Chapter: 5
Mother's Day
1. This play , written in the 1950s , is a humorous and satirical depiction of the status of the mother in the family
(i What are the issues it raises ?
(ii) Do you think it caricatures these issues or do you think that the problems it raises are genuine ? How does the play resolve the issues ? Do you agree with the resolution ?
1. ⧧⧝ā§Ģā§Ļ āĻāύāϤ ā§°āĻিāϤ āĻāĻ āύাāĻāĻāύে āĻĒā§°িāϝ়াāϞāϤ āĻŽাāϤৃā§° āĻŽā§°্āϝাāĻĻাā§° āĻšাāϏ্āϝ⧰āϏ āĻā§°ু āĻŦ্āϝংāĻāĻŽূāϞāĻ āĻিāϤ্ā§°āĻŖ
(i āĻāϝ়াāϤ āĻāϤ্āĻĨাāĻĒāύ āĻā§°া āĻŦিāώāϝ়āĻŦোā§° āĻি āĻি ?
(ii) āĻāĻĒুāύি āĻাāĻŦেāύে āϝে āĻ āĻāĻ āĻŦিāώāϝ়āĻŦোā§°ā§° āĻেā§°িāĻেāĻাā§° āĻā§°ে āύে āĻāϝ়াā§° āĻĻ্āĻŦাā§°া āĻāϤ্āĻĨাāĻĒāύ āĻā§°া āϏāĻŽāϏ্āϝাāĻŦোā§° āĻĒ্ā§°āĻৃāϤ āĻŦুāϞি āĻāĻĒুāύি āĻাāĻŦে ? āύাāĻāĻāύে āĻেāύেāĻৈ āϏāĻŽāϏ্āϝাāĻŦোā§° āϏāĻŽাāϧাāύ āĻā§°ে ? āϏংāĻāϞ্āĻĒā§° āϏৈāϤে āĻāĻĒুāύি āĻāĻāĻŽāϤ āύেāĻি ?
Answer:
1. The play raises many serious issues. The first and foremost is proper appreciation of a housewife’s role and responsibilities. Those who work eight hours a day and forty hours a week treat the housewife as an unpaid domestic servant, who must carry out their orders. They neither request her nor thank her for her services. The second issue is the reciprocity of love and gratitude towards the mother or wife. The husband, son and daughter leave the lady of the house alone every night and go out to enjoy themselves in their several ways. They do not take any notice of her and have become thoughtless and selfish. The mother’s excessive love, care and promptness to serve them also spoil them.
āύাāĻāĻāύে āĻŦāĻšু āĻুā§°ুāϤ⧰ āĻŦিāώāϝ় āĻāϤ্āĻĨাāĻĒāύ āĻā§°িāĻে। āĻĒ্ā§°āĻĨāĻŽ āĻā§°ু āĻĒ্ā§°āϧাāύ āĻāĻĨাāĻো āĻš’āϞ āĻāĻā§°াāĻী āĻৃāĻšিāĻŖীā§° āĻূāĻŽিāĻা āĻā§°ু āĻĻাāϝ়িāϤ্āĻŦā§° āϏāĻ িāĻ āĻļāϞাāĻ āϞোā§ąা। āĻĻিāύāĻোāϤ āĻāĻ āĻāĻŖ্āĻা āĻā§°ু āϏāĻĒ্āϤাāĻšāϤ āĻāϞ্āϞিāĻļ āĻāĻŖ্āĻা āĻাāĻŽ āĻā§°াāϏāĻāϞে āĻৃāĻšিāĻŖীāĻ āĻŦিāύা āĻŦেāϤāύে āĻā§°ুā§ąা āĻাāĻā§°ā§° āĻĻā§°ে