Chapter: 1
The Summer of the Beautiful White House
Question 1:
You will probably agree that this story does not have breathless adventure and exciting action. Then what in your opinion makes it interesting?
āĻāĻĒুāύি āĻšāϝ়āϤো āĻāĻ āĻāĻĨাāϤ āĻāĻāĻŽāϤ āĻš’āĻŦ āϝে āĻāĻ āĻাāĻšিāύীāĻোāϤ āĻāĻļাāĻš āĻŦāύ্āϧ āĻšোā§ąা āĻĻুঃāϏাāĻšāϏিāĻ āĻā§°ু ā§°োāĻŽাāĻ্āĻāĻā§° āĻāĻāĻāύ āύাāĻ। āϤেāύ্āϤে āĻāĻĒোāύাā§° āĻŽāϤে āĻāϝ়াāĻ āĻিāĻšā§° āĻŦাāĻŦে āĻāĻā§°্āώāĻŖীāϝ় āĻā§°ি āϤোāϞা āĻšৈāĻে?
Answer:
The story ‘The Summer of the Beautiful White Horse’ is a tale told from the viewpoint of a nine-year old boy. At that age, imagination is rich and one can romanticise even insignificant actions. To such a person the world is full of excellence and glory and life is delightful and a mysterious dream. For the young poor boy, a ride on a beautiful white horse is a dream fulfilled. He had been always longing to ride and his cherished dream is realised when his cousin Mourad offers him a chance to ride on horseback—first with him and then alone. Riding the stolen horse and hiding it safely are great feats of adventure for the two boys.
Though the story line is thin, we eagerly follow the course of action taken by the boys till they return the horse to its rightful owner. The story provides us a peep into child psychology. For boys who are crazy about horses, stealing a horse for a ride is not stealing. Though they enjoy the thrill of riding, they are conscious of their family pride. The Garoghlanian family is well-known for honesty and trust. They would neither steal nor take advantage of anybody in the world. Another point of interest is characterization. The delineation of the common traits of uncle Khosrove and cousin Mourad is superb. The story also contains many purple passages full of pictorial description. All these heighten its appeal to the reader.
