Chapter: 1


The Summer of the Beautiful White House



Question 1:

You will probably agree that this story does not have breathless adventure and exciting action. Then what in your opinion makes it interesting?

āφāĻĒুāύি āĻšāϝ়āϤো āĻāχ āĻ•āĻĨাāϤ āĻāĻ•āĻŽāϤ āĻš’āĻŦ āϝে āĻāχ āĻ•াāĻšিāύীāϟোāϤ āωāĻļাāĻš āĻŦāύ্āϧ āĻšোā§ąা āĻĻুঃāϏাāĻšāϏিāĻ• āφ⧰ু ā§°োāĻŽাāĻž্āϚāϕ⧰ āĻāĻ•āϚāύ āύাāχ। āϤেāύ্āϤে āφāĻĒোāύাā§° āĻŽāϤে āχāϝ়াāĻ• āĻ•িāĻšā§° āĻŦাāĻŦে āφāϕ⧰্āώāĻŖীāϝ় āϕ⧰ি āϤোāϞা āĻšৈāĻ›ে?

Answer:

The story ‘The Summer of the Beautiful White Horse’ is a tale told from the viewpoint of a nine-year old boy. At that age, imagination is rich and one can romanticise even insignificant actions. To such a person the world is full of excellence and glory and life is delightful and a mysterious dream. For the young poor boy, a ride on a beautiful white horse is a dream fulfilled. He had been always longing to ride and his cherished dream is realised when his cousin Mourad offers him a chance to ride on horseback—first with him and then alone. Riding the stolen horse and hiding it safely are great feats of adventure for the two boys.

Though the story line is thin, we eagerly follow the course of action taken by the boys till they return the horse to its rightful owner. The story provides us a peep into child psychology. For boys who are crazy about horses, stealing a horse for a ride is not stealing. Though they enjoy the thrill of riding, they are conscious of their family pride. The Garoghlanian family is well-known for honesty and trust. They would neither steal nor take advantage of anybody in the world. Another point of interest is characterization. The delineation of the common traits of uncle Khosrove and cousin Mourad is superb. The story also contains many purple passages full of pictorial description. All these heighten its appeal to the reader.


āϏুāύ্āĻĻā§° āĻŦāĻ—া āϘোঁā§°াā§° āĻ—্ā§°ীāώ্āĻŽāĻ•াāϞ’ āĻ•াāĻšিāύীāϟো āĻāϜāύ āύ āĻŦāϛ⧰ীāϝ়া āϞ’ā§°াā§° āĻĻৃāώ্āϟিāĻ•োāĻŖā§° āĻĒā§°া āĻ•োā§ąা āĻāĻ• āĻ•াāĻšিāύী। āϏেāχ āĻŦāϝ়āϏāϤ āĻ•āϞ্āĻĒāύাāĻļāĻ•্āϤি āϚāĻšāĻ•ী āĻšāϝ় āφ⧰ু āϤুāϚ্āĻ› āϕ⧰্āĻŽāĻ•ো ā§°োāĻŽাāύ্āϟিāĻ• āϕ⧰িāĻŦ āĻĒাā§°ি। āĻāύে āĻŦ্āϝāĻ•্āϤিā§° āĻŦাāĻŦে āĻĒৃāĻĨিā§ąীāĻ–āύ āĻ‰ā§ŽāĻ•ৃāώ্āϟāϤা āφ⧰ু āĻ—ৌā§°ā§ąā§°ে āĻ­ā§°া āφ⧰ু āϜীā§ąāύāϟো āφāύāύ্āĻĻāĻĻাāϝ়āĻ• āφ⧰ু āĻāĻ• ā§°āĻšāϏ্āϝāĻŽāϝ় āϏāĻĒোāύ। āϏ⧰ু āĻĻুāĻ–ীāϝ়া āϞ’ā§°াāϟোā§° āĻŦাāĻŦে āϧুāύীāϝ়া āĻŦāĻ—া āϘোঁā§°াāϤ āωāĻ ি āϝোā§ąাāϟো āĻāϟা āϏāĻĒোāύ āĻĒূā§°āĻŖ। āϤেāĻ“ঁ āϏāĻĻাāϝ় āϘোঁā§°াāϤ āωāĻ িāĻŦāϞৈ āĻšাāĻšাāĻ•াā§° āϕ⧰ি āφāĻšিāĻ›িāϞ āφ⧰ু āϤেāĻ“ঁā§° āĻŽā§°āĻŽā§° āϏāĻĒোāύāϟো āĻŦাāϏ্āĻ¤ā§ąাāϝ়িāϤ āĻšāϝ় āϝেāϤিāϝ়া āϤেāĻ“ঁā§° āĻ–ুāϞāĻļাāϞীāϝ়েāĻ• āĻŽৌā§°াāĻĻে āϤেāĻ“ঁāĻ• āϘোঁā§°াāϤ āωāĻ িāĻŦāϞৈ āϏুāϝোāĻ— āĻĻিāϝ়ে—āĻĒ্ā§°āĻĨāĻŽে āϤেāĻ“ঁā§° āϏৈāϤে āφ⧰ু āϤাā§° āĻĒিāĻ›āϤ āĻ…āĻ•āϞে। āϚুā§°ি āϘোঁā§°াāϟোāϤ āωāĻ ি āύিā§°াāĻĒāĻĻে āϞুāĻ•ুā§ąাāχ ā§°āĻ–াāϟো āϞ’ā§°া āĻĻুāϟাā§° āĻŦাāĻŦে āĻĻুঃāϏাāĻšāϏিāĻ• āĻ…āĻ­িāϝাāύ⧰ āĻāĻ• āĻĄাāϙ⧰ āĻ•ৃāϤিāϤ্āĻŦ।