āĻŦ্āĻ¯ā§ąāĻšাā§° āĻā§°ে, āϝিāϝ়ে āύিāĻā§° āĻāĻĻেāĻļ āĻĒাāϞāύ āĻā§°িāĻŦ āϞাāĻিāĻŦ। āϤেāĻঁāϞোāĻে āϤাāĻāĻ āĻ āύুā§°োāϧ āύāĻā§°ে āĻā§°ু āϤাāĻā§° āϏেā§ąাā§° āĻŦাāĻŦে āϧāύ্āϝāĻŦাāĻĻো āύিāĻĻিāϝ়ে। āĻĻ্āĻŦিāϤীāϝ় āĻŦিāώāϝ়āĻো āĻš’āϞ āĻŽাāϤৃ āĻŦা āĻĒāϤ্āύীā§° āĻĒ্ā§°āϤি āĻŽā§°āĻŽ āĻā§°ু āĻৃāϤāĻ্āĻāϤাā§° āĻĒাā§°āϏ্āĻĒā§°িāĻāϤা। āϏ্āĻŦাāĻŽী, āĻĒুāϤ্ā§°-āĻāύ্āϝাāĻ āĻĒ্ā§°āϤি āύিāĻļা āĻā§°ā§° āĻāĻĻ্ā§°āĻŽāĻšিāϞাāĻā§°াāĻীāĻ āĻ āĻāϞে āĻā§°ি āύিāĻā§° āύিāĻā§° āĻেāĻāĻŦাāĻাāĻ āĻĻিāĻļāϤ āĻāύāύ্āĻĻ āĻā§°িāĻŦāϞৈ āĻāϞাāĻ āϝাāϝ়। āϤাāĻāĻ āĻোāύো āĻুā§°ুāϤ্āĻŦ āύোāϞোā§ąাāĻৈāϝ়ে āĻ āĻŦিāĻŦেāĻāĻ āĻā§°ু āϏ্āĻŦাā§°্āĻĨāĻĒā§° āĻšৈ āĻĒā§°িāĻে। āĻŽাāϤৃā§° āĻ āϤ্āϝāϧিāĻ āĻŽā§°āĻŽ, āϝāϤ্āύ āĻā§°ু āϤেāĻঁāϞোāĻā§° āϏেā§ąা āĻā§°িāĻŦāϞৈ āϤā§āĻĒā§°āϤাāĻāĻ āϤেāĻঁāϞোāĻāĻ āύāώ্āĻ āĻā§°ি āĻĒেāϞাāϝ়।
2. The problems the play raises are serious. The treatment is of course, comic. The playwright adopts an unusual method to resolve the issues. He takes the help of magic bf the East. Incantation of a magical spell helps in the interchange of the personalities. Now Mrs Pearson, with the strong and sinister personality of Mrs Fitzgerald, gives rough treatment to the daughter, son and husband respectively. Her stern looks and commanding tone suggests to them that she can be really tough. The spoilt member are brought round by the heavy dose of exposure of reality to them. They agree to stay and help in preparing the supper while the housewife has a talk with her husband.
The resolution of the issues seems far-fetched and unnatural but extreme means have to be adopted in disaster management.
āύাāĻāĻāĻāύে āĻāϤ্āĻĨাāĻĒāύ āĻā§°া āϏāĻŽāϏ্āϝাāĻŦোā§° āĻুā§°ুāϤ⧰। āĻিāĻিā§āϏাāĻো āĻ ā§ąāĻļ্āϝেāĻ āĻāĻŽিāĻ। āύাāĻ্āϝāĻাā§°ে āϏāĻŽāϏ্āϝা āϏāĻŽাāϧাāύ⧰ āĻŦাāĻŦে āĻāĻ āĻ āϏ্āĻŦাāĻাā§ąিāĻ āĻĒāĻĻ্āϧāϤি āĻ্ā§°āĻšāĻŖ āĻā§°ে। āϤেāĻঁ āϝাāĻĻুā§° āϏāĻšাāϝ় āϞāϝ় bf the East. āϝাāĻĻুāĻā§°ী āĻŽāύ্āϤ্ā§°ā§° āĻŽāύ্āϤ্ā§°āĻŽুāĻ্āϧāĻ āĻŦ্āϝāĻ্āϤিāϤ্āĻŦā§° āĻāĻĻাāύ-āĻĒ্ā§°āĻĻাāύāϤ āϏāĻšাāϝ় āĻā§°ে। āĻāϤিāϝ়া