Lesson- 7 (Poem)


The Tree

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Summary

            The poet has done a symbolic representation of trees in this poem. Here, trees are refer to woman who have been healed and are ready to move out of their houses to fulfil their primary purpose – to renew the forest of mankind. As woman have remained indoors, the forest has become empty, the birds and insects rendered shelter less. The sun’s rays do not have the tree trucks and leaves to fall upon and thus, reach the earth, she says that the forest will be full of trees the next morning. The roots of the tress are working hard to separate from the floor of the veranda where they have remained fixed. The leaves and branches are moving towards the glass windows. They are desperate to move out just like a newly discharged patient who has not recovered completely, moves to the exit door of the hospital of a hurry. The poet if sitting in her house with the doors of the open. Shi is writing letters but does not mention this movement of the trees. It is night time, the sky is clear & a bright moon is visible. She can smell the leaves & lichen which seem to be calling out desperately. She hears the glass of the window pane breaking. The  trees are moving out and the fast blowing wind embraces them. As the trees have reached the forest, the tall and strong oak tree ouearshadaws the moon and it seems that the moon has been broken into several pieces.


āĻŽূāϞāĻ­াā§ąঃ

       āĻ•āĻŦিāϤাāϟোā§° āϜ⧰ি⧟āϤে āĻ•āĻŦি⧟ে āĻ—āĻ›āĻ• āϏাংāĻ•েāϤিāĻ• āĻ­াā§ąে āωāĻĒāϏ্āĻĨাāĻĒāύ āϕ⧰িāĻ›ে।āĻ‡ā§ŸাāϤ āĻ—āĻ›āĻŦোā§°āĻ• āĻŽāĻšিāϞাā§° āϞāĻ—āϤ āϤুāϞāύা āϕ⧰িāĻ›ে āϝি⧟ে āύিāϜ⧰ āĻĒā§°ি⧟াāϞ⧰ āĻĒ্⧰⧟োāϜāύী⧟āϤা āĻĒূā§°াāĻŦā§° āĻŦাāĻŦে āϘ⧰⧰ āĻĒā§°া āĻŦাāĻšিā§°āϤ āĻ“āϞাāχ āϝা⧟।āĻŽāĻšিāϞাāĻŦোā§°ā§° āĻ…āĻŦিāĻšāύে āϝিāĻĻā§°ে āϘ⧰āĻ–āύ āĻ…āϏāĻŽ্āĻĒূā§°্āĻŖ āϤেāύেāĻĻā§°ে āĻ—āĻ› āĻ…āĻŦিāĻšāύে āĻšাāĻŦিāĻŦোā§° āĻ…āϏāĻŽ্āĻĒূā§°্āĻŖ, āϚ⧰াāχāĻŦোā§°ā§° āĻĨাāĻ•িāĻŦāϞৈ āĻ াāχ āύাāχ, āĻĒāϤāĻ™্āĻ—āϤাāĻŦোā§°ā§° āĻ াāχ āύাāχ āϞুāĻ•াāĻŦāϞৈ, āϏূā§°্āϝ⧰ ā§°āĻļ্āĻŽিā§° āϜীā§°াāĻŦāϞৈ āĻ•োāύো āĻ—āϛ⧰ āĻĄাāϞ āύাāχ āϘ⧰ে-āĻŦাāĻŦে āĻšৈ āφāĻšি āĻŽাāϟিāϤ āĻĒā§°েāĻšি।āĻ•āĻŦি⧟ে āĻ•ৈāĻ›ে āĻ…āĻšাāĻ•াāϞিāĻ•ৈ āĻšাāĻŦিāĻŦোā§° āĻ—āĻ›েā§°ে āĻ­ā§°ি āĻĒā§°িāĻŦ।āĻ•ি⧟āύো āĻ—āĻ›āĻŦোā§°ে āĻ•āĻŦিā§° āϘ⧰⧰ āϚোঁāϤাāϞ⧰ āĻĒā§°া āύিāϜāĻ• āφঁāϤ⧰াāχ āφāύিāĻŦāϞৈ āĻ…āĻšā§°āĻš āϚেāώ্āϟা āϕ⧰িāĻ›ে।āĻ—āϛ⧰ āĻĄাāϞ-āĻĒাāϤāĻŦোā§° āĻ•াঁāϚ⧰ āĻ–িāĻĄ়িāĻ•ীāĻ–āύ⧰ āĻĢাāϞে āĻ—āϤি āϕ⧰িāĻ›ে।āϏিāĻšঁāϤে āϚিāĻ•ā§ŽāϏাāϞ⧟⧰ āĻĒā§°া āϝাāĻŦāϞৈ āĻ‰ā§ŽāϏুāĻ• āĻšৈ āĻĒā§°িāĻ›ে,āϝি⧟ে āϏāĻŽ্āĻĒূā§°্āĻŖ āϏুāϏ্āĻĨ āĻšৈ āύুāĻ াāĻ•ৈ⧟ে āϚিāĻ•িā§ŽāϏা⧟āϞ⧰ āĻĒā§°া āϝাāĻŦāϞৈ āωāĻĻāĻ—্ā§°ীā§ą āĻšৈ āĻĨাāĻ•ে।āĻ•āĻŦি⧟ে āĻĻā§°্āϜাāĻ–āύ āĻ–ুāϞি āϚোāϤাāϞ⧰ āĻĢাāϞে āĻŽুāĻ– āϕ⧰ি āĻŦāĻšি āφāĻ›ে।āĻ•āĻŦি⧟ে āĻ•াā§°োāĻŦাāϞৈ āϚিāĻ ি āϞিāĻ–ি āφāĻ›ে āϝ’āϤ āϤেāĻ“ঁ āĻ—āĻ›āĻŦোā§°ā§° āφāϚ⧰āĻŖā§° āĻ•āĻĨা āωāϞ্āϞেāĻ– āϕ⧰া āύাāχ।


