Chapter:  2


The Address


1. "Have you come back? said the woman. 'I thought that no one had come back. 'Does this statement give some clue about the story? If yes, what is it? 

"āφāĻĒুāύি āωāĻ­āϤি āφāĻšিāĻ›েāύে? āĻŽāĻšিāϞাāĻ—ā§°াāĻ•ীāϝ়ে āĻ•'āϞে। 'āĻŽāχ āĻ­াāĻŦিāĻ›িāϞো āϝে āĻ•োāύো āϘূā§°ি āĻ…āĻšা āύাāχ। 'āĻāχ āĻŦāĻ•্āϤāĻŦ্āϝāχ āĻ•াāĻšিāύীāϟোā§° āĻŦিāώāϝ়ে āĻ•িāĻ›ু āϏূāϤ্ā§° āĻĻিāϝ়ে āύেāĻ•ি? āϝāĻĻি āĻšāϝ়, āϤেāύ্āϤে āĻ•ি?

Answer: Yes, this statement gives some clue about the story. During the early part of the war Mrs Dorling had shifted the important belongings of her acquaintance Mrs S. from her house to 46, Marconi Street. These included table silver wares, antique plates and other nice things such as the iron anukkah candle-holder, woollen table cloth and green knitted cardigan with wooden buttons. Since Mrs S. had died during the war, Mrs Dorling did not expect anyone to come back and claim her costly belongings as she thought no one else knew her address.

The statement indicates the greedy and possessive nature of Mrs Dorling. She did not open the door to the daughter of her former acquaintance nor did she show any signs of recognition. She did not let the girl in. She refused to see her then saying it was not convenient for her to do. The narrator had gone to this address with a specific purpose—to see her mother’s belongings.

Even when she told Mrs Dorling that only she had come back, the woman with a broad back did not soften a bit. Thus the clash of interests is hinted at by the aforesaid statement.

āĻšāϝ়, āĻāχ āĻŦāĻ•্āϤāĻŦ্āϝāχ āĻ•াāĻšিāύীāϟোā§° āĻ•িāĻ›ু āϏূāϤ্ā§° āĻĻিāϝ়ে। āϝুāĻĻ্āϧ⧰ āφ⧰āĻŽ্āĻ­āĻŖিā§° āϏāĻŽāϝ়āĻ›োā§ąাāϤ āĻŽিāϚেāĻ› āĻĄā§°্āϞিāĻ™ে āύিāϜ⧰ āϚিāύাāĻ•ি āĻŽিāϚেāĻ› āĻāϛ⧰ āĻ—ুā§°ুāϤ্āĻŦāĻĒূā§°্āĻŖ āϏাāĻŽāĻ—্ā§°ীāĻŦোā§° āύিāϜ⧰ āϘ⧰⧰ āĻĒā§°া ā§Ēā§Ŧ, āĻŽাā§°্āĻ•āύি āώ্āϟ্ā§°ীāϟāϞৈ āϏ্āĻĨাāύাāύ্āϤ⧰িāϤ āϕ⧰িāĻ›িāϞ। āχāϝ়াā§° āĻ­িāϤ⧰āϤ āφāĻ›িāϞ āϟেāĻŦুāϞ ā§°ূāĻĒā§° āĻŦāϏ্āϤু, āĻāĻŖ্āϟিāĻ• āĻĒ্āϞেāϟ āφ⧰ু āĻ…āύ্āϝাāύ্āϝ āϧুāύীāϝ়া āĻŦāϏ্āϤু āϝেāύে āϞোāĻšাā§° āĻ…āύুāĻ•্āĻ•া āĻŽāĻŽāĻŦাāϤি ā§°āĻ–া, āωāϞ⧰ āϟেāĻŦুāϞ āĻ•াāĻĒোā§° āφ⧰ু āĻ•াāĻ ā§° āĻŦুāϟাāĻŽāϝুāĻ•্āϤ āϏেāωāϜীāϝ়া āύিāϟেāĻĄ āĻ•াā§°্āĻĄিāĻ—াāύ। āϝিāĻšেāϤু āϝুāĻĻ্āϧ⧰ āϏāĻŽāϝ়āϤ āĻŽিāϚেāĻ› āĻāϛ⧰ āĻŽৃāϤ্āϝু āĻšৈāĻ›িāϞ, āĻ—āϤিāĻ•ে āĻŽিāϚেāĻ› āĻĄā§°্āϞিāĻ™ে āφāĻļা āϕ⧰া āύাāĻ›িāϞ āϝে āϤেāĻ“ঁā§° āĻ িāĻ•āύা āφāύ āĻ•োāύোā§ąে āύাāϜাāύে āĻŦুāϞি āĻ­াāĻŦিāĻ›িāϞ।