āĻ•াāĻšিāύীāĻ­াāĻ— āĻĒাāϤāϞ āĻš’āϞেāĻ“ āϞ’ā§°াāĻ•েāχāϟাāχ āϞোā§ąা āĻ•াā§°্āϝ্āϝāĻĒāύ্āĻĨাāϟো āφāĻŽি āφāĻ—্ā§°āĻšেā§°ে āĻ…āύুāϏ⧰āĻŖ āϕ⧰োঁ āϝেāϤিāϝ়াāϞৈāĻ•ে āϤেāĻ“ঁāϞোāĻ•ে āϘোঁā§°াāϟোāĻ• āϤাā§° āϏāĻ িāĻ• āĻŽাāϞিāϕ⧰ āĻ“āϚ⧰āϞৈ āϘূā§°াāχ āύিāĻĻিāϝ়ে। āĻ•াāĻšিāύীāϟোā§ąে āφāĻŽাāĻ• āĻļিāĻļু āĻŽāύোāĻŦিāϜ্āĻžাāύ⧰ āĻāĻ• āωঁāĻ•ি āĻĻিāĻ›ে। āϘোঁā§°াā§° āĻŦাāĻŦে āĻĒাāĻ—āϞ āϞ’ā§°াā§° āĻŦাāĻŦে āϘোঁā§°া āϚāϞাāĻŦāϞৈ āϘোঁā§°া āϚুā§°ি āϕ⧰াāϟো āϚুā§°ি āύāĻšāϝ়। āϝāĻĻিāĻ“ āϤেāĻ“ঁāϞোāĻ•ে ā§°াāχāĻĄিāϙ⧰ ā§°োāĻŽাāĻž্āϚ āωāĻĒāĻ­োāĻ— āϕ⧰ে, āϤāĻĨাāĻĒিāĻ“ āϤেāĻ“ঁāϞোāĻ•ে āύিāϜ⧰ āĻĒাā§°িāĻŦাā§°িāĻ• āĻ—ৌā§°ā§ąā§° āĻĒ্ā§°āϤি āϏāϚেāϤāύ। āĻ—াā§°োāϘāϞাāύীāϝ়া āĻĒā§°িāϝ়াāϞāϟো āϏāϤāϤা āφ⧰ু āĻŦিāĻļ্āĻŦাāϏ⧰ āĻŦাāĻŦে āϏুāĻĒā§°িāϚিāϤ। āϤেāĻ“ঁāϞোāĻ•ে āϚুā§°িāĻ“ āύāϕ⧰িāĻŦ āφ⧰ু āĻĒৃāĻĨিā§ąীā§° āĻ•াā§°োāĻŦাā§° āϏুāĻŦিāϧাāĻ“ āϞ’āĻŦ āύোā§ąাā§°িāϞেāĻšেঁāϤেāύ। āφāύ āĻāϟা āφāĻ—্ā§°āĻšā§° āĻŦিāώāϝ় āĻš’āϞ āϚ⧰িāϤ্ā§°াāϝ়āύ। āĻ–োāϛ⧰োāĻ­ āĻ–ুāĻĄ়া āφ⧰ু āĻ–ুāϞāĻļাāϞীāϝ়েāĻ• āĻŽৌā§°াāĻĻā§° āϏাāϧাā§°āĻŖ āĻŦৈāĻļিāώ্āϟ্āϝ⧰ āϚিāϤ্ā§°āĻŖ āĻ…āϤি āωāϤ্āϤāĻŽ। āĻ•াāĻšিāύীāϟোāϤ āϚিāϤ্ā§°াংāĻ•িāϤ āĻŦā§°্āĻŖāύাā§°ে āĻ­ā§°া āĻŦāĻšুāϤো āĻŦেāĻ™ুāύীāϝ়া ā§°āϙ⧰ āĻ…ংāĻļāĻ“ āφāĻ›ে। āĻāχ āϏāĻ•āϞোāĻŦোā§°ে āĻĒাāĻ āϕ⧰ āĻĒ্ā§°āϤি āχāϝ়াā§° āφāϕ⧰্āώāĻŖ āφ⧰ু āĻ…āϧিāĻ• āωāϚ্āϚ āϕ⧰ি āϤোāϞে।