āĻŽিāĻেāĻ āĻĢিāĻāĻেā§°াāϞ্āĻĄā§° āĻļāĻ্āϤিāĻļাāϞী āĻā§°ু āĻ āĻļুāĻ āĻŦ্āϝāĻ্āϤিāϤ্āĻŦā§°ে āĻŽিāĻেāĻ āĻĒিāϝ়ā§°āĻāύে āĻ্ā§°āĻŽে āĻāύ্āϝা, āĻĒুāϤ্ā§° āĻā§°ু āϏ্āĻŦাāĻŽীāĻ ā§°ুāĻ্āώ āĻŦ্āĻ¯ā§ąāĻšাā§° āĻā§°ে। āϤাāĻā§° āĻāĻ োā§° āĻেāĻšেā§°া āĻā§°ু āĻāĻĻেāĻļāĻŽূāϞāĻ āϏুā§°ে āϤেāĻঁāϞোāĻāĻ āĻŦুāĻাāĻāĻে āϝে āϤাāĻ āϏঁāĻাāĻৈāϝ়ে āĻāĻ িāύ āĻš’āĻŦ āĻĒাā§°ে। āύāώ্āĻ āϏāĻĻāϏ্āϝāĻāύāĻ āϤেāĻঁāϞোāĻā§° āϏāύ্āĻŽুāĻāϤ āĻŦাāϏ্āĻ¤ā§ąā§° āĻāύ্āĻŽোāĻāύ⧰ āĻāϧুā§° āĻŽাāϤ্ā§°াāĻ āĻূā§°াāĻ āĻāύে। āĻৃāĻšিāĻŖীāĻā§°াāĻীāϝ়ে āϏ্āĻŦাāĻŽীā§° āϏৈāϤে āĻāĻĨা āĻĒাāϤি āĻĨāĻাā§° āϏāĻŽāϝ়āϤ āϤেāĻঁāϞোāĻে āĻĨাāĻিāĻŦāϞৈ āĻā§°ু ā§°াāϤিā§° āĻāĻšাā§° āĻĒ্ā§°āϏ্āϤুāϤ āĻā§°াāϤ āϏāĻšাāϝ় āĻā§°িāĻŦāϞৈ āϏāύ্āĻŽāϤ āĻšāϝ়।
āϏāĻŽāϏ্āϝাāϏāĻŽূāĻšā§° āϏāĻŽাāϧাāύ āĻĻূā§°ৈā§° āĻā§°ু āĻ āϏ্āĻŦাāĻাā§ąিāĻ āϝেāύ āϞাāĻে āϝāĻĻিāĻ āĻĻুā§°্āϝোāĻ āĻŦ্āĻ¯ā§ąāϏ্āĻĨাāĻĒāύাā§° āĻ্āώেāϤ্ā§°āϤ āĻā§°āĻŽ āĻāĻĒাāϝ় āĻ্ā§°āĻšāĻŖ āĻā§°িāĻŦāϞāĻীāϝ়া āĻšāϝ়।
2. If you were to write about these issues today what are some of the incidents , examples and problems that you would think of as relevant ?
āĻāĻি āϝāĻĻি āĻāĻĒুāύি āĻāĻ āĻŦিāώāϝ়āĻŦোā§°ā§° āĻāĻĒā§°āϤ āϞিāĻে āϤেāύ্āϤে āĻāĻĒুāύি āĻĒ্ā§°াāϏংāĻিāĻ āĻŦুāϞি āĻাāĻŦিāĻŦ āĻĒā§°া āĻিāĻুāĻŽাāύ āĻāĻāύা , āĻāĻĻাāĻšā§°āĻŖ āĻā§°ু āϏāĻŽāϏ্āϝা āĻি ?
Answer: Even in the twenty-first century women face the same problems in spite of the talk of women empowerment. The poor housewives have to bear the physical torment and mental anguish at the hands of bullish husbands who boast of their masculinity by inflicting physical violence, barbs and taunts on the defenceless women. The issues of lack of consideration for a woman’s wants and desires, of a woman being given some free time and of her catering to everyone’s needs, raised in this play, are all relevant. This play is all relevant.Today’s woman is independent and thinks of her identity not like the women of 1950, totally devoted to the family. As too much of everything is bad, the same is the case with women.
