How to tell Wild Animals

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Word Mening

Summary

The poet is describing the various wild animals. These animals are very dangerous & she has introduced them one by one in a very funny way. Frist of all she tells us about an Asian lion. She says that if you are visiting the jungles of the east and there you see an animal which has tawny skin and he roars so loudly that you will die out of fear. This means that you have seen an Asian lion . Next in the line is the Bengal tiger that she has explained to be a regal animal that at once attacks and kills a man. She says by adding humaur that if this beautiful black striped animal kills you and eats you, then you have surely met a Bengal  tiger.After this, she says that if the reader  met an animal that has black spotted skin and it at once jumps on him, then it means that the reader has met a leopard. Moreover, she says that if one will cry out in pain, it may be of no use as the leopard   will not stop attacking him. Then she moves on to the bear that she  says will hug very tightly. This is the way to recognize him. After   this, she asks a question to the readers  that do they Know how to recognize beasts that hunt their prey. Here she explains about hyenas which  she thinks have a smiling face and the crocodiles that have tears in their eyes. This can be seen  when they are killing   their prey. The lost one in  the list is the chameleon. She says that it is a lizard like creature which does not have ears & wings just like a lizard. Only  this can help you differentiate between a lizard and chameleon. She  further says that  the chameleon has a  quality of changing  its colour   according to the  colour of the surface. So to explain this she says that if the reader looks at the tree and if he can only see the tree, this means that there is a chameleon sitting on it   which has already  turned its  colour to brown just the branch of the tree.      

āĻŽূāϞāĻ­াā§ąঃ āĻ•āĻŦিāϤাāϟোāϤ āĻŦিāĻ­িāύ্āύ āĻŦāύ⧰ী⧟া āϜāύ্āϤুā§° āĻ•āĻĨা āĻ•োā§ąা āĻšৈāĻ›ে, āĻāχ āϜāύ্āϤুāĻŦোā§° āĻŦā§° āĻŦিāĻĒāĻĻāϜāύāĻ• āφ⧰ু āĻ•āĻŦি⧟ে  āĻ–ুāĻšুāϤী⧟াāĻ­াā§ąে āϏāĻ•āϞোā§°ে āĻĒā§°িāϚ⧟ āĻĻাāĻ™ি āϧ⧰িāĻ›ে । āĻĒোāύ āĻĒ্ā§°āĻĨāĻŽে āϤেāĻ“ঁ āĻāĻ›ি⧟াāύ āϏিংāĻšā§° āĻŦিāώ⧟ে āωāϞ্āϞেāĻ– āϕ⧰িāĻ›ে । āϤেāĻ“ঁ āĻ•ৈāĻ›ে āϝāĻĻি āϤুāĻŽি  āĻĒূāĻŦ āĻĻিāĻļā§° āϜংāϘāϞāĻŦোā§°āϤ āĻĢুā§°িāĻŦ āϝোā§ąা āϤেāϤি⧟া āĻĄাāĻ  āĻšাāϞāϧী⧟া ā§°āϙ⧰ āϏিংāĻš āĻĻেāĻ–িāĻŦāϞৈ āĻĒাāĻŦা  āϝি āĻŦā§° āĻĄাāϙ⧰āĻ•ৈ āĻļāĻŦ্āĻĻ āϕ⧰ে āĻŽাāύুāĻšে āϭ⧟ āĻ–াāχ āϝোā§ąাāĻ•ৈ । āϝেāϤি⧟াāχ āϤুāĻŽি āϏিāĻšংā§° āĻ—ুāϜ⧰āĻŖিāϤ āϭ⧟ āĻ–াāĻŦা  āϤেāϤি⧟াāχ āϜাāύিāĻŦা āϏেāχāϟো āĻāĻ›ি⧟াāύ āϏিংāĻš āĻŦুāϞি । āĻ‡ā§Ÿাā§° āĻĒাāĻ›āϤে āϤেāĻ“ঁ āĻŦেāĻ™্āĻ—āϞ⧰ āĻŦাāϘ⧰ āĻ•āĻĨা āĻ•ৈāĻ›ে ⧟ি ā§°াāϜāĻ•ী⧟ āφāϚ⧰āĻŖā§° āĻ…āϧিāĻ•াā§°ী āφ⧰ু āĻāĻŦাā§° āĻāϟা āĻŽাāύুāĻšāĻ• āĻŽাā§°ি āĻĒেāϞাāχāĻ›িāϞ । āĻ•āĻŦি⧟ে āĻ•ৈāĻ›ে āϝāĻĻি āĻ•'āϞা āϚিāĻš্āύ āĻĨāĻ•া āĻŦাāϘ āĻāϟাāχ āϤোāĻŽাāĻ• āĻ•াāĻŽুā§°ি āĻ–াāχ āĻĒেāϞাāχ āϤেāϤি⧟া āϜাāύিāĻŦা āϏেāχāϟো āĻŦেāĻ™্āĻ—āϞ āĻŦাāϘ āĻšā§Ÿ । āφāĻ•ৌ āϝāĻĻি āĻĒāϚুā§ąৈ āϏāĻ•āϞে āĻ•'āϞা āĻĢুāϟāĻĢুāϟী⧟া āĻĨāĻ•া āϜāύ্āϤুāϞāĻ— āĻĒাāχ āϝি⧟ে āĻ—াāϤ āϜঁāĻĒি⧟াāχ āĻĻিāĻŦ āϤেāϤি⧟া āϜাāύিāĻŦা āϝে āϏেāĻ‡ā§Ÿা āύাāĻšā§°āĻĢুāϟুāĻ•ী āĻŦাāϘ āφ⧰ু āĻ•োāύোāĻŦাāχ āϝāĻĻি āĻ•াāύ্āĻĻোāύ āĻŦāύ্āϧ āύāϕ⧰ে āϤেāϤি⧟া āϜাāύিāĻŦা āύাāĻšā§°āĻĢুāϟুāĻ•ী āĻŦাāϘāϟোā§ąে āφāĻ•্ā§°āĻŽāĻŖ āϕ⧰িāĻŦāϞৈ āĻā§°া āύাāχ । āϤাā§° āĻĒাāĻ›āϤ āϤেāĻ“ঁ āĻ­াāϞুāϕ⧰ āĻ•āĻĨা āĻ•ৈāĻ›ে āϝি⧟ে āĻŽাāύুāĻšāĻ• āϜোā§°āĻ•ৈ āϏাā§ąāϟ āĻŽাā§°ি āϧ⧰ে । āϤেāĻ“ঁ āĻĒāϚুā§ąৈāϏāĻ•āϞāĻ• āϏুāϧিāĻ›ে āĻŦāύ⧰ী⧟া āϜāύ্āϤুā§ąে āύিāϜ⧰ āϚিāĻ•াā§°āĻ• āφāϟāĻ• āϕ⧰োāϤে āĻ•িāĻĻā§°ে āϚিāύাāĻ•্āϤ āϕ⧰িāĻŦা। āĻ•āĻŦি⧟ে āĻ•ৈāĻ›ে āĻ•ুāĻ•ুā§°āύেāϚী⧟া āĻŦাāϘে āϚিāĻ•াā§° āϧ⧰োāϤে āĻšাঁāĻšি āĻĨāĻ•াā§° āĻĻā§°ে āϞাāĻ—ে āφ⧰ু āϘ⧰ি⧟াāϞে āϚিāĻ•াā§° āϧ⧰োāϤে āĻ•াāύ্āĻĻি āĻĨāĻ•াā§° āĻĻā§°ে āϞাāĻ—ে।āĻ‡ā§Ÿাā§° āĻĒাāĻ›āϤ āĻ•āĻŦি⧟ে āĻ•েāĻŽিāϞি⧟āύ⧰ āĻ•āĻĨা āĻ•ৈāĻ›ে āϝাā§° āϜেāĻ ীā§° āĻĻā§°ে āĻ•োāύো āĻ•াāĻŖ āφ⧰ু āĻĒাāĻ–ী āύাāĻĨাāĻ•ে।āĻ•েāĻŽিāϞি⧟āύে āύিāϜ⧰ āϚৌāĻĒাāĻļā§° ā§°ং āĻ…āύুāϝা⧟ী āĻ—াā§° āĻŦā§°āĻŖ āϏāϞাāĻŦ āĻĒাā§°ে।āϏে⧟ে āĻ•āĻŦি⧟ে āĻ•ৈāĻ›ে āĻ•েāϤি⧟াāĻŦা āĻŽাāύুāĻšে āĻ—āĻ›āϤ āĻ•েāĻŽিāϞি⧟āύ āĻĨāĻ•া āĻĻেāĻ–িāĻŦ āĻĒাā§°ে āϝি⧟ে āύিāϜ⧰ āĻ—াā§° āĻŦā§°āĻŖ āĻ—āĻ›āϜোāĻĒাā§° āϏৈāϤে āĻŽিāϞাāχ āĻĨ⧟।