2. Did the boys return the horse because they were conscience-stricken or because they were afraid?

 āϞ'ā§°াāĻŦোā§°ে āĻŦিāĻŦেāĻ•āϤ āφāϘাāϤ āĻĒাāχ āύে āĻ­āϝ় āĻ–াāχ āϘোঁā§°াāϟো āϘূā§°াāχ āĻĻিāϞে?

Answer:

The story gives no indication that the boys were afraid of anyone or anything. Hence the return of the horse was not directed by fear. Secondly, they were not at all conscience-stricken. They did not feel any pangs of repentance or remorse at their action of stealing a horse solely for the purpose of riding it. The narrator makes it amply clear when he asserts that stealing a horse for a ride was not the same thing as stealing something else, such as money. For him, it wasn’t stealing at all as he and Mourad were so crazy about horses. In his opinion, it would become stealing only when they offered to sell the horse, which he knew they would never do.

The last phrase gives a clue to their mental make up. Mourad had the horse for over a month when farmer John Byro visited the narrator’s house. They retained it for two weeks more. Mourad outrightly rejected the narrator’s suggestion of keeping the horse any longer. It was his family pride that would not let him steal. He decided that the horse must go back to its true owner. The meeting with John Byro proved conclusive. He praised their family for its honesty. He trusted the boys as he knew their parents. Hence in order to uphold the family tradition and reputation, the boys returned the horse to its rightful owner. 

āϞ’ā§°াāĻ•েāχāϟাāχ āĻ•াā§°োāĻŦাāĻ• āĻŦা āϝিāĻ•োāύো āĻŦāϏ্āϤুāϞৈ āĻ­āϝ় āϕ⧰িāĻ›িāϞ āĻŦুāϞি āĻ•াāĻšিāύীāϟোā§ąে āĻ•োāύো āχংāĻ—িāϤ āύিāĻĻিāϝ়ে। āϏেāϝ়েāĻšে āϘোঁā§°াāϟোā§° āωāĻ­āϤি āĻ…āĻšাāϟো āĻ­āϝ়ā§° āĻĻ্āĻŦাā§°া āύিā§°্āĻĻেāĻļিāϤ āĻšোā§ąা āύাāĻ›িāϞ। āĻĻ্āĻŦিāϤীāϝ়āϤে, āϤেāĻ“ঁāϞোāĻ• āĻāĻ•েāĻŦাā§°েāχ āĻŦিāĻŦেāĻ•-āφāĻ•্ā§°াāύ্āϤ āύাāĻ›িāϞ। āĻ•েā§ąāϞ āϘোঁā§°া āϚāϞোā§ąাā§° āωāĻĻ্āĻĻেāĻļ্āϝে āϘোঁā§°া āϚুā§°ি āϕ⧰াā§° āĻ•াā§°্āϝ্āϝāϤ āϤেāĻ“ঁāϞোāĻ•ে āĻ•োāύো āϧ⧰āĻŖā§° āĻ…āύুāϤাāĻĒ āĻŦা āĻ…āύুāĻļোāϚāύা āĻ…āύুāĻ­ā§ą āϕ⧰া āύাāĻ›িāϞ। āĻ•āĻĨāĻ•ে āϝāĻĨেāώ্āϟ āϏ্āĻĒāώ্āϟ āϕ⧰ি āĻĻিāϝ়ে āϝেāϤিāϝ়া āϤেāĻ“ঁ āĻĻৃāĻĸ়āϤাā§°ে āĻ•āϝ় āϝে āϘোঁā§°া āϚুā§°ি āϕ⧰াāϟো āφ⧰ু āφāύ āĻ•িāĻŦা āĻāϟা, āϝেāύে āϟāĻ•া āϚুā§°ি āϕ⧰াāϟো āĻāĻ•ে āĻ•āĻĨা āύাāĻ›িāϞ। āϤেāĻ“ঁā§° āĻŦাāĻŦে āϏেāϝ়া āϚুā§°ি āϕ⧰াāϟো āĻāĻ•েāĻŦাā§°েāχ āύাāĻ›িāϞ āĻ•াā§°āĻŖ āϤেāĻ“ঁ āφ⧰ু āĻŽৌā§°াāĻĻ āϘোঁā§°াā§° āĻĒ্ā§°āϤি āχāĻŽাāύেāχ āĻĒাāĻ—āϞ āφāĻ›িāϞ। āϤেāĻ“ঁā§° āĻŽāϤে āϘোঁā§°াāϟো āĻŦিāĻ•্ā§°ী āϕ⧰াā§° āĻĒ্ā§°āϏ্āϤাā§ą āĻĻিāϞেāĻšে āχ āϚুā§°ি āĻšৈ āĻĒā§°িāĻŦ, āϝিāϟো āϤেāĻ“ঁāϞোāĻ•ে āĻ•েāϤিāϝ়াāĻ“ āύāϕ⧰ে āĻŦুāϞি āϤেāĻ“ঁ āϜাāύিāĻ›িāϞ।