āĻāύāĻি āĻāĻāĻŦিংāĻļ āĻļāϤিāĻাāϤো āύাā§°ী āϏāĻŦāϞীāĻā§°āĻŖā§° āĻāĻĨা āĻোā§ąাā§° āĻĒিāĻāϤো āĻŽāĻšিāϞাāϏāĻāϞে āĻāĻে āϏāĻŽāϏ্āϝাā§° āϏāύ্āĻŽুāĻীāύ āĻšāϝ়। āĻĒ্ā§°āϤিā§°āĻ্āώাāĻšীāύ āĻŽāĻšিāϞাāϏāĻāϞ⧰ āĻāĻĒā§°āϤ āĻļাā§°ীā§°িāĻ āĻšিংāϏা, āĻŦাā§°্āĻŦ āĻā§°ু āĻ াāĻ্āĻা-āĻŽāϏ্āĻā§°া āĻā§°ি āύিāĻā§° āĻĒুā§°ুāώāϤ্āĻŦā§° āĻৌā§°ā§ą āĻā§°া āĻŦুāϞিāĻ āϏ্āĻŦাāĻŽীā§° āĻšাāϤāϤ āĻļাā§°ীā§°িāĻ āϝāύ্āϤ্ā§°āĻŖা āĻā§°ু āĻŽাāύāϏিāĻ āϝāύ্āϤ্ā§°āĻŖা āϏāĻš্āϝ āĻā§°িāĻŦāϞāĻীāϝ়া āĻšāϝ় āĻĻুāĻীāϝ়া āĻৃāĻšিāĻŖীāϏāĻāϞে। āĻāĻ āύাāĻāĻāĻāύāϤ āĻāϤ্āĻĨাāĻĒিāϤ āύাā§°ীā§° āĻāĻ্āĻা āĻā§°ু āĻāĻ্āĻাā§° āĻĒ্ā§°āϤি āĻŦিāĻŦেāĻāύা āύāĻā§°া, āĻāĻā§°াāĻী āĻŽāĻšিāϞাāĻ āĻিāĻু āĻāĻā§°ি āϏāĻŽāϝ় āĻĻিāϝ়া āĻā§°ু āϏāĻāϞোā§°ে āĻĒ্ā§°āϝ়োāĻāύ āĻĒূā§°āĻŖā§° āĻŦিāώāϝ়āĻŦোā§° āϏāĻāϞো āĻĒ্ā§°াāϏংāĻিāĻ। āĻāĻ āύাāĻāĻāĻāύ āϏāĻāϞো āĻĒ্ā§°াāϏংāĻিāĻ।āĻāĻিā§° āύাā§°ী āϏ্āĻŦাāϧীāύ āĻā§°ু āύিāĻā§° āĻĒā§°িāĻāϝ়ā§° āĻāĻĨা āĻাāĻŦিāĻে ⧧⧝ā§Ģā§Ļ āĻāύ⧰ āύাā§°ীāϏāĻāϞ⧰ āĻĻā§°ে āύāĻšāϝ়, āĻĒā§°িāϝ়াāϞ⧰ āĻĒ্ā§°āϤি āϏāĻŽ্āĻĒূā§°্āĻŖ āύিāώ্āĻ া। āϝিāĻšেāϤু āϏāĻāϞো āĻŦāϏ্āϤুā§° āĻ āϤ্āϝāϧিāĻ āĻŦেāϝ়া, āĻŽāĻšিāϞাā§° āĻ্āώেāϤ্ā§°āϤো āĻāĻেāĻ āĻāĻĨা।
3. Is drama a good medium for conveying a social message? Discuss.
āϏাāĻŽাāĻিāĻ āĻŦাā§°্āϤা āĻĒ্ā§°েā§°āĻŖā§° āĻŦাāĻŦে āύাāĻāĻ āĻাāϞ āĻŽাāϧ্āϝāĻŽ āύেāĻি? āĻāϞোāĻāύা āĻā§°া।
Answer: Drama is an effective medium for conveying a social message because it makes the sugar coated bitter pill easy to swallow and removes the disease as well. Drama stages the actions and situations.Every character is introduced at the appropriate moment and has a role in bringing out the message to the readers or the audience. J. B. Priestley uses the dramatic art very convincingly to highlight certain issues. The basic issue is the exploitation of housewives and mothers of the families. The play presents the plight of Mrs Pearson.