Questions I

1. Find in the first stanza, three things that can not happen in a treeless forest.

  āĻĒ্ā§°āĻĨāĻŽ āϏ্āĻ¤ā§ąāϕ⧰ āĻĒā§°া āĻāϟা āĻŦāϏ্āϤ্āϤ āĻŦাāĻ›ি āωāϞিāĻ“ā§ąা āϝিāϟো āĻāĻ–āύ āĻ—āĻ› āύোāĻšোā§ąা āĻšাāĻŦিāϤ āĻš’āĻŦ āύোā§ąাā§°ে।


Answer The three things that can not happen in a treeless forest are – the sitting of a bird on trees, The hiding of insects and the sun burying its feet in the shadow of the forest.

    āĻ—āĻ› āύāĻĨāĻ•া āĻšাāĻŦিāϤ āĻš’āĻŦ āύোā§ąাā§°া āϤিāύিāϟা āĻ•াāĻŽ āĻš’āϞ- āϚ⧰াāχāĻŦোā§°ে āĻ—āĻ›āϤ āϜিā§°āĻŖী āϞāĻŦ āύোā§ąাā§°ে, āĻĒোāĻ• āĻĒāϤāĻ™্āĻ—āĻŦোā§°ে āϞুāĻ•াāĻŦāϞৈ āĻ াāχ āύাāĻĒাāĻŦ āφ⧰ু āϏূā§°্āϝ⧰ ā§°āĻļ্āĻŽি⧟ে āφāĻšি āĻ—āϛ⧰ āĻ›াঁāϤ āĻĒā§°িāĻŦ āύোā§ąাā§°িāĻŦ।


2. What picture do these words create in your mind”… sun bury its feet in  shadow …”? What could the poet mean by sun’s feet?