āĻļেāώ⧰ āĻŦাāĻ•্āϝাংāĻļāϟোā§ąে āϤেāĻ“ঁāϞোāϕ⧰ āĻŽাāύāϏিāĻ• āĻ—āĻ āύ⧰ āĻāϟা āϏূāϤ্ā§° āĻĻিāϝ়ে। āĻ•ৃāώāĻ• āϜāύ āĻŦাāχ⧰’āχ āĻ•āĻĨāϕ⧰ āϘ⧰āϞৈ āϝোā§ąাā§° āϏāĻŽāϝ়āϤ āĻŽৌā§°াāĻĄā§° āϘোঁā§°াāϟো āĻāĻŽাāĻšā§°ো āĻ…āϧিāĻ• āϏāĻŽāϝ় āφāĻ›িāϞ। āφ⧰ু āĻĻুāϏāĻĒ্āϤাāĻš āϧ⧰ি ā§°াāĻ–িāϞে। āϘোঁā§°াāϟোāĻ• āφ⧰ু ā§°āĻ–াā§° āĻ•āĻĨāϕ⧰ āĻĒā§°াāĻŽā§°্āĻļ āĻŽৌā§°াāĻĻে āϏāĻŽ্āĻĒূā§°্āĻŖā§°ূāĻĒে āύাāĻ•āϚ āϕ⧰িāϞে। āϤেāĻ“ঁā§° āĻĒā§°িāϝ়াāϞ⧰ āĻ—ৌā§°ā§ą āφāĻ›িāϞ āϝিāϝ়ে āϤেāĻ“ঁāĻ• āϚুā§°ি āϕ⧰িāĻŦāϞৈ āύিāĻĻিāϞে। āϤেāĻ“ঁ āϏিāĻĻ্āϧাāύ্āϤ āϞ’āϞে āϝে āϘোঁā§°াāϟো āĻĒুāύ⧰ āύিāϜ⧰ āĻĒ্ā§°āĻ•ৃāϤ āĻŽাāϞিāϕ⧰ āĻ“āϚ⧰āϞৈ āϝাāĻŦ āϞাāĻ—িāĻŦ। āϜāύ āĻŦাāχ⧰োā§° āϏৈāϤে āĻšোā§ąা āĻŦৈāĻ āĻ•āĻ–āύ āύিā§°্āĻŖাāϝ়āĻ• āĻŦুāϞি āĻĒ্ā§°āĻŽাāĻŖিāϤ āĻš’āϞ। āϤেāĻ“ঁāϞোāϕ⧰ āĻĒā§°িāϝ়াāϞ⧰ āϏāϤāϤাā§° āĻŦাāĻŦে āϤেāĻ“ঁ āĻĒ্ā§°āĻļংāϏা āϕ⧰ে। āĻŽাāĻ•-āĻĻেāωāϤাāĻ•āĻ• āϚিāύি āĻĒোā§ąাā§° āĻĻā§°ে āϏি āϞ’ā§°াāĻ•েāχāϟাāĻ• āĻŦিāĻļ্āĻŦাāϏ āϕ⧰িāĻ›িāϞ। āϏেāϝ়েāĻšে āĻĒাā§°িāĻŦাā§°িāĻ• āĻĒā§°āĻŽ্āĻĒā§°া āφ⧰ু āϏুāύাāĻŽ āĻŦāϜাāχ ā§°াāĻ–িāĻŦāϞৈ āϞ’ā§°াāĻ•েāχāϟাāχ āϘোঁā§°াāϟোāĻ• āϤাā§° āϏāĻ িāĻ• āĻŽাāϞিāĻ•āĻ• āϘূā§°াāχ āĻĻিāϞে।


Question 3:

“One day back there in the good old days when I was nine and the world was full of every imaginable kind of magnificence, and life was still a delightful and mysterious dream……..”. The story begins in a mood of nostalgia. Can you narrate some incident from your childhood that might make an interesting story?