1. Does ' dyin' realy rhyme with lion'? Can you say it in such a way that it does?

  āĻĄাāχং āĻļāĻŦ্āĻĻāϟোā§ąে āϞা⧟āύ āĻļāĻŦ্āĻĻāϟোā§° āϞāĻ—āϤ āĻ›āύ্āĻĻ āĻŽিāϞেāύে? āϤুāĻŽি āĻĻু⧟োāϟা āĻļāĻŦ্āĻĻ āĻŽিāϞি āϝোā§ąাāĻ•ৈ āĻ•āĻŦ āĻĒাā§°া āύে?

Answer: No 'dying' does not rhyme with 'lion'.If we change the pronaunciation of lion by speaking it as 'lying' then it may rhyme with the word 'dyin'.

āύাāχ āĻĄাāχং āĻļāĻŦ্āĻĻāϟোā§° 'āϞা⧟'āύ' āĻļāĻŦ্āĻĻāϟোā§° āϞāĻ—āϤ āĻ•োāύো āĻŽিāϞ āύাāχ।āϝāĻĻি āφāĻŽি āϞা⧟āύ āĻļāĻŦ্āĻĻāϟো āϞাāχং āĻŦুāϞি āωāϚ্āϚাā§°āĻŖ āϕ⧰ো āϤেāύেāĻš'āϞে āχ āĻĄা⧟িং āĻļāĻŦ্āĻĻā§° āϞāĻ—āϤ āĻŽিāϞি āϝাāĻŦ।


2.  How does the poet suggest that you identify the lion and the tiger? When can you do so, according to him?

āϤুāĻŽি āĻŦাāϘ āφ⧰ু āϏিংāĻšāĻ• āĻ•েāύেāĻ•ৈ āϚিāύাāĻ•্āϤ āϕ⧰িāĻŦা? āϤেāĻ“ঁā§° āĻŽāϤে āϤুāĻŽি āĻ•েāϤি⧟া āϏেāĻ‡ā§Ÿা āϕ⧰িāĻŦ āĻĒাā§°িāĻŦা?

Answer: A lion is a large and tawny beast. A Bengal Tiger has black stripes on its yellow coat. A lion roars when it falls upon its prey, while a tiger attacks silently. We can identify the two while roaming in the jungle. 

        āϏিংāĻš āĻšৈāĻ›ে āĻāϟা āĻĄাāϙ⧰ āφ⧰ু āϭ⧟াāύāĻ• āϜāύ্āϤু।āĻ িāĻ• āϤেāύেāĻĻā§°ে āĻŦাāϘ āĻšৈāĻ›ে āĻ—াāϤ āĻ•'āϞা āϚিāύ āĻĨāĻ•া āĻšাāϞāϧী⧟া ā§°āϙ⧰ āϜāύ্āϤু ।āϏিংāĻšāχ āϚিāĻ•াā§°ā§° āĻ“āĻĒā§°āϤ āĻ—ā§°āϜি āωāĻ ে āφ⧰ু āĻŦাāϘে āĻŽāύে āĻŽāύে āϚিāĻ•াā§°āĻ• āφāϟāĻ• āϕ⧰ে।āφāĻŽি āϜংāϘāϞāϤ āĻ—ৈ āϏিāĻšঁāϤāĻ• āϚিāύাāĻ•্āϤ āϕ⧰িāĻŦ āĻĒাā§°ো।


3. Do you think the words ' lept ' and ' lep ' in the third stanza are spelt correctly ? Why does the poet spell them like this ?