      āĻļāĻŦ্āĻĻāĻ•েāχāϟাā§° āϜ⧰ি⧟āϤে āϤোāĻŽাā§° āĻŽāύāϞৈ āĻ•েāύে āϧ⧰াāĻŖা āφāĻšুāĻ›ে”… āĻŦেāϞিāϟোā§ąে āĻ—āϛ⧰ āĻ›াঁāϤ āĻĨ⧟, ‘āĻŦেāϞিā§° āĻ­ā§°ি’ āĻŽাāύে āĻ•āĻŦি⧟ে āĻ•ি āĻŦুāϜাāĻŦ āĻŦিāϚাā§°িāĻ›ে?

Answer: By the words mentioned in the question, we got the idea of the sun rays fall on the earth. Without trees there would be no shadow on the ground, the rays fall directly on the ground, in a forest with trees, the shadow hides the sun rays that it seems that the sun is burning its in the shadow that fall from the trees.

   āĻĒ্ā§°āĻļ্āύোāĻĻ্āϧৃāϤ āĻļāĻŦ্āĻĻāĻ•েāχāϟাā§° āϜ⧰ি⧟āϤে, āφāĻŽি āϏূā§°্āϝ⧰ ā§°āĻļ্āĻŽিā§° āφāĻ­াāϏ āĻĒাāĻ“ঁ āϝু⧟ে āĻĒৃāĻĨিā§ąীāϤ āφāĻšি āĻĒā§°েāĻšি।āĻ—āĻ› āĻ…āĻŦিāĻšāύে āϧ⧰াāϤ āĻ•’āϤো āĻ›াঁ āύাāĻĨাāĻ•িāĻŦি, āĻšাāĻŦিāĻŦোā§°āϤ āĻĨāĻ•া āĻ—āϛ⧰ু āĻ›াঁāĻŦোā§°ে āϏূā§°্āϝ⧰ ā§°āĻļ্āĻŽিāĻ• āĻĸাāĻ•ি āϧ⧰ে āφ⧰ু āχ āĻ—āϛ⧰ āĻĄাāϞ āĻĒাāϤāϤে āϜিā§°āĻŖি āϞ⧟।


Questions II

1. Where are the trees in the poem? What do their roots, their leaves and their twigs do?

   āĻ•āĻŦিāϤাāϟোāϤ āĻ—āĻ›āĻŦোā§° āĻ•’āϤ āφāĻ›ে?  āĻ—āĻ›āĻŦোā§° āĻļিāĻĒা āĻĄাāϞ, āĻĒাāϤ āφāĻĻিāĻŦোā§°ে āĻ•ি āϕ⧰িāĻ›ে?

Answer: In the poem, the trees are trapped in in the poot’s house. Their roots work all night to disengage themselves from the racks in the veranda floor. The leaves try very hard to move towards the glass and put a lot pressure on it so that it breaks while the small twigs get stiff with exertion.

   āĻ•āĻŦিāϤাāϟোāϤ āĻ—āĻ›āĻŦোā§° āĻ•āĻŦিā§° āϘ⧰āϤ āφāĻ›ে।āχāĻšঁāϤ⧰ āĻļিāĻĒা āĻŦোā§°ে āϓ⧰ে āύিāĻļা āĻ•āώ্āϟ āĻ•āĻŦিā§° āϘ⧰⧰ āϚোāϤাāϞ⧰ āĻĒā§°া āύিāϜāĻ•ে āφংāϤ⧰াāχ āφāύিāĻŦāϞৈ।āĻ—āϛ⧰ āĻĒাāϤāĻŦোā§°েāĻ“ āĻ•াঁāϚāĻ–āύ⧰ āĻĢাāϞে āϝাāĻŦāϞৈ āĻ¯ā§ŽāĻĒā§°োāύাāϏ্āϤি āϚেāώ্āϟা āϚāϞাāχāĻ›িāϞ।āĻ িāĻ• āϤেāύেāĻĻā§°ে āϏ⧰ু āĻĄাāϞ āĻĒাāϤāĻŦোā§°েāĻ“ āĻ•āĻ োā§° āĻĒā§°িāĻļ্ā§°āĻŽ āϕ⧰িāĻ›িāϞ।


2. What does the poet compare their branches to?

   āĻ•āĻŦি⧟ে āĻĄাāϞāĻŦোā§°āĻ• āĻ•িāĻšā§° āϞāĻ—āϤ āϤুāϞāύা āϕ⧰িāĻ›ে।

Answer: The poet compares the branches to newly discharged patients of a hospital. The large branches of the trees become cramped due to the roof above them and when they get free they rush stumblingly to the outside world. While doing so, they look half-shocked like the patients, who wait for a long time to get out of the hospital.