“āĻāĻĻিāύ āϤাāϤ āωāĻ­āϤি āφāĻšি āĻ­াāϞ āĻĒুā§°āĻŖি āĻĻিāύāĻŦোā§°āϤ āϝেāϤিāϝ়া āĻŽোā§° āĻŦāϝ়āϏ āύ āĻŦāϛ⧰ āφāĻ›িāϞ āφ⧰ু āĻĒৃāĻĨিā§ąীāĻ–āύ āĻ•āϞ্āĻĒāύা āϕ⧰িāĻŦ āĻĒā§°া āĻĒ্ā§°āϤিāϟো āϧ⧰āĻŖā§° āĻŽāĻšিāĻŽাā§°ে āĻ­ā§°ি āφāĻ›িāϞ, āφ⧰ু āϜীā§ąāύāϟো āϤেāϤিāϝ়াāĻ“ āφāĻ›িāϞ āĻāĻ• āφāύāύ্āĻĻāĻĻাāϝ়āĻ• āφ⧰ু ā§°āĻšāϏ্āϝāĻŽāϝ় āϏāĻĒোāύ........”। āĻ•াāĻšিāύীāϟো āφ⧰āĻŽ্āĻ­ āĻšāϝ় āύāώ্āϟাāϞāϜিāϝ়াā§° āφāĻŽেāϜāϤ। āĻļৈāĻļā§ąā§° āĻ•োāύোāĻŦা āĻāϟা āĻ•াāĻŖ্āĻĄ āĻŦā§°্āĻŖāύা āϕ⧰িāĻŦ āĻĒাā§°িāĻŦāύে āϝিāϝ়ে āĻšāϝ়āϤো āĻāϟা āφāϕ⧰্āώāĻŖীāϝ় āĻ•াāĻšিāύী āϕ⧰ি āϤুāϞিāĻŦ āĻĒাā§°ে?

Answer:

I had just completed my primary education when I visited my uncle. He was a forest ranger in Dehradun. In those days there was a thick forest in the vicinity of the city and all sorts of wild animals prowled there. Uncle had advised us not to enter the deep forest, but forbidden fruit is sweet; My cousin Varun, a couple of his friends and I decided to explore the southern range. We had the kits of scouts and were fully prepared.

In our boyish enthusiasm, we went deep into the jungle and reached a gorge. We were amazed to see a lioness with her cubs. One of us, perhaps, Mohit clicked his camera. The flashlight scared the lioness and she roared and leaped. Fortunately there was a big ditch and she fell into it. Meanwhile, we lit our torches, collected dry leaves and twigs and set them on fire. Momentarily, we got respite from our attackers. Then we threw some green leaves on fire to give smoke signal. A patrol party noticed it and rescued us. I shudder whenever I think of this adventure when we were close to death.

āĻĒ্ā§°াāĻĨāĻŽিāĻ• āĻļিāĻ•্āώা āϏāĻŽাāĻĒ্āϤ āϕ⧰িāϝ়েāχ āĻŽাāĻŽাā§° āĻ“āϚ⧰āϞৈ āĻ—ৈāĻ›িāϞোঁ। āϤেāĻ“ঁ āφāĻ›িāϞ āĻĄেā§°াāĻĄুāύ⧰ āĻŦāύ⧰ীāϝ়া। āϏেāχ āϏāĻŽāϝ়āϤ āϚāĻšā§°ā§° āφāĻļে-āĻĒাāĻļে āĻāĻ–āύ āĻĄাāĻ  āĻ…ā§°āĻŖ্āϝ āφāĻ›িāϞ āφ⧰ু āϤাāϤ āύাāύা āϧ⧰āĻŖā§° āĻŦāύ⧰ীāϝ়া āϜāύ্āϤুā§ąে āϘূā§°ি āĻĢুā§°িāĻ›িāϞ। āĻ–ুāĻĄ়াāχ āφāĻŽাāĻ• āĻ—āĻ­ীā§° āĻšাāĻŦিāϤ āϏোāĻŽাāĻŦ āύাāϞাāĻ—ে āĻŦুāϞি āωāĻĒāĻĻেāĻļ āĻĻিāĻ›িāϞ, āĻ•িāύ্āϤু āύিāώিāĻĻ্āϧ āĻĢāϞ āĻŽিāĻ া; āĻŽোā§° āĻ–ুāϞāĻļাāϞীāϝ়েāĻ• āĻŦā§°ুāĻŖ, āϤেāĻ“ঁā§° āĻŦāύ্āϧু āĻĻুāϜāύāĻŽাāύ āφ⧰ু āĻŽāχ āĻĻāĻ•্āώিāĻŖā§° ā§°েāĻž্āϜāϟো āĻ…āύ্āĻŦেāώāĻŖ āϕ⧰াā§° āϏিāĻĻ্āϧাāύ্āϤ āϞ’āϞোঁ৷ āφāĻŽাā§° āĻšাāϤāϤ āϏ্āĻ•াāωāϟ⧰ āĻ•িāϟ āφāĻ›িāϞ āφ⧰ু āϏāĻŽ্āĻĒূā§°্āĻŖ āϏাāϜু āφāĻ›িāϞোঁ।