āĻāχ āĻŦāĻ•্āϤāĻŦ্āϝāϟোā§ąে āĻŽিāϚেāĻ› āĻĄā§°্āϞিāϙ⧰ āϞোāĻ­ী āφ⧰ু āϏ্āĻŦāϤ্āĻŦাāϧিāĻ•াā§°ী āϏ্āĻŦāĻ­াā§ąā§° āχংāĻ—িāϤ āĻĻিāϝ়ে। āϤাāχ āφāĻ—ā§° āϚিāύাāĻ•িā§° āĻ›োā§ąাāϞীāϜāύীā§° āĻŦাāĻŦে āĻĻুā§ąাā§° āĻ–ুāϞি āĻĻিāϝ়া āύাāĻ›িāϞ āφ⧰ু āϚিāύাāĻ•িā§° āĻ•োāύো āϞāĻ•্āώāĻŖো āĻĻেāĻ–া āύাāĻ›িāϞ। āϤাāχ āĻ›োā§ąাāϞীāϜāύীāĻ• āϏোāĻŽাāĻŦāϞৈ āύিāĻĻিāϞে।āϤেāϤিāϝ়া āϤাāχāĻ• āϚাāĻŦāϞৈ āĻ…āϏ্āĻŦীāĻ•াā§° āϕ⧰িāϞে āϝে āϤাāχ⧰ āĻŦাāĻŦে āϏুāĻŦিāϧা āύāĻšāϝ়। āĻ•āĻĨāĻ•āϜāύে āĻāχ āĻ িāĻ•āύাāϞৈ āĻ—ৈāĻ›িāϞ āĻāϟা āύিā§°্āĻĻিāώ্āϟ āωāĻĻ্āĻĻেāĻļ্āϝ āϞৈ— āĻŽাāϕ⧰ āĻŦāϏ্āϤুāĻŦোā§° āϚাāĻŦāϞৈ।

āφāύāĻ•ি āϝেāϤিāϝ়া āϤাāχ āĻŽিāϚেāĻ› āĻĄā§°্āϞিāĻ™āĻ• āĻ•’āϞে āϝে āĻ•েā§ąāϞ āϤাāχāĻšে āϘূā§°ি āφāĻšিāĻ›ে, āϤেāϤিāϝ়াāĻ“ āĻŦāĻšāϞ āĻĒিāĻ িā§° āĻŽāĻšিāϞাāĻ—ā§°াāĻ•ী āĻ…āϞāĻĒ āĻ•োāĻŽāϞ āĻšোā§ąা āύাāĻ›িāϞ। āĻāχāĻĻā§°ে āϏ্āĻŦাā§°্āĻĨā§° āϏংāϘ⧰্āώ⧰ āχংāĻ—িāϤ āĻĒূā§°্āĻŦāϤে āωāϞ্āϞেāĻ– āϕ⧰া āĻŦāĻ•্āϤāĻŦ্āϝāχ āĻĻিāϝ়ে।

2. The story is divided into pre-War and post-War times. What hardships do you think the girl underwent during these times? 