‘āϏুāύ্āĻĻā§° āĻŦāĻা āĻোঁā§°াā§° āĻ্ā§°ীāώ্āĻŽāĻাāϞ’ āĻাāĻšিāύীāĻো āĻāĻāύ āύ āĻŦāĻā§°ীāϝ়া āϞ’ā§°াā§° āĻĻৃāώ্āĻিāĻোāĻŖā§° āĻĒā§°া āĻোā§ąা āĻāĻ āĻাāĻšিāύী। āϏেāĻ āĻŦāϝ়āϏāϤ āĻāϞ্āĻĒāύাāĻļāĻ্āϤি āĻāĻšāĻী āĻšāϝ় āĻā§°ু āϤুāĻ্āĻ āĻā§°্āĻŽāĻো ā§°োāĻŽাāύ্āĻিāĻ āĻā§°িāĻŦ āĻĒাā§°ি। āĻāύে āĻŦ্āϝāĻ্āϤিā§° āĻŦাāĻŦে āĻĒৃāĻĨিā§ąীāĻāύ āĻā§āĻৃāώ্āĻāϤা āĻā§°ু āĻৌā§°ā§ąā§°ে āĻā§°া āĻā§°ু āĻীā§ąāύāĻো āĻāύāύ্āĻĻāĻĻাāϝ়āĻ āĻā§°ু āĻāĻ ā§°āĻšāϏ্āϝāĻŽāϝ় āϏāĻĒোāύ। āϏ⧰ু āĻĻুāĻীāϝ়া āϞ’ā§°াāĻোā§° āĻŦাāĻŦে āϧুāύীāϝ়া āĻŦāĻা āĻোঁā§°াāϤ āĻāĻ ি āϝোā§ąাāĻো āĻāĻা āϏāĻĒোāύ āĻĒূā§°āĻŖ। āϤেāĻঁ āϏāĻĻাāϝ় āĻোঁā§°াāϤ āĻāĻ িāĻŦāϞৈ āĻšাāĻšাāĻাā§° āĻā§°ি āĻāĻšিāĻিāϞ āĻā§°ু āϤেāĻঁā§° āĻŽā§°āĻŽā§° āϏāĻĒোāύāĻো āĻŦাāϏ্āĻ¤ā§ąাāϝ়িāϤ āĻšāϝ় āϝেāϤিāϝ়া āϤেāĻঁā§° āĻুāϞāĻļাāϞীāϝ়েāĻ āĻŽৌā§°াāĻĻে āϤেāĻঁāĻ āĻোঁā§°াāϤ āĻāĻ িāĻŦāϞৈ āϏুāϝোāĻ āĻĻিāϝ়ে—āĻĒ্ā§°āĻĨāĻŽে āϤেāĻঁā§° āϏৈāϤে āĻā§°ু āϤাā§° āĻĒিāĻāϤ āĻ āĻāϞে। āĻুā§°ি āĻোঁā§°াāĻোāϤ āĻāĻ ি āύিā§°াāĻĒāĻĻে āϞুāĻুā§ąাāĻ ā§°āĻাāĻো āϞ’ā§°া āĻĻুāĻাā§° āĻŦাāĻŦে āĻĻুঃāϏাāĻšāϏিāĻ āĻ āĻিāϝাāύ⧰ āĻāĻ āĻĄাāĻā§° āĻৃāϤিāϤ্āĻŦ।
āĻাāĻšিāύীāĻাāĻ āĻĒাāϤāϞ āĻš’āϞেāĻ āϞ’ā§°াāĻেāĻāĻাāĻ āϞোā§ąা āĻাā§°্āϝ্āϝāĻĒāύ্āĻĨাāĻো āĻāĻŽি āĻāĻ্ā§°āĻšেā§°ে āĻ āύুāϏ⧰āĻŖ āĻā§°োঁ āϝেāϤিāϝ়াāϞৈāĻে āϤেāĻঁāϞোāĻে āĻোঁā§°াāĻোāĻ āϤাā§° āϏāĻ িāĻ āĻŽাāϞিāĻā§° āĻāĻā§°āϞৈ āĻূā§°াāĻ āύিāĻĻিāϝ়ে। āĻাāĻšিāύীāĻোā§ąে āĻāĻŽাāĻ āĻļিāĻļু āĻŽāύোāĻŦিāĻ্āĻাāύ⧰ āĻāĻ āĻঁāĻি āĻĻিāĻে। āĻোঁā§°াā§° āĻŦাāĻŦে āĻĒাāĻāϞ āϞ’ā§°াā§° āĻŦাāĻŦে āĻোঁā§°া āĻāϞাāĻŦāϞৈ āĻোঁā§°া āĻুā§°ি āĻā§°াāĻো āĻুā§°ি āύāĻšāϝ়। āϝāĻĻিāĻ āϤেāĻঁāϞোāĻে ā§°াāĻāĻĄিāĻā§° ā§°োāĻŽাāĻ্āĻ āĻāĻĒāĻোāĻ āĻā§°ে, āϤāĻĨাāĻĒিāĻ āϤেāĻঁāϞোāĻে āύিāĻā§° āĻĒাā§°িāĻŦাā§°িāĻ āĻৌā§°ā§ąā§° āĻĒ্ā§°āϤি āϏāĻেāϤāύ। āĻাā§°োāĻāϞাāύীāϝ়া āĻĒā§°িāϝ়াāϞāĻো āϏāϤāϤা āĻā§°ু āĻŦিāĻļ্āĻŦাāϏ⧰ āĻŦাāĻŦে āϏুāĻĒā§°িāĻিāϤ। āϤেāĻঁāϞোāĻে āĻুā§°িāĻ āύāĻā§°িāĻŦ āĻā§°ু āĻĒৃāĻĨিā§ąীā§° āĻাā§°োāĻŦাā§° āϏুāĻŦিāϧাāĻ āϞ’āĻŦ āύোā§ąাā§°িāϞেāĻšেঁāϤেāύ। āĻāύ āĻāĻা āĻāĻ্ā§°āĻšā§° āĻŦিāώāϝ় āĻš’āϞ āĻā§°িāϤ্ā§°াāϝ়āύ। āĻোāĻā§°োāĻ āĻুāĻĄ়া āĻā§°ু āĻুāϞāĻļাāϞীāϝ়েāĻ āĻŽৌā§°াāĻĻā§° āϏাāϧাā§°āĻŖ āĻŦৈāĻļিāώ্āĻ্āϝ⧰ āĻিāϤ্ā§°āĻŖ āĻ āϤি āĻāϤ্āϤāĻŽ। āĻাāĻšিāύীāĻোāϤ āĻিāϤ্ā§°াংāĻিāϤ āĻŦā§°্āĻŖāύাā§°ে āĻā§°া āĻŦāĻšুāϤো āĻŦেāĻুāύীāϝ়া ā§°āĻā§° āĻ ংāĻļāĻ āĻāĻে। āĻāĻ āϏāĻāϞোāĻŦোā§°ে āĻĒাāĻ āĻā§° āĻĒ্ā§°āϤি āĻāϝ়াā§° āĻāĻā§°্āώāĻŖ āĻā§°ু āĻ āϧিāĻ āĻāĻ্āĻ āĻā§°ি āϤোāϞে।
2. Did the boys return the horse because they were conscience-stricken or because they were afraid?
āϞ'ā§°াāĻŦোā§°ে āĻŦিāĻŦেāĻāϤ āĻāĻাāϤ āĻĒাāĻ āύে āĻāϝ় āĻাāĻ āĻোঁā§°াāĻো āĻূā§°াāĻ āĻĻিāϞে?
Answer:
The story gives no indication that the boys were afraid of anyone or anything. Hence the return of the horse was not directed by fear. Secondly, they were not at all conscience-stricken. They did not feel any pangs of repentance or remorse at their action of stealing a horse solely for the purpose of riding it. The narrator makes it amply clear when he asserts that stealing a horse for a ride was not the same thing as stealing something else, such as money. For him, it wasn’t stealing at all as he and Mourad were so crazy about horses. In his opinion, it would become stealing only when they offered to sell the horse, which he knew they would never do.
The last phrase gives a clue to their mental make up. Mourad had the horse for over a month when farmer John Byro visited the narrator’s house. They retained it for two weeks more. Mourad outrightly rejected the narrator’s suggestion of keeping the horse any longer. It was his family pride that would not let him steal. He decided that the horse must go back to its true owner. The meeting with John Byro proved conclusive. He praised their family for its honesty. He trusted the boys as he knew their parents. Hence in order to uphold the family tradition and reputation, the boys returned the horse to its rightful owner.