āϤুāĻŽি āĻ•ি āĻ­াāĻŦা āϝে āϤৃāϤী⧟ āϏ্āĻ¤ā§ąāĻ•āϤ āϞেāĻĒ āφ⧰ু āϞেāĻĒ্āϤ āĻļāĻŦ্āĻĻāϟো āĻļুāĻĻ্āϧāĻ•ৈ āωāϚ্āϚাā§°āĻŖ āĻšৈāĻ›েāύে? āĻ•āĻŦি⧟ে āĻ•ি⧟ āϤেāύেāĻ•ৈ āωāϚ্āϚাā§°āĻŖ āϕ⧰িāĻ›ে।

Answer:  The words 'lept' and 'lep' are not spelt correctly. The poet has spelt then like this in order to maintain the rhythm of the poem. The correct speeling of the words 'lept' is leapt & 'lep' is leap.The poet has intentionally spelt them in correctly to create a sense of humaur

   āϞেāĻĒ āφ⧰ু āϞেāĻĒ্āϤ āĻļāĻŦ্āĻĻāϟো āĻļুāĻĻ্āϧāĻ•ৈ āωāϚ্āϚাā§°āĻŖ āĻšোā§ąা āύাāχ।āĻ•āĻŦি⧟ে āĻ›āύ্āĻĻ āĻŽিāϞাāĻŦā§° āĻŦাāĻŦে āĻļāĻŦ্āĻĻ āĻĻুāϟা āϤেāύেāĻ•ৈ āωāϚ্āϚাā§°āĻŖ āϕ⧰িāĻ›ে।āĻāχ āĻĻু⧟োāϟা āĻļāĻŦ্āĻĻā§° āĻļুāĻĻ্āϧ āωāϚ্āϚাā§°āĻŖ āĻš'āϞ āϞিāĻĒ্āϤ āφ⧰ু āϞিāĻĒ, āĻ•āĻŦি⧟ে āωāĻĻ্āĻĻেāĻļ্āϝ āĻĒ্ā§°াāĻŖাāĻĻিāϤāĻ­াāĻŦে āϤেāύেāĻ•ৈ āωāϚ্āϚাā§°āĻŖ āϕ⧰িāĻ›ে āĻšাঁāĻšি āωāĻ িāĻŦā§° āĻŦাāĻŦে।


4. Do you know what a 'bearhug' is? It's a friendly and strong hug - such as bears are thought to give, as they attack you! Again, hyenas are thought to laugh, and crocodiles to weep ('crocodile tears ') as they swallow their victims. Are there similar expressions and popular ideas about wild animals in your own language ( s ) ?

āϤুāĻŽি āϜাāύাāύে 'āĻ­াāϞুāĻ• āϏাā§ąāϤা' āĻ•ি āĻšā§Ÿ? āĻ‡ā§Ÿাā§° āĻ…ā§°্āĻĨ āĻšৈāĻ›ে āĻ­াāϞুāĻ•ে āφāϟāĻ• āϕ⧰া āϏāĻŽā§ŸāϤ āϜোā§°āĻ•ৈ āϏাā§ąāϤ āĻŽাā§°ি āϧ⧰া।āφāĻ•ৌ āĻ•ুāĻ•ুā§°āύেāϚী⧟া āĻŦাāϘāĻŦোā§°ে āĻšঁāĻšাā§° āĻĻā§°ে āφ⧰ু āϘ⧰ি⧟াāϞāĻŦোā§°ে āĻ•āύ্āĻĻাā§° āĻĻā§°ে āϞাāĻ—ে।āϤোāĻŽাā§° āĻ…āĻž্āϚāϞāϤো āĻŦāύ⧰ী⧟া āϜāύ্āϤ্āϤ⧰ āϞāĻ—āϤ āϜāĻĄ়িāϤ āĻāύে āϧ⧰āĻŖā§° āϧাā§°āĻŖা āφāĻ›েāύে?

Answer: A bearhug is when the bear hugs his prey tightly with both hands and presses him to death.There are indeed similer expressions and popular ideas about wild animals in every language. For example, in Assamese, we say 'Ghoriyalor sokupani,  hatir dore khuj' etc.