āĻ•াāĻšিāύীāϟো āϝুāĻĻ্āϧ⧰ āĻĒূā§°্āĻŦā§° āφ⧰ু āϝুāĻĻ্āϧ⧰ āĻĒিāϛ⧰ āϏāĻŽāϝ়āϤ āĻ­াāĻ— āϕ⧰া āĻšৈāĻ›ে। āĻāχ āϏāĻŽāϝ়āĻŦোā§°āϤ āĻ›োā§ąাāϞীāϜāύীāϝ়ে āĻ•ি āĻ•ি āĻ•āώ্āϟ⧰ āϏāύ্āĻŽুāĻ–ীāύ āĻšৈāĻ›িāϞ āĻŦুāϞি āφāĻĒুāύি āĻ­াāĻŦে?

Answer: The pre-War period was when she had come home and found several things missing in her house. There are clear indications of the hardships which the narrator, a young girl, had to undergo during these times. The girl belonged to a rich family. They had a lot of valuable belongings. Then the war broke out, Mrs. Dorling renewed her contact and started visiting their house. The author told her about her wish to meet her mother. The girl takes her in the house. To the author’s surprise, she notices the room full of things her mother possessed. The room was not similar but the things were all very familiar. She started to feel so uncomfortable; she now had no desire to possess her mother’s belongings. Thus, she leaves the home and thinks of forgetting the address and the thought of ever getting those things back. 

āϝুāĻĻ্āϧ⧰ āĻĒূā§°্āĻŦā§° āϏāĻŽāϝ়āĻ›োā§ąা āφāĻ›িāϞ āϝেāϤিāϝ়া āϤাāχ āϘ⧰āϞৈ āφāĻšিāĻ›িāϞ āφ⧰ু āϤাāχ⧰ āϘ⧰āϤ āĻ•েāχāĻŦাāϟাāĻ“ āĻŦāϏ্āϤু āĻšেā§°াāχ āĻ—ৈāĻ›িāϞ। āĻāχ āϏāĻŽāϝ়āĻ›োā§ąাāϤ āĻ•āĻĨāĻ• āĻāĻ—ā§°াāĻ•ী āĻ•āĻŖāĻŽাāύি āĻ›োā§ąাāϞীāϝ়ে āĻ•িāĻŽাāύ āĻ•āώ্āϟ⧰ āϏāύ্āĻŽুāĻ–ীāύ āĻš’āĻŦāϞāĻ—ীāϝ়া āĻšৈāĻ›িāϞ āϤাā§° āϏ্āĻĒāώ্āϟ āχংāĻ—িāϤ āĻĒোā§ąা āĻ—ৈāĻ›ে। āĻ›োā§ąাāϞীāϜāύী āϧāύী āĻĒā§°িāϝ়াāϞ⧰ āφāĻ›িāϞ। āϤেāĻ“ঁāϞোāϕ⧰ āĻšাāϤāϤ āĻŦāĻšুāϤ āĻŽূāϞ্āϝāĻŦাāύ āĻŦāϏ্āϤু āφāĻ›িāϞ। āϤাā§° āĻĒিāĻ›āϤ āϝুāĻĻ্āϧ āφ⧰āĻŽ্āĻ­ āĻš’āϞ, āĻŽিāϚেāĻ› āĻĄā§°্āϞিāĻ™ে āύিāϜ⧰ āϝোāĻ—াāϝোāĻ— āύāĻŦীāϕ⧰āĻŖ āϕ⧰িāϞে āφ⧰ু āϤেāĻ“ঁāϞোāϕ⧰ āϘ⧰āϞৈ āϝাāĻŦāϞৈ āϧ⧰িāϞে। āϞেāĻ–িāĻ•াāχ āϤাāχāĻ• āĻŽাāĻ•āĻ• āϞāĻ— āĻĒোā§ąাā§° āχāϚ্āĻ›াā§° āĻ•āĻĨা āĻ•ৈāĻ›িāϞ। āĻ›োā§ąাāϞীāϜāύীāϝ়ে āϤাāχāĻ• āϘ⧰āϤ āϞৈ āϝাāϝ়। āϞেāĻ–িāĻ•াāĻ—ā§°াāĻ•ীāϝ়ে āφāϚ⧰িāϤ āϕ⧰ি āϤাāχ āϞāĻ•্āώ্āϝ āϕ⧰ে āϝে āĻŽাāϕ⧰ āĻšাāϤāϤ āĻĨāĻ•া āĻŦāϏ্āϤুā§°ে āĻ­ā§°ি āĻĨāĻ•া āĻ•োāĻ াāϟো। āĻ•োāĻ াāϟো āĻāĻ•ে āύাāĻ›িāϞ āϝāĻĻিāĻ“ āĻŦāϏ্āϤুāĻŦোā§° āϏāĻ•āϞো āĻŦā§° āϚিāύাāĻ•ি āφāĻ›িāϞ। āϤাāχ⧰ āχāĻŽাāύ āĻ…āϏ্āĻŦāϏ্āϤি āĻš’āĻŦāϞৈ āϧ⧰িāϞে; āϤাāχ⧰ āĻāϤিāϝ়া āĻŽাāϕ⧰ āĻŦāϏ্āϤুāĻŦোā§°ā§° āĻ…āϧিāĻ•াā§°ী āĻšোā§ąাā§° āĻ•োāύো āχāϚ্āĻ›া āύাāĻ›িāϞ। āĻāχāĻĻā§°ে āϤাāχ āϘ⧰⧰ āĻĒā§°া āĻ“āϞাāχ āĻ িāĻ•āύাāϟো āĻĒাāĻšā§°ি āϝোā§ąাā§° āĻ•āĻĨা āφ⧰ু āϏেāχāĻŦোā§° āĻŦāϏ্āϤু āĻ•েāϤিāϝ়াāĻŦা āϘূā§°াāχ āĻĒোā§ąাā§° āϚিāύ্āϤাāϟো āĻĒাāĻšā§°ি āϝোā§ąাā§° āĻ•āĻĨা āĻ­াāĻŦে।