āφāĻŽাā§° āϞ’ā§°াāϞিā§° āĻ‰ā§ŽāϏাāĻšāϤ āφāĻŽি āϜংāϘāϞ⧰ āĻ—āĻ­ীā§°āϤাāϞৈ āĻ—ৈ āĻāϟা āĻ—ā§°্āϜāϤ āωāĻĒāύীāϤ āĻš’āϞোঁ৷ āϏিংāĻšāύী āĻāĻ—ā§°াāĻ•ীāĻ• āĻĒোā§ąাāϞিā§° āϏৈāϤে āĻĻেāĻ–ি āφāĻŽি āφāϚ⧰িāϤ āĻšৈ āĻĒā§°িāϞোঁ। āφāĻŽাā§° āĻŽাāϜ⧰ āĻāϜāύে āĻšāϝ়āϤো, āĻŽোāĻšিāϤে āύিāϜ⧰ āĻ•েāĻŽেā§°াāϟো āĻ•্āϞিāĻ• āϕ⧰িāϞে। āϟ⧰্āϚāϟোā§ąে āϏিংāĻšāύীāĻ• āĻ­āϝ় āĻ–ুā§ąাāχ āĻ—ā§°্āϜāύ āϕ⧰ি āϜāĻĒিāϝ়াāχ āωāĻ িāϞ। āĻ­াāĻ—্āϝ āĻ­াāϞ āϝে āĻāϟা āĻĄাāϙ⧰ āĻ–াā§ąৈ āφāĻ›িāϞ āφ⧰ু āϤাāχ āϤাāϤ āĻĒā§°িāϞ। āχāĻĢাāϞে āφāĻŽি āφāĻŽাā§° āĻŽāĻļাāϞ āϜ্āĻŦāϞাāχ āĻļুāĻ•াāύ āĻĒাāϤ āφ⧰ু āĻĄাāϞ āĻ—োāϟাāχ āϜুāχ āϞāĻ—াāχ āĻĻিāϞোঁ। āĻ•্āώāĻŖিāϕ⧰ āĻŦাāĻŦে āφāĻŽি āφāĻŽাā§° āφāĻ•্ā§°āĻŽāĻŖāĻ•াā§°ীā§° āĻĒā§°া ā§°েāĻšাāχ āĻĒাāϞোঁ। āϤাā§° āĻĒিāĻ›āϤ āφāĻŽি āϧোঁā§ąাā§° āϏংāĻ•েāϤ āĻĻিāĻŦāϞৈ āĻ•িāĻ›ুāĻŽাāύ āϏেāωāϜীāϝ়া āĻĒাāϤ āϜুāχāϤ āĻĒেāϞাāχ āĻĻিāϞোঁ। āĻāϟা āϟāĻšāϞāĻĻাā§°ী āĻĻāϞে āϞāĻ•্āώ্āϝ āϕ⧰ি āφāĻŽাāĻ• āωāĻĻ্āϧাā§° āϕ⧰িāϞে। āφāĻŽি āĻŽৃāϤ্āϝুā§° āĻ“āϚ⧰āϤ āĻĨাāĻ•োঁāϤে āĻāχ āĻĻুঃāϏাāĻšāϏিāĻ• āĻ…āĻ­িāϝাāύ⧰ āĻ•āĻĨা āĻ­াāĻŦিāϞেāχ āĻŽোā§° āĻ•ঁāĻĒি āωāĻ ে।

4. The story revolves around characters who belong to a tribe in Armenia. Mourad and Aram are members of the Garoghlanian family. Now locate Armenia and Assyria on the atlas and prepare a write-up on the Garoghlanian tribes. You may write about people, their names, traits, geographical and economic features as suggested in the story.