āύাāĻāĻ āϏাāĻŽাāĻিāĻ āĻŦাā§°্āϤা āĻĒ্ā§°েā§°āĻŖā§° āĻŦাāĻŦে āĻāĻ āĻĢāϞāĻĒ্ā§°āϏূ āĻŽাāϧ্āϝāĻŽ āĻাā§°āĻŖ āĻ āĻেāύি āĻā§ąā§°āĻŖāϝুāĻ্āϤ āϤিāϤা āĻŦāĻĄ়িāĻো āϏāĻšāĻে āĻিāϞিāĻŦ āĻĒā§°া āĻā§°ি āϤোāϞে āĻā§°ু ā§°োāĻāĻোāĻ āĻঁāϤ⧰াāĻ āĻĒেāϞাāϝ়। āύাāĻāĻāϤ āĻ্ā§°িāϝ়া āĻā§°ু āĻĒā§°িāϏ্āĻĨিāϤিā§° āĻŽāĻ্āĻāϏ্āĻĨ āĻā§°া āĻšāϝ়।āĻĒ্ā§°āϤিāĻো āĻā§°িāϤ্ā§°āĻ āĻāĻĒāϝুāĻ্āϤ āĻŽুāĻšূā§°্āϤāϤ āĻিāύাāĻি āĻā§°াāĻ āĻĻিāϝ়া āĻšāϝ় āĻā§°ু āĻŦাā§°্āϤাāĻো āĻĒাāĻ āĻ āĻŦা āĻĻā§°্āĻļāĻā§° āĻŽাāĻāϞৈ āĻāϞিāϝ়াāĻ āĻ āύাāϤ āĻূāĻŽিāĻা āĻāĻে। āĻে āĻŦি āĻĒ্ā§°িāώ্āĻāϞীāϝ়ে āĻিāĻুāĻŽাāύ āĻŦিāώāϝ়āĻ āĻāĻ্āĻ্āĻŦāϞ āĻā§°ি āϤুāϞিāĻŦāϞৈ āύাāĻāĻীāϝ় āĻļিāϞ্āĻĒāĻ āĻ āϤি āĻĒāϤিāϝ়āύ āϝোāĻ্āϝāĻাā§ąে āĻŦ্āĻ¯ā§ąāĻšাā§° āĻā§°িāĻে। āĻŽূāϞ āĻŦিāώāϝ়āĻো āĻš’āϞ āĻৃāĻšিāĻŖী āĻā§°ু āĻĒā§°িāϝ়াāϞ⧰ āĻŽাāϤৃā§° āĻļোāώāĻŖ। āύাāĻāĻāĻāύāϤ āĻŽিāĻেāĻ āĻĒিāϝ়ā§°āĻāύ⧰ āĻĻুā§°্āĻĻāĻļা āĻāĻĒāϏ্āĻĨাāĻĒāύ āĻā§°া āĻšৈāĻে।
5. Discuss in groups plays or films with a strong message of social reform that you have watched.
āĻāĻĒুāύি āĻোā§ąা āϏāĻŽাāĻ āϏংāϏ্āĻাā§°ā§° āĻļāĻ্āϤিāĻļাāϞী āĻŦাā§°্āϤা āĻĨāĻা āύাāĻāĻ āĻŦা āĻāĻŦিā§° āĻোāĻāϤ āĻāϞোāĻāύা āĻā§°āĻ।
Answer: For group discussion at class level. There can be varied responses. One such response is given below: The latest film I have watched recently is ‘SWADESH’. It has a strong message of social reform. It tells the story of an Indian scientist at NASA (America) who visits his ancestral home in India. The poor condition of the villagers and lack of basic facilities fills him with deep agony. He resigns his job in America and returns to his native country (Swadesh) to begin his work of rural uplift. He gives the villagers a message that self-help is the best help and we cannot depend for everything on the Government. This remote village is plunged in darkness after sunset as there is no electricity. With the help of a few villagers, the scientist is able to produce hydroelectricity and light the village homes. The water can be used for irrigation purposes also. Thus the economic and social condition of the villagers undergoes a sea change.
āĻļ্ā§°েāĻŖী āĻĒā§°্āϝাāϝ়āϤ āĻোāĻ āĻāϞোāĻāύাā§° āĻŦাāĻŦে। āĻŦিāĻিāύ্āύ āϧ⧰āĻŖā§° āϏঁāĻšাā§°ি āĻĨাāĻিāĻŦ āĻĒাā§°ে। āϤেāύে āĻāĻা āϏঁāĻšাā§°ি āϤāϞāϤ āĻĻিāϝ়া āĻš’āϞ- āĻļেāĻšāϤীāϝ়াāĻৈ āĻŽāĻ āĻোā§ąা āĻļেāĻšāϤীāϝ়া āĻāĻŦিāĻāύ āĻšৈāĻে ‘āϏ্āĻŦāĻĻেāĻļ’। āĻāϝ়াāϤ āϏāĻŽাāĻ āϏংāϏ্āĻাā§°ā§° āĻŦāϞিāώ্āĻ āĻŦাā§°্āϤা āĻāĻে। āĻāϝ়াāϤ āύাāĻা (āĻāĻŽেā§°িāĻা)ā§° āĻāĻāύ āĻাā§°āϤীāϝ় āĻŦিāĻ্āĻাāύীāϝ়ে āĻাā§°āϤāϤ āĻĨāĻা āύিāĻā§° āĻĒূā§°্āĻŦāĻĒুā§°ুāώ⧰ āĻā§°āϞৈ āϝোā§ąাā§° āĻাāĻšিāύী āĻোā§ąা āĻšৈāĻে। āĻাঁāĻāĻŦাāϏীā§° āĻĻুā§°্āĻŦāϞ āĻ ā§ąāϏ্āĻĨা āĻā§°ু āĻŽৌāϞিāĻ āϏা-āϏুāĻŦিāϧাā§° āĻ āĻাā§ąে āϤেāĻঁāĻ āĻāĻীā§° āϝāύ্āϤ্ā§°āĻŖাāϤ āĻā§°াāĻ āϤোāϞে। āĻāĻŽেā§°িāĻাāϤ āĻাāĻā§°ি āĻā§°ি āϤেāĻঁ āύিāĻā§° āĻāύ্āĻŽāĻূāĻŽি (āϏ্āĻŦāĻĻেāĻļ)āϞৈ āĻāĻāϤি āĻāĻšি āĻ্ā§°াāĻŽ্āϝ āĻāϤ্āĻĨাāύ⧰ āĻাāĻŽ āĻā§°āĻŽ্āĻ āĻā§°ে। āϤেāĻঁ āĻাঁāĻāĻŦাāϏীāĻ āĻāĻা āĻŦাā§°্āϤা āĻĻিāϝ়ে āϝে āĻāϤ্āĻŽāϏāĻšাāϝ়েāĻ āϏ⧰্āĻŦোāϤ্āϤāĻŽ āϏāĻšাāϝ় āĻā§°ু āĻāĻŽি āϏāĻāϞো āĻাāĻŽā§° āĻŦাāĻŦে āĻā§°āĻাā§°ā§° āĻāĻĒā§°āϤ āύিā§°্āĻā§° āĻā§°িāĻŦ āύোā§ąাā§°ো। āĻāĻ āĻĻুā§°্āĻāĻŽ āĻাঁāĻāĻāύ āϏূā§°্āϝাāϏ্āϤ⧰ āĻĒিāĻāϤ āĻŦিāĻĻ্āϝুā§ āύāĻĨāĻাā§° āĻŦাāĻŦে āĻāύ্āϧাā§°āϤ āĻĄুāĻŦ āĻৈāĻে। āĻĻুāĻ āĻāĻāύ āĻাঁā§ąā§° āĻŽাāύুāĻšā§° āϏāĻšাāϝ়āϤ āĻŦিāĻ্āĻাāύীāĻā§°াāĻীāϝ়ে āĻāϞāĻŦিāĻĻ্āϝুā§ āĻā§āĻĒাāĻĻāύ āĻā§°ি āĻাঁā§ąā§° āĻā§°āĻŦোā§° āĻĒোāĻšā§°াāĻ āϤুāϞিāĻŦāϞৈ āϏāĻ্āώāĻŽ āĻšৈāĻে। āĻĒাāύী āĻāϞāϏিāĻ্āĻāύ⧰ āĻŦাāĻŦেāĻ āĻŦ্āĻ¯ā§ąāĻšাā§° āĻā§°িāĻŦ āĻĒাā§°ি। āĻāĻāĻĻā§°ে āĻাঁā§ąā§° āĻŽাāύুāĻšā§° āĻ ā§°্āĻĨāύৈāϤিāĻ āĻā§°ু āϏাāĻŽাāĻিāĻ āĻ ā§ąāϏ্āĻĨাā§° āϏাāĻā§°ীāϝ় āĻĒā§°িā§ąā§°্āϤāύ āĻāĻে।
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Check by -Mukesh Borah