3. Why did the narrator of the story want to forget the address? 

āĻ•াāĻšিāύীā§° āĻ•āĻĨāĻ•ে āĻ িāĻ•āύাāϟো āĻ•িāϝ় āĻĒাāĻšā§°িāĻŦ āĻŦিāϚাā§°িāĻ›িāϞ?

Answer:

The narrator remembered the address her mother had told her only once. It was number 46, Marconi Street. Her mother’s acquaintance Mrs Dorling lived there. She had stored the valuable belongings of the narrator’s mother there. After her mother’s death, the narrator had an urge to visit the place. She wanted to see those things, touch them and remember. She went to the given address twice. She was successful in her second attempt to enter the living room. .

She found herself in the midst of things she wanted to see again. She felt oppressed in the strange atmosphere. Everything was arranged in a tasteless way. The ugly furniture and the muggy smell that hung there seemed quite unpleasant. These objects evoked the memory of the familiar life of former time. But they had lost their value since they had been separated from her mother and stored in strange surroundings. She no longer wanted to see, touch or remember these belongings. She resolved to forget the address. She wanted to leave the past behind and decided to move on.

āĻŽাāĻ•ে āĻŽাāϤ্ā§° āĻāĻŦাā§° āĻ•োā§ąা āĻ িāĻ•āύাāϟো āĻ•āĻĨāϕ⧰ āĻŽāύāϤ āĻĒā§°িāϞ। āϏেāχāϟো āφāĻ›িāϞ ā§Ēā§Ŧ āύāĻŽ্āĻŦā§°, āĻŽাā§°্āĻ•āύি āώ্āϟ্ā§°ীāϟ। āĻŽাāϕ⧰ āϚিāύাāĻ•ি āĻŽিāϚেāĻ› āĻĄā§°্āϞিং āϤাāϤেāχ āĻŦাāϏ āϕ⧰িāĻ›িāϞ। āĻ•āĻĨāϕ⧰ āĻŽাāϕ⧰ āĻŽূāϞ্āĻ¯ā§ąাāύ āĻŦāϏ্āϤুāĻŦোā§° āϤাāχ āϤাāϤেāχ āϜāĻŽা āϕ⧰ি ā§°াāĻ–িāĻ›িāϞ। āĻŽাāϕ⧰ āĻŽৃāϤ্āϝুā§° āĻĒিāĻ›āϤ āĻ•āĻĨāϕ⧰ āϏেāχ āĻ াāχāĻ–āύ āĻ­্ā§°āĻŽāĻŖ āϕ⧰াā§° āĻšেঁāĻĒাāĻš āφāĻšিāϞ। āϤাāχ āϏেāχāĻŦোā§° āϚাāĻŦ āĻŦিāϚাā§°িāĻ›িāϞ, āϚুāĻŦ āĻŦিāϚাā§°িāĻ›িāϞ āφ⧰ু āĻŽāύāϤ āĻĒেāϞাāĻŦ āĻŦিāϚাā§°িāĻ›িāϞ। āϤাāχ āĻĻুāĻŦাā§°āĻ•ৈ āĻĻিāϝ়া āĻ িāĻ•āύাāϟোāϞৈ āĻ—’āϞ। āĻĄ্ā§°āϝ়িং ā§°ূāĻŽāϤ āĻĒ্ā§°ā§ąেāĻļ āϕ⧰াā§° āĻĻ্āĻŦিāϤীāϝ়āϟো āĻĒ্ā§°āϝ়াāϏāϤ āϤাāχ āϏāĻĢāϞ āĻš’āϞ। .

āϤাāχ āφāĻ•ৌ āĻāĻŦাā§° āϚাāĻŦ āĻŦিāϚ⧰া āĻ•āĻĨাāĻŦোā§°ā§° āĻŽাāϜāϤ āύিāϜāĻ•ে āĻŦিāϚাā§°ি āĻĒাāϞে। āĻ…āĻĻ্āĻ­ুāϤ āĻĒā§°িāĻŦেāĻļāϤ āϤাāχ āύিāϜāĻ•ে āύিāĻĒীāĻĄ়িāϤ āĻ…āύুāĻ­ā§ą āϕ⧰িāϞে। āϏāĻ•āϞো āĻŦāϏ্āϤু ā§°ুāϚিāĻšীāύāĻ­াā§ąে āϏāϜাāχ āĻĨোā§ąা āφāĻ›িāϞ। āĻ•ুā§ŽāϏিāϤ āφāϚāĻŦাāĻŦ āφ⧰ু āϤাāϤ āĻ“āϞāĻŽি āĻĨāĻ•া āĻ•ুā§ŽāϏিāϤ āĻ—োāύ্āϧāϟো āϝāĻĨেāώ্āϟ āĻ…āĻĒ্ā§°ীāϤিāϕ⧰ āϝেāύ āϞাāĻ—িāϞ। āĻāχ āĻŦāϏ্āϤুāĻŦোā§°ে āĻĒূā§°্āĻŦā§° āϏāĻŽāϝ়ā§° āϚিāύাāĻ•ি āϜীā§ąāύ⧰ āϏ্āĻŽৃāϤি āωāĻĻāĻ—āύি āĻĻিāĻ›িāϞ। āĻ•িāύ্āϤু āĻŽাāϕ⧰ āĻĒā§°া āĻŦিāϚ্āĻ›িāύ্āύ āĻšৈ āĻ…āĻĻ্āĻ­ুāϤ āĻĒā§°িāĻŦেāĻļāϤ āϜāĻŽা āϕ⧰ি ā§°āĻ–াā§° āĻĒā§°াāχ āϏিāĻšঁāϤ⧰ āĻŽূāϞ্āϝ āĻšেā§°াāχ āĻ—ৈāĻ›িāϞ। āϤাāχ⧰ āφ⧰ু āĻāχ āĻŦāϏ্āϤুāĻŦোā§° āϚাāĻŦāϞৈ, āϏ্āĻĒā§°্āĻļ āϕ⧰িāĻŦāϞৈ āĻŦা āĻŽāύāϤ āĻĒেāϞাāĻŦāϞৈ āĻŽāύ āϝোā§ąা āύাāĻ›িāϞ। āĻ িāĻ•āύাāϟো āĻĒাāĻšā§°ি āϝাāĻŦāϞৈ āϤাāχ āϏংāĻ•āϞ্āĻĒ āϞ’āϞে। āϤাāχ āĻ…āϤীāϤāĻ• āĻā§°ি āϝাāĻŦ āĻŦিāϚাā§°িāϞে āφ⧰ু āφāĻ—āĻŦাāĻĸ়ি āϝোā§ąাā§° āϏিāĻĻ্āϧাāύ্āϤ āϞ’āϞে।