 āĻ•াāĻšিāύীāϟো āφ⧰্āĻŽেāύিāϝ়াā§° āĻāϟা āϜāύāĻ—োāώ্āĻ ীā§° āĻ…āύ্āϤ⧰্āĻ—āϤ āϚ⧰িāϤ্ā§°āĻŦোā§°ā§° āĻ“āĻĒā§°āϤ āφāĻŦāĻĻ্āϧ। āĻŽৌā§°াāĻĻ āφ⧰ু āφ⧰াāĻŽ āĻ—াā§°োāϘ্āϞাāύিāϝ়াāύ āĻĒā§°িāϝ়াāϞ⧰ āϏāĻĻāϏ্āϝ। āĻāϤিāϝ়া āĻāϟāϞাāĻ›āϤ āφ⧰্āĻŽেāύিāϝ়া āφ⧰ু āĻ…āϚূā§°ā§° āϏ্āĻĨাāύ āύিā§°্āĻŖāϝ় āϕ⧰āĻ• āφ⧰ু āĻ—াā§°োāϘ্āϞাāύিāϝ়াāύ āϜāύāĻ—োāώ্āĻ ীā§° āĻ“āĻĒā§°āϤ āĻāϟা ā§°াāχāϟ-āφāĻĒ āĻĒ্ā§°āϏ্āϤুāϤ āϕ⧰āĻ•। āφāĻĒুāύি āĻšāϝ়āϤো āĻ•াāĻšিāύীāϟোāϤ āĻĒā§°াāĻŽā§°্āĻļ āĻĻিāϝ়াā§° āĻĻā§°ে āĻŽাāύুāĻšā§° āĻŦিāώāϝ়ে, āϤেāĻ“ঁāϞোāϕ⧰ āύাāĻŽ, āĻŦৈāĻļিāώ্āϟ্āϝ, āĻ­ৌāĻ—োāϞিāĻ• āφ⧰ু āĻ…ā§°্āĻĨāύৈāϤিāĻ• āĻŦৈāĻļিāώ্āϟ্āϝ⧰ āĻŦিāώāϝ়ে āϞিāĻ–িāĻŦ āĻĒাā§°ে


Answer:                  The Garoghlanian Tribes


The Garoghlanian family was an Armenian tribe. Eleven centuries ago it was the wealthiest family in that part of the world. However, now every branch of the Garoghlanian tribe was living in the most amazing and comical poverty in the world. These poor people had no money. Nobody could understand where they ever got money enough to keep them with food in their bellies. The Garoghlanian tribes were famous for their honesty.

It had been the hallmark of the tribe for many centuries. They were proud of their family. Honesty came next and then they believed in right and wrong. None of them would take advantage of anybody in the world. No member of the Garoghlanian family could be a thief. The elders felt pained to remember that they had lost their homeland. These people shifted their residence from one place to the other. The narrator says, “That year we lived at the edge of the town, on Walnut Avenue.” They loved countryside having vineyards, orchards, olives and Walnuts. The names of the people are semi- Arabic: Mourad, Aram, Khosrove etc.

āĻ—াā§°োāϘ্āϞাāύিāϝ়াāύ āϜāύāϜাāϤি

āĻ—াā§°োāϘ্āϞাāύিāϝ়াāύ āĻĒā§°িāϝ়াāϞāϟো āφ⧰্āĻŽেāύিāϝ়াāύ āϜāύāĻ—োāώ্āĻ ী āφāĻ›িāϞ। āĻāϘাā§° āĻļāϤিāĻ•াā§° āφāĻ—āϤে āχ āφāĻ›িāϞ āĻĒৃāĻĨিā§ąীā§° āϏেāχ āĻ…ংāĻļā§° āφāϟাāχāϤāĻ•ৈ āϧāύী āĻĒā§°িāϝ়াāϞ। āĻ…ā§ąāĻļ্āϝে āĻāϤিāϝ়া āĻ—াā§°োāϘāϞাāύীāϝ়া āϜāύāĻ—োāώ্āĻ ীā§° āĻĒ্ā§°āϤিāϟো āĻļাāĻ–াāχ āĻĒৃāĻĨিā§ąীā§° āφāϟাāχāϤāĻ•ৈ āφāϚ⧰িāϤ āφ⧰ু āĻšাāϏ্āϝāϕ⧰ āĻĻā§°িāĻĻ্ā§°āϤাāϤ āϜীā§ąāύ āĻ•āϟাāĻŦāϞāĻ—ীāϝ়া āĻšৈāĻ›িāϞ। āĻāχ āĻĻুāĻ–ীāϝ়া āĻŽাāύুāĻšā§° āĻšাāϤāϤ āϟāĻ•া āύাāĻ›িāϞ। āĻ•োāύেāĻ“ āĻŦুāϜিāĻŦ āĻĒā§°া āύাāĻ›িāϞ āϝে āϤেāĻ“ঁāϞোāĻ•ে āĻ•েāϤিāϝ়াāĻ“ āĻ•’ā§° āĻĒā§°া āχāĻŽাāύ āϟāĻ•া āĻĒাāϞে āϝে āĻĒেāϟāϤ āĻ–াāĻĻ্āϝ āϞৈ ā§°াāĻ–িāĻŦ āĻĒাā§°ি। āĻ—াā§°োāϘ্āϞাāύীāϝ়া āϜāύāĻ—োāώ্āĻ ীāϏāĻ•āϞ āϏāϤāϤাā§° āĻŦাāĻŦে āĻŦিāĻ–্āϝাāϤ āφāĻ›িāϞ।