āĻ•āĻŦি⧟ে āĻ—āϛ⧰ āĻĄাāϞāĻŦোā§°āĻ• āϚিāĻ•িā§ŽāϏাāϞ⧟⧰ āĻĒā§°া āĻŽুāĻ•্āϤি āĻĻি⧟া āύāϤুāύ ā§°োāĻ—ীā§° āϞāĻ—āϤ āϤুāϞāύা āϕ⧰িāĻ›ে।āĻĄাāϙ⧰ āĻĄাāϞāĻŦোā§° āĻĨেāĻĒাāĻĨেāĻĒি āĻšৈ āφāĻ›ে āĻ“āĻĒā§°āϤ āĻĨāĻ•া āϚাঁāĻĻāĻ–āύ⧰ āĻŦাāĻŦে āφ⧰ু āϝেāϤি⧟াāχ āϏিāĻšঁāϤে āĻŽুāĻ•āϞি āĻ াāχ āĻĒাāχāĻ›ে āϤেāϤি⧟াāχ āύāϤুāύāĻ•ৈ āĻ āύ āϧি āωāĻ িāĻ›ে।āϏেāχ āϏāĻŽā§ŸāϤ āϏিāĻšঁāϤāĻ• āϚিāĻ•িā§ŽāϏা⧟āϤ āĻŽুāĻ•্āϤিā§° āĻŦাāĻŦে āĻ…āĻĒেāĻ•্āώাā§°āϤ ā§°োāĻ—ীā§° āĻĻā§°ে āĻĻেāĻ–া āĻ—ৈāĻ›ি।

Question III

1. How does the poet describe the moon:

āĻ•āĻŦি⧟ে āϜোāύāϟো āĻ•িāĻĻā§°ে āĻŦā§°্āĻŖāύা āϕ⧰িāĻ›েঃ

 a) at the beginning of the third stanza’

    āϤৃāϤী⧟ āϏ্āĻ¤ā§ąāϕ⧰ āφ⧰āĻŽ্āĻ­āĻŖিāϤ,

 b) as its end? What causes this change?

 āĻāĻ•ে āϏ্āĻ¤ā§ąāϕ⧰ āĻļেāώāϤ? āĻ•ি⧟ āĻāχ āĻĒā§°িā§ąā§°্āϤāύ āĻšৈāĻ›ে?

Answer: a) At the beginning of the third stanza, the poet says that the full moon is shining in the open sky in the fresh night.

   āϤৃāϤী⧟ āϏ্āĻ¤ā§ąāϕ⧰ āφ⧰āĻŽ্āĻ­āĻŖিāϤে āĻ•āĻŦি⧟ে āĻ•ৈāĻ›ে āϝে āϜোāύāϟো āĻŽুāĻ•āϞি āφāĻ•াāĻļā§° āϤāϞāϤ āϜিāϞিāĻ•ি āφāĻ›ে।

b) At the end of the stanza, she described that the moon breaks into pieces like a broken mirror & shines on the heads of the tallest oak trees. AS the trees move outside, they cover some of the shine of the moon and it can be seen only in parts. This is why, it seems that the moon broken into pieces.

  āϏ্āĻ¤ā§ąāϕ⧰ āĻļেāώāϤ āĻ•āĻŦি⧟ে āĻ•ৈāĻ›ে, āϜোāύāĻŦাāχāϟো āĻ•াঁāϚ⧰ āĻĻā§°ে āϟুāĻ•ুā§°া āϟুāĻ•ুā§° āĻšৈ āĻ­াāĻ™ি āĻĒā§°িāϞে āφ⧰ু āχ āφāϟাāχāϤāĻ•ৈ āĻĄাāϙ⧰ āĻ“āĻ– āĻ…’āĻ• āĻ—āĻ›āĻĄাāϞ⧰ āĻ“āĻĒā§°āϤ āϜিāϞিāĻ•ি ā§°ৈāĻ›ে।āĻŦাāĻ•ী āĻ—āĻ›āĻŦোā§°ā§° āĻ“āĻĒā§°āϤো āϜোāύ⧰ āĻ•্āώীāĻŖ āĻĒোāĻšā§° āĻĒā§°া āĻŦাāĻšিā§°ā§° āĻĒā§°া āĻĻেāĻ–িāĻŦāϞৈ āĻĒোā§ąা āĻ—ৈāĻ›ে।āϏে⧟েāĻšে āĻ•āĻŦি⧟ে āϜোāύāĻŦাāχāϟো āϟুāĻ•ুā§°া āϟুāĻ•ুā§° āĻšৈ āϝোā§ąা āĻŦুāϞি āĻ•ৈāĻ›ে।


2. What happens to the house when the trees move out of it?

āϝেāϤি⧟া āĻ—āĻ›āĻŦোā§° āϘ⧰োāϟোā§° āĻĒā§°া āφঁāϤ⧰ āĻš’āĻŦ āϤেāϤি⧟া āĻš’āĻŦ?

Answer: When the trees move out of the house, the glasses break and the whispers of the trees vanish, leaving the house silent.

     āϝেāϤি⧟া āĻ—āĻ›āĻŦোā§° āϘ⧰āϟোā§° āĻĒā§°া āφঁāϤ⧰ি āϝাāĻŦ āϤেāϤি⧟া āĻ•াঁāϚāĻŦোā§° āĻ­াāĻ™ি āĻĨাāĻ•িāĻŦ āφ⧰ু āĻ—āϛ⧰ āĻļāĻŦ্āĻĻāĻŦোā§° āύাāχāĻ•ি⧟া āĻšৈ āϘ⧰āϟো āύিāϜāύāϤাāϤ āĻĄিāĻŦ āϝাāĻŦ।


3. Why do you think the poet does not mention “the departure of the forest from the house “in her letter? (could it be that we are unexpected that they embarrass us? Think about this again when you answer the next set of questions.)

    (āĻ•āĻŦি⧟ে āϚিāĻ ি āĻ–āύāϤ āĻ—āĻ›āĻŦোā§° āϘ⧰⧰ āϚোāϤাāϞ⧰ āĻĒā§°া āϘ⧰ে āĻŦিāϚ⧰া āĻ•āĻĨাāϟো āĻ•ি⧟ āĻ•োā§ąা āύাāĻ›িāϞ āĻŦুāϞি āϤুāĻŽি āĻ­াāĻŦা? (āϤেāĻ“ঁ āĻ•āĻĨাāϟোāĻ“ āϞাāϜ āĻĒাāĻŦ āĻŦুāϞি⧟ে āĻ•োā§ąা āύাāĻ›িāϞ āύেāĻ•ি? āĻĒā§°ā§ąā§°্āϤী āωāϤ্āϤ⧰āĻ•েāχāϟা āϕ⧰োāϤেāĻ“ āĻāχāϟো āĻ•āĻĨা āĻ­াāĻŦিāĻŦা)

Answer: The poet hardly mentions about “the departure of the forest from the house” in her letters because it is humans, who did not care for nature in the first place. So may be, the poet now thinks that nobody would be interested in knowing about the efforts that the trees are making in order to set themselves free. If others men cared about the trees, they would not have destroyed them. It seems that this whole beauty of trees moving back to forests can be seen and felt only by the poet.

    āĻ•āĻŦি⧟ে āύিāϜ⧰ āϚিāĻ িāĻ–āύāϤ āĻ—āĻ›āĻŦā§°ো āφঁāϤ⧰ি āϝোā§ąা āĻ•āĻĨা āωāϞ্āϞেāĻ– āϕ⧰া āύাāĻ›িāϞ, āĻ•াā§°āĻŖ āĻŽাāύুāĻšে āĻ•েāϤি⧟াāĻ“ āĻĒ্ā§°āĻ•ৃāϤিā§° āĻĒ্ā§°āϤি āϏāϜাāĻ— āĻŦা āϏāϤ⧰্āĻ• āύāĻšā§Ÿ।āϏে⧟েāĻšে āϤেāĻ“ঁ āĻ­াāĻŦিāϞে āϝে āĻ—āĻ›āĻŦোā§°ā§° āϤেāĻ“ঁā§° āϘ⧰⧰ āϚোāϤাāϞ⧰ āĻĒā§°া āĻ“āϞাāχ āϝাāĻŦāϞৈ āϕ⧰া āĻ…āĻĒ্ā§°াāĻŖ āϚেāώ্āϟাā§° āĻ•āĻĨা āĻ•োāύো āĻŽাāύুāĻšে āĻļুāύিāĻŦ āύিāĻŦিāϚাā§°িāĻŦ।āĻ•াā§°āĻŖ āĻŦাāĻ•ী āĻŽাāύুāĻšāĻŦোā§°ে āĻ—āĻ›āĻŦোā§°ā§° āĻ•āĻĨা āĻŦুāϜি āĻĒোā§ąা āĻš’āϞে āϏিāĻšঁāϤ⧰ āϝāϤ্āύ āϞāϞে āĻšā§Ÿ।āĻšাāĻŦিā§° āĻŽাāϜāϤ āĻĨāĻ•া āĻ—āĻ›āĻŦোā§°ā§° āϏৌāύ্āĻĻā§°্āϝ āĻ•েā§ąāϞ āĻ•āĻŦি⧟েāĻšে āωāĻĒāĻ­োāĻ— āϕ⧰িāĻŦ āĻĒাā§°ে।

Questions Iv

Now that you have read the poem in detail, we can begin to ask what the poem might mean. Here are two suggestions. Can you think of others.

(āϏāĻŽ্āĻĒূā§°্āĻŖ āĻ•āĻŦিāϤাāϟো āĻŦুāϜি āωāĻ া āĻĒাāĻ›āϤ āĻ•āĻŦিāϤাāϟোā§° āĻŦিāώ⧟ে āϤোāĻŽাā§° āĻ…āĻ­িāĻŦ্āϝāĻ•্āϤি āĻ•েāύেāĻ•ুā§ąা? āϤāϞāϤ āĻĻুāϟা āϧাā§°āĻŖাā§° āωāĻĻাāĻšā§°āĻŖ āĻĻি⧟া āĻ—ৈāĻ›ে āϤুāĻŽি āύিāϜা āĻŦāĻŦী⧟াāĻ•ৈ āφ⧰ু āĻ•ি āĻ­াāĻŦা?)

1. Does the poem present a conflict between man and nature? Compare it with A Tiger in the zoo. Is the poet suggesting that plants and trees, used for ‘interior decoration’ in cities while forests are cut down, are imprisoned and need to “break out”?

āĻ•āĻŦিāϤাāϟোāϤ āĻŽাāύুāĻš āφ⧰ু āĻĒ্ā§°āĻ•ৃāϤিā§° āĻŽাāϜ⧰ āϏংāϘ⧰্āώ⧰ āĻ•āĻĨা āĻ•োā§ąা āĻšৈāĻ›ে āύেāĻ•ি? āωāĻ•্āϤ āĻ•āĻŦিāϤোāϟো “ āĻ āϟাāχāĻ—াā§° āχāύ্ āĻĻ্āϝা āϜু”āύাāĻŽā§° āĻ•āĻŦিāϤাāϟোā§° āϞāĻ—āϤ āϤুāϞāύা āϕ⧰া।āĻ•āĻŦি⧟ে āĻĻā§°াāϚāϞāϤে āĻ•’āĻŦ āĻŦিāϚাā§°িāĻ›ে āύেāĻ•ি āϝে āĻŦā§°্āϤāĻŽাāύ āϏāĻŽā§ŸāϤ āĻŽাāύুāĻšে āĻĒ্⧰⧟োāϜāύী⧟ āφāϚāĻŦাāĻŦ āϤৈ⧟াā§° āϕ⧰িāĻŦāϞৈ āϘ⧰ āĻļুā§ąāύি āϕ⧰িāĻŦāϞৈ āĻšাāĻŦিā§° āĻ—āĻ›-āĻ—āĻ›āύিāĻŦোā§° āĻ•াāϟি āĻĒেāϞাāχ?

Answer: Yes the poem presents a conflict between man and nature. Man has always caused much harm ton nature, without reali3ing that it actually is a harm to the human race. Humans cut down forests for forest goods, which has destroyed a lot of natural beauty. By kipping trees inside walls and denying them their natural home, they are denying them their freedom. That is why? The trees want to move out. Similarly in the poem, A Tiger in the zoo, the poet shaws that animals feel baunded by cages and they want to get free and run wild in the open

āĻšā§Ÿ āĻ•āĻŦিāϤাāϟোāϤ āĻŽাāύুāĻš āφ⧰ু āĻĒ্ā§°āĻ•ৃāϤিā§° āĻŽাāϜ⧰ āϏংāϘ⧰্āώ⧰ āĻ•āĻĨাāχ āĻ•োā§ąা āĻšৈāĻ›ে।āĻĻā§°ীāϚāϞāϤে āĻŽাāύুāĻšে āĻĒ্ā§°āĻ•ৃāϤিā§° āĻ“āĻĒā§°āϤ āϧ্āĻŦংāϏ āϝāϜ্āĻž āϚāϞাāχ, āĻ•িāύ্āϤ্āϤ āĻāχ āĻ•āĻĨা āĻ•েāϤি⧟াāĻ“ āĻ…āύুāĻ­ā§ą āύāϕ⧰ে āϝে āĻāχ āĻ•াāĻŽāϟোā§ąেāĻŽাāύুāĻšā§° āϜীā§ąāύāϟো āĻŦিā§°ূāĻĒ āĻĒ্ā§°āĻ­াā§ą āĻĒেāϞাāĻŦ।āύিāϜ⧰ āĻĒ্⧰⧟োāϜāύী⧟ āϏাāĻŽāĻ—্ā§°ীā§° āĻŦাāĻŦে āĻ—āĻ›āĻŦোā§° āĻ•াāϟি āĻĒ্ā§°āĻ•ৃāϤিā§° āϏৌāύ্āĻĻā§°্āϝ āύāώ্āϟ āϕ⧰ে।āĻ—āĻ›āĻŦোā§°āĻ• āĻĒ্ā§°āĻ•ৃāϤিā§° āĻŦুāĻ•ুā§° āĻĒā§°া āφঁāϤ⧰াāχ āφāύি āĻŽাāύুāĻšে āϏিāĻšঁāϤ⧰ āĻ…āϧিāĻ•াā§° āĻ–ā§°্āĻŦ āϕ⧰ে।āϏেāχāĻ•াā§°āĻŖে āĻ—āĻ›āĻŦোā§°āĻ•ে āĻ•āĻŦিā§° āϘ⧰⧰ āϚোāϤাāϞ⧰ āĻĒā§°া āϝাāĻŦ āĻŦিāϚাā§°িāĻ›ে।āĻāĻ•েāϧ⧰āĻŖে ‘āĻ āϟাāχāĻ—াā§° āχāύ্ āĻĻ্āϝা āϜু’ āύাāĻŽā§° āĻ•āĻŦিāϤাāϟোāϤ āĻ•āĻŦি⧟ে āĻĻেāĻ–াāχāĻ›ে āϝে āĻ•িāĻĻā§°ে āϜāύ্āϤ্āϤāĻŦোā§°ে āϏঁāϜাā§° āĻ­িāϤ⧰āϤ āĻŦāύ্āĻĻী āϝেāύ āĻ…āύুāĻ­ā§ą āϕ⧰ে āφ⧰ু āϤাā§° āĻĒā§°া āĻ“āϞাāχ āĻĒāϞাāχ āϝাāĻŦ āĻŦিāϚাā§°ে।

2. On the others hand, Adrienne Rich has been known to use trees as a metaphor for human beings: this is a recurrent image in her paltry. What new meanings emerge from the poem if you take its trees to be symbolic of this particular meaning?