4. 'The Address is a story of human predicament that follows war Comment.

The Address āĻšৈāĻ›ে āϝুāĻĻ্āϧ⧰ āĻĒিāĻ›āϤ āĻšোā§ąা āĻŽাāύুāĻšā§° āĻĻুā§°্āĻĻāĻļাā§° āĻ•াāĻšিāύী āĻŽāύ্āϤāĻŦ্āϝ।

Answer:

War creates many difficult and unpleasant situations for human beings. Sometimes it becomes difficult to know what to do. The human predicament that follows war is amply illustrated through the experience of the narrator. The war had caused many physical difficulties as well as emotional suffering to her. From all the wars that have been fought, we can only conclude that waging a war cannot be a solution to any problem. The Second World War stands testimony to this irrefutable truth. This story is about a girl’s journey to her past and her final resolution to leave behind the painful memories that obsessed her. The narrator was shocked to see the ‘nice belongings’ of her mother lying in Mrs Dorling’s house. She felt nostalgic and the things appeared to have lost their worth in the absence of their true owner. Therefore, she decided to leave those things and forget the address forever. Thus the story presents the upheaval in the lives of the narrator and her mother caused by the war.  Wars always leave behind the trail of suffering, pain and tears and that is what is poignantly depicted in ‘the address’.