āĻŦāĻšু āĻļāϤিāĻ•া āϧ⧰ি āχ āϜāύāϜাāϤিāϟোā§° āϚিāύাāĻ•ি āφāĻ›িāϞ। āĻĒā§°িāϝ়াāϞāϟোāĻ• āϞৈ āĻ—ৌā§°ā§ą āϕ⧰িāĻ›িāϞ। āχāϝ়াā§° āĻĒিāĻ›āϤ āϏāϤāϤা āφāĻšিāϞ āφ⧰ু āϤাā§° āĻĒিāĻ›āϤ āϤেāĻ“ঁāϞোāĻ•ে āϏāĻ িāĻ• āφ⧰ু āĻ­ুāϞāϤ āĻŦিāĻļ্āĻŦাāϏ āϕ⧰িāϞে। āϤেāĻ“ঁāϞোāϕ⧰ āĻ•োāύোā§ąেāχ āĻĒৃāĻĨিā§ąীā§° āĻ•াā§°ো āϏুāĻŦিāϧা āϞ’āĻŦ āύোā§ąাā§°িāĻŦ। āĻ—াā§°োāϘ্āϞাāύিāϝ়াāύ āĻĒā§°িāϝ়াāϞ⧰ āĻ•োāύো āϏāĻĻāϏ্āϝāχ āϚোā§° āĻš’āĻŦ āύোā§ąাā§°িāϞে। āĻŦāϝ়োāϜ্āϝেāώ্āĻ āϏāĻ•āϞে āύিāϜ⧰ āĻ—ৃāĻšāĻ­ূāĻŽি āĻšেā§°ুā§ąাāχ āĻĒেāϞোā§ąাā§° āĻ•āĻĨা āĻŽāύāϤ āĻĒেāϞাāχ āĻŦেāĻĻāύা āĻ…āύুāĻ­ā§ą āϕ⧰িāϞে। āĻāχ āϞোāĻ•āϏāĻ•āϞে āύিāϜ⧰ āĻŦাāϏāĻ—ৃāĻš āĻāĻ াāχ⧰ āĻĒā§°া āφāύ āĻ াāχāϞৈ āϏ্āĻĨাāύাāύ্āϤ⧰িāϤ āϕ⧰িāϞে। āĻ•āĻĨāĻ•āϜāύে āĻ•āϝ়, “āϏেāχ āĻŦāϛ⧰ āφāĻŽি āϚāĻšā§°ā§° āĻĒ্ā§°াāύ্āϤāϤ, ā§ąাāϞāύাāϟ āĻāĻ­িāύিāωāϤ āĻŦাāϏ āϕ⧰িāĻ›িāϞো।” āφāĻ™ুā§°ā§° āĻŦাāĻ—িāϚা, āĻĢāϞ⧰ āĻŦাāĻ—িāϚা, āϜāϞāĻĒাāύ āφ⧰ু āφāĻ–ā§°োāϟ āĻĨāĻ•া āĻ—্ā§°াāĻŽ্āϝ āĻ…āĻž্āϚāϞ āϤেāĻ“ঁāϞোāĻ•ে āĻ­াāϞ āĻĒাāχāĻ›িāϞ। āϞোāĻ•āϏāĻ•āϞ⧰ āύাāĻŽ āĻ…ā§°্āϧ- āφ⧰āĻŦী: āĻŽৌā§°াāĻĻ, āφ⧰াāĻŽ, āĻ–োāϛ⧰োā§ąে āχāϤ্āϝাāĻĻি।

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Type: Chinmay Kakati

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