āφāύāĻšাāϟে āĻāύ্āĻĄ্ā§°ি⧟েāύে ā§°িāĻ›্ āϜāύাāϜাāϤ āĻ—āĻ›āĻ• āĻŽাāύুāĻšā§° ā§°ূāĻĒāĻ• āĻšিāϚাāĻĒে āĻŦ্āĻ¯ā§ąāĻšাā§°ā§° āĻŦাāĻŦে āϜāύাāϜাāϤ।āϤুāĻŽি āϝāĻĻি āĻ—āĻ›āĻ• āϏেāχ āĻšিāϚাāĻĒে āϞোā§ąা āϤেāύেāĻš’āϞে āϤোāĻŽাā§° āĻŽāύāϞৈ āĻ•ি āύāϤুāύ āϧাā§°āĻŖা āφāĻšে āĻ•āĻŦিāϤাāϟোāĻ• āϞৈ।

Answer:  If trees have been used as a metaphor of human beings, then the poem would mean that like the trees, humans too want to break free of the boundaries that life puts on them. Modern life with all kinds of physical comfort has also brought a lot of moral downfall. Our lives howe become busy and we have become selfish and greedy. Man would also want to enjoy the beauty of nature and & go out in the open and be free, just like trees.

       āϝāĻĻি āĻ—āĻ›āĻŦোā§°āĻ• āĻŽাāύুāĻšā§° ā§°ূāĻĒāĻ• āĻŦুāϞি āϤুāϞāύা āϕ⧰া āĻš’āϞ āĻšā§Ÿ āϤেāύেāĻš’āϞে āĻ•āĻŦিāϤাāϟোā§° āĻ…ā§°্āĻĨ āĻš’āϞ āĻšā§Ÿ āϝে āĻ—āĻ›āĻŦোā§°ā§° āĻĻā§°েāĻ“ āĻŽাāύুāĻšে āϤেāĻ“ঁāϞোāϕ⧰ āĻ“āĻĒā§°āϤ āφāĻŦāĻĻ্āϧিāϤ āĻļিāĻ–āχāϞāϤাā§° āĻĒā§°া āĻĒāϞাāχ āϝাāĻŦ āĻŦিāϚাā§°ে।āφāϧুāύিāĻ• āϝুāĻ—ā§° āĻ­ৌāϤিāĻ• āϏুāĻ– āĻŦিāϚাā§°ি ceāύুāĻšে āύিāϜ⧰ āύীāϤি āφāĻĻā§°্āĻļ āϏāĻ•āϞো āĻšেā§°ুā§ąাāχ āĻŽাāύুāĻšāĻŦোā§° āĻŦ্āϝāϏ্āϤ, āϏ্āĻŦাā§°্āĻĨāĻĒā§° āφ⧰ু āϞুāĻ­ী⧟া āĻšৈ āĻĒā§°িāĻ›ে্।āϤেāĻ“ঁāϞোāĻ•েāĻ“ āĻāχ āϝাāύ্āϤ্ā§°িāĻ• āĻĒৃāĻĨিā§ąীāĻ–āύ⧰ āĻĒā§°া āφঁāϤ⧰ি āĻĒ্ā§°āĻ•ৃāϤিā§° āφāύāύ্āĻĻ āωāĻĒāĻ­োāĻ— āϕ⧰িāĻŦ āĻŦিāϚাā§°ে।


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Angamita Dutta

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