āϝুāĻĻ্āϧāχ āĻŽাāύুāĻšā§° āĻŦাāĻŦে āĻŦāĻšুāϤো āĻ•āĻ িāύ āφ⧰ু āĻ…āĻĒ্ā§°ীāϤিāϕ⧰ āĻĒā§°িāϏ্āĻĨিāϤিā§° āϏৃāώ্āϟি āϕ⧰ে। āĻ•েāϤিāϝ়াāĻŦা āĻ•ি āϕ⧰িāĻŦ āϞাāĻ—ে āϜāύাāϟো āĻ•āĻ িāύ āĻšৈ āĻĒā§°ে। āϝুāĻĻ্āϧ⧰ āĻĒিāĻ›āϤ āĻšোā§ąা āĻŽাāĻ¨ā§ąীāϝ় āĻĻুā§°্āĻĻāĻļাā§° āĻŦিāώāϝ়ে āĻ•āĻĨāϕ⧰ āĻ…āĻ­িāϜ্āĻžāϤাā§° āϜ⧰িāϝ়āϤে āϝāĻĨেāώ্āϟ āϚিāϤ্ā§°িāϤ āϕ⧰া āĻšৈāĻ›ে। āϝুāĻĻ্āϧāχ āϤাāχ⧰ āĻŦাāĻŦে āĻŦāĻšুāϤো āĻļাā§°ীā§°িāĻ• āĻ…āϏুāĻŦিāϧাā§° āϞāĻ—āϤে āĻ†ā§ąেāĻ—িāĻ• āĻĻুāĻ–-āĻ•āώ্āϟ⧰ āϏৃāώ্āϟি āϕ⧰িāĻ›িāϞ। āϝিāĻŽাāύāĻŦোā§° āϝুāĻĻ্āϧ āĻšৈāĻ›ে āϤাā§° āĻĒā§°া āφāĻŽি āĻāχ āϏিāĻĻ্āϧাāύ্āϤāϤ āωāĻĒāύীāϤ āĻš’āĻŦ āĻĒাā§°ো āϝে āϝুāĻĻ্āϧ āϚāϞোā§ąাāϟো āĻ•োāύো āϏāĻŽāϏ্āϝাā§° āϏāĻŽাāϧাāύ āĻš’āĻŦ āύোā§ąাā§°ে। āĻĻ্āĻŦিāϤীāϝ় āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧāχ āĻāχ āĻ…āύāϏ্āĻŦীāĻ•াā§°্āϝ āϏāϤ্āϝ⧰ āϏাāĻ•্āώ্āϝ āĻšিāϚাāĻĒে āĻĨিāϝ় āĻĻিāĻ›ে। āĻāχ āĻ•াāĻšিāύীāϟোāϤ āĻāĻ—ā§°াāĻ•ী āĻ›োā§ąাāϞীā§° āĻ…āϤীāϤ⧰ āϝাāϤ্ā§°া āφ⧰ু āϤাāχāĻ• āφāϕ⧰্āώিāϤ āϕ⧰া āϝāύ্āϤ্ā§°āĻŖাāĻĻাāϝ়āĻ• āϏ্āĻŽৃāϤিāĻŦোā§° āĻā§°ি āϝোā§ąাā§° āϚূāĻĄ়াāύ্āϤ āϏংāĻ•āϞ্āĻĒā§° āĻŦিāώāϝ়ে āĻ•োā§ąা āĻšৈāĻ›ে। āĻŽিāϚেāĻ› āĻĄā§°্āϞিāϙ⧰ āϘ⧰āϤ āĻĒā§°ি āĻĨāĻ•া āĻŽাāϕ⧰ ‘āĻ­াāϞ āĻŦāϏ্āϤু’āĻŦোā§° āĻĻেāĻ–ি āĻ•āĻĨāĻ•āϜāύ āϏ্āϤāĻŽ্āĻ­িāϤ āĻšৈ āĻĒā§°িāϞ। āϤাāχ⧰ āύāώ্āϟাāϞāϜিāĻ• āĻ…āύুāĻ­ā§ą āĻšৈāĻ›িāϞ āφ⧰ু āĻŦāϏ্āϤুāĻŦোā§°ā§° āĻĒ্ā§°āĻ•ৃāϤ āĻŽাāϞিāϕ⧰ āĻ…āύুāĻĒāϏ্āĻĨিāϤিāϤ āϝেāύ āĻŽূāϞ্āϝ āĻšেā§°ুā§ąাāχ āĻĒেāϞাāχāĻ›িāϞ। āϏেāϝ়ে āϤাāχ āϏেāχāĻŦোā§° āĻ•āĻĨা āĻā§°ি āĻ িāĻ•āύাāϟো āϚিā§°āĻĻিāύ⧰ āĻŦাāĻŦে āĻĒাāĻšā§°ি āϝোā§ąাā§° āϏিāĻĻ্āϧাāύ্āϤ āϞ’āϞে। āĻāχāĻĻā§°ে āĻ—āϞ্āĻĒāϟোā§ąে āĻ•āĻĨāĻ• āφ⧰ু āϤাāχ⧰ āĻŽাāϤৃā§° āϜীā§ąāύāϤ āϝুāĻĻ্āϧ⧰ āĻĢāϞāϤ āϏৃāώ্āϟি āĻšোā§ąা āωāϤ্āϤাāϞ āĻĒā§°িāϏ্āĻĨিāϤিā§° āωāĻĒāϏ্āĻĨাāĻĒāύ āϕ⧰িāĻ›ে।  āϝুāĻĻ্āϧāχ āϏāĻĻাāϝ় āĻĻুāĻ–, āϝāύ্āϤ্ā§°āĻŖা āφ⧰ু āϚāĻ•ুāϞোā§° ā§°েāĻ–া āĻā§°ি āϝাāϝ় āφ⧰ু āϏেāχāϟোā§ąেāχ ‘āĻ িāĻ•āύা’āϤ āĻŽā§°্āĻŽāϏ্āĻĒā§°্āĻļীāĻ­াā§ąে āϚিāϤ্ā§°িāϤ āϕ⧰া āĻšৈāĻ›ে।

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