 āĻ­াāϞুāĻ• āϏাā§ąāϟাā§° āĻ…ā§°্āĻĨ āĻš'āϞ āϝেāϤি⧟া āĻ­াāϞুāĻ• āϟোā§ąে āϚিāĻ•াā§°āϟোāĻ• āĻĻু⧟োāϟা āĻšাāϤেā§°ে āĻŽৃāϤ্āϝু āύোāĻšোā§ąাāϞৈāĻ•ে āϜোā§°েā§°ে āϏাā§ąāϤি āϧ⧰ে। āĻĒāϤ্āϝেāĻ• āĻ…āĻž্āϚāϞāϤে āĻāύেāϧ⧰āĻŖā§° āϜāύ্āϤুā§° āϞāĻ—āϤ āϜāĻĄ়িāϤ āϜāύāĻĒ্ā§°ি⧟ āϧাā§°āĻŖা āφāĻ›ে, āωāĻĻাāĻšā§°āĻŖāϏ্āĻŦā§°ূāĻĒে āϘ⧰ি⧟াāϞ⧰ āϚāĻ•ুāĻĒাāύী, āĻšাāϤীā§° āĻĻā§°ে āĻ–োāϜ āφāĻĻি।


5. Look at the line “ A novice might nonplus " . How would you write this ' correctly ' ? Why is the poet's ' incorrect line better in the poem ?

'āĻ āύāĻ­িāϚ āĻŽাāχāϟ āύāύāĻĒ্āϞাāϚ' āĻāχ āϞাāχāϟো āĻŽāύ āϕ⧰া।āϤুāĻŽি āĻ•েāύেāĻ•ৈ āĻāχāϟো āĻļুāĻĻ্āϧāĻ•ৈ

Answer:  The line 'A novice  might nonplus' can be written correctly as 'A novice might be nonplussed".  However, the poets incorrect line is better in the poem as it maint ains the rhyme scheme of the poem. By writing it incorrectly, 'nonplus' rhymes with 'thus'.

'āĻ āύāĻ­িāϚ āĻŽাāχāϟ āύāύāĻĒ্āϞাāĻ›' āϞাāχāύāϟো āĻļুāĻĻ্āϧ ā§°ূāĻĒāϤ 'āĻ āύāĻ­িāϚ āĻŽাāχāϟ āĻŦি āύāύāĻĒ্āϞাāĻ›āĻĄ্' āĻāχāĻĻā§°ে āϞিāĻ–িāĻŦ āĻĒাā§°ি।āϝāĻĻিāĻ“ āĻāχ āϞাāχāύāϟো āĻ•āĻŦি⧟ে āĻ…āĻļুāĻĻ্āϧ ā§°ূāĻĒāϤ āϞিāĻ–িāĻ›ে āĻŽাāϤ্ā§° āĻ•āĻŦিāϤাāϟোā§° āĻ›āύ্āĻĻ āĻŽিāϞিāĻŦā§° āĻŦাāĻŦে।āĻ‡ā§ŸাāϤ 'āύāύāĻĒ্āϞাāĻ›' āĻļāĻŦ্āĻĻāϟো 'āĻĄাāĻ›' āĻļāĻŦ্āĻĻāϟোā§° āϞāĻ—āϤ āĻŽিāϞি āĻ—ৈāĻ›ে। 


6. Can you find other examples of poets taking liberties with language, either in English or in your own language(s)? Can you find examples of humorous poems in your own language(s)?

āωāĻ•্āϤ āĻ•āĻŦিāϤাāϟোāϤ āϤুāĻŽি āĻ•āĻŦি⧟ে āĻ­াāώাā§° āĻŦ্āĻ¯ā§ąāĻšাā§°ā§° āĻ•্āώেāϤ্ā§°āϤ āϏ্āĻŦাāϧীāύāϚিāϤি⧟া āĻŽāύোāĻ­াā§ą āĻ…ā§ąāϞāĻŽ্āĻŦāύ āϕ⧰া āĻĻেāĻ–িāĻ›াāύে āωāĻĻাāĻšā§°āĻŖ āĻĻি⧟া।

Answer: One can find plenty of esamples in poetry where poets take liberty with language. This is called 'poetic license'. Poets take such liberties in order to create proper rhyming and rhythm. For example in the following  lines the word 'prest' is used instead of 'pressed' so that it may rhyme with 'beast'.

    'a tree whose hungry mauth is prest Against the earths sweat flowing breast'.

    āĻŦāĻšু āĻ•āĻŦিāϤাāϤ āĻ•āĻŦি⧟ে āϏাāϧাā§°āĻŖāϤে āϏ্āĻŦাāϧীāύāĻ­াā§ąে āĻļāĻŦ্āĻĻ āĻĒ্⧰⧟োāĻ— āϕ⧰ে, āϝাāĻ• 'āĻ•াāĻŦ্āϝিāĻ• āĻ…āύুāϜ্āĻžা āĻĒāϤ্ā§°' āĻŦুāϞি āĻ•োā§ąা āĻšā§Ÿ।āĻ•āĻŦি⧟ে āĻ­াāώাā§° āϞাāϞিāϤ্āϝ āφ⧰ু āĻļāĻŦ্āĻĻā§° āĻ›āύ্āĻĻ āĻŽিāϞাāĻŦā§° āĻŦাāĻŦে āĻ‡ā§ŸাāĻ• āĻŦ্āĻ¯ā§ąāĻšাā§° āϕ⧰ে।āωāĻĻাāĻšā§°āĻŖāϏ্āĻŦā§°ূāĻĒে āĻ•িāĻ›ুāĻŽাāύ āϞাāχāύāϤ 'āĻĒ্ā§°েāĻ›āĻĄ্'ā§° āĻ াāχāϤ 'āĻĒ্ā§°েāώ্āϟ' āĻļāĻŦ্āĻĻ āĻŦ্āĻ¯ā§ąāĻšাā§° āϕ⧰িāĻ›ে āĻŽাāĻĨো 'ā§°েāώ্āϟ'ā§° āϞāĻ—āϤ āĻ›āύ্āĻĻ āĻŽিāϞাāĻŦā§° āĻŦাāĻŦে।


7. Much of the humour in the poem arises from the way language is used,although the ideas are funny as well. If their are particuler lines in the poem that you especialy like, shair these with the class, speaking briefly about what it is  about the ideas or the language that you like or find funny.
āĻ•āĻŦিāϤাāϟোāϤ āĻ­াāώাā§° āĻĒৃāĻĨāĻ• āĻŦ্āĻ¯ā§ąāĻšাā§°ā§° āĻŦাāĻŦে āĻ–ুāĻšুāϤী⧟া ā§°āϏ⧰ āϏৃāώ্āϟি āĻšৈāĻ›ে।āĻ•āĻŦিāϤাāϟোāϤ āϤুāĻŽি āĻ­াāϞ āĻĒোā§ąা āĻļāĻŦ্āĻĻāĻ•েāχāϟা āĻļ্ā§°েāĻŖীā§° āϏāĻšāĻĒাāĻ ীāϏāĻ•āϞ⧰ āϏৈāϤে āφāϞোāϚāύা āϕ⧰া।

Answer: The way the poet has used language and ideas in the poem is indeed humourous. The lines from the poem that appears to be funny are "A noble wild beast greets you". The idea that a wild beast is going to welcome you is quite funny. The language in the line". He'll only lep and lep again" Is also very humourous. The concept of 'lep' from the word 'leopard' generates humour.

   āĻ•āĻŦিāϤাāϟোāϤ āĻ–ুāĻšুāϤী⧟াāĻ­াā§ąে āĻ•েāχāĻŦাāϟাāĻ“ āϜāύ্āϤুā§° āĻĒā§°িāϚ⧟ āĻĻাāĻ™ি āϧ⧰া āĻšৈāĻ›ে।āωāĻĻাāĻšā§°āĻŖ āϏ্āĻŦā§°ূāĻĒেঃ āĻāϟা āωāĻĻাā§° āĻŦāύ⧰ী⧟া āϜāύ্āϤুā§ąে āϤোāĻŽাāĻ• āφāĻĻā§°āĻŖি āϜāύাāĻŦ',  āĻ‡ā§ŸাāϤ āĻšাঁāĻšি āωāĻ া āĻ•āĻĨাāϟো āĻš'āϞ āϝে āĻŦāύ⧰ী⧟া āϜāύ্āϤুā§ąে āĻ•িāĻĻā§°ে āφāĻĻā§° āϏāĻŽ্āĻ­াāώāĻŖ āϕ⧰িāĻŦ।āĻ িāĻ• āϤেāύেāĻĻā§°ে 'āϞেāĻĒ' ā§° āĻ াāχāϤ 'āϞিāĻĒ' āĻļāĻŦ্āĻĻā§°ূāĻĒā§° āĻĒ্⧰⧟োāĻ— āĻ•āĻŦিāϤাāϟোāϤ āĻšাāϏ্āϝ⧰āϏ⧰ āϏৃāώ্āϟি āϕ⧰িāĻ›ে।



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Angamita Dutta

M.A in English

Post ID : DABP002830


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