āϞ’ā§°াāĻেāĻāĻাāĻ āĻাā§°োāĻŦাāĻ āĻŦা āϝিāĻোāύো āĻŦāϏ্āϤুāϞৈ āĻāϝ় āĻā§°িāĻিāϞ āĻŦুāϞি āĻাāĻšিāύীāĻোā§ąে āĻোāύো āĻংāĻিāϤ āύিāĻĻিāϝ়ে। āϏেāϝ়েāĻšে āĻোঁā§°াāĻোā§° āĻāĻāϤি āĻ āĻšাāĻো āĻāϝ়ā§° āĻĻ্āĻŦাā§°া āύিā§°্āĻĻেāĻļিāϤ āĻšোā§ąা āύাāĻিāϞ। āĻĻ্āĻŦিāϤীāϝ়āϤে, āϤেāĻঁāϞোāĻ āĻāĻেāĻŦাā§°েāĻ āĻŦিāĻŦেāĻ-āĻāĻ্ā§°াāύ্āϤ āύাāĻিāϞ। āĻেā§ąāϞ āĻোঁā§°া āĻāϞোā§ąাā§° āĻāĻĻ্āĻĻেāĻļ্āϝে āĻোঁā§°া āĻুā§°ি āĻā§°াā§° āĻাā§°্āϝ্āϝāϤ āϤেāĻঁāϞোāĻে āĻোāύো āϧ⧰āĻŖā§° āĻ āύুāϤাāĻĒ āĻŦা āĻ āύুāĻļোāĻāύা āĻ āύুāĻā§ą āĻā§°া āύাāĻিāϞ। āĻāĻĨāĻে āϝāĻĨেāώ্āĻ āϏ্āĻĒāώ্āĻ āĻā§°ি āĻĻিāϝ়ে āϝেāϤিāϝ়া āϤেāĻঁ āĻĻৃāĻĸ়āϤাā§°ে āĻāϝ় āϝে āĻোঁā§°া āĻুā§°ি āĻā§°াāĻো āĻā§°ু āĻāύ āĻিāĻŦা āĻāĻা, āϝেāύে āĻāĻা āĻুā§°ি āĻā§°াāĻো āĻāĻে āĻāĻĨা āύাāĻিāϞ। āϤেāĻঁā§° āĻŦাāĻŦে āϏেāϝ়া āĻুā§°ি āĻā§°াāĻো āĻāĻেāĻŦাā§°েāĻ āύাāĻিāϞ āĻাā§°āĻŖ āϤেāĻঁ āĻā§°ু āĻŽৌā§°াāĻĻ āĻোঁā§°াā§° āĻĒ্ā§°āϤি āĻāĻŽাāύেāĻ āĻĒাāĻāϞ āĻāĻিāϞ। āϤেāĻঁā§° āĻŽāϤে āĻোঁā§°াāĻো āĻŦিāĻ্ā§°ী āĻā§°াā§° āĻĒ্ā§°āϏ্āϤাā§ą āĻĻিāϞেāĻšে āĻ āĻুā§°ি āĻšৈ āĻĒā§°িāĻŦ, āϝিāĻো āϤেāĻঁāϞোāĻে āĻেāϤিāϝ়াāĻ āύāĻā§°ে āĻŦুāϞি āϤেāĻঁ āĻাāύিāĻিāϞ।
āĻļেāώ⧰ āĻŦাāĻ্āϝাংāĻļāĻোā§ąে āϤেāĻঁāϞোāĻā§° āĻŽাāύāϏিāĻ āĻāĻ āύ⧰ āĻāĻা āϏূāϤ্ā§° āĻĻিāϝ়ে। āĻৃāώāĻ āĻāύ āĻŦাāĻā§°’āĻ āĻāĻĨāĻā§° āĻā§°āϞৈ āϝোā§ąাā§° āϏāĻŽāϝ়āϤ āĻŽৌā§°াāĻĄā§° āĻোঁā§°াāĻো āĻāĻŽাāĻšā§°ো āĻ āϧিāĻ āϏāĻŽāϝ় āĻāĻিāϞ। āĻā§°ু āĻĻুāϏāĻĒ্āϤাāĻš āϧ⧰ি ā§°াāĻিāϞে। āĻোঁā§°াāĻোāĻ āĻā§°ু ā§°āĻাā§° āĻāĻĨāĻā§° āĻĒā§°াāĻŽā§°্āĻļ āĻŽৌā§°াāĻĻে āϏāĻŽ্āĻĒূā§°্āĻŖā§°ূāĻĒে āύাāĻāĻ āĻā§°িāϞে। āϤেāĻঁā§° āĻĒā§°িāϝ়াāϞ⧰ āĻৌā§°ā§ą āĻāĻিāϞ āϝিāϝ়ে āϤেāĻঁāĻ āĻুā§°ি āĻā§°িāĻŦāϞৈ āύিāