤāĻŦāϝ়āϏ্āĻ•āϏāĻ•āϞ āϤেāĻ“ঁāϞোāϕ⧰ āĻĻā§°ে āύāĻšāϝ়। āϤেāĻ“ঁāϞোāĻ•ে āĻĒ্ā§°েāĻŽā§° āĻ•āĻĨা āĻ•āϝ় āφ⧰ু āĻĒ্ā§°āϚাā§° āϕ⧰ে āĻ•িāύ্āϤু āĻ•েāϤিāϝ়াāĻŦাāĻšে āχāϝ়াāĻ• āĻ…āύুāĻļীāϞāύ āϕ⧰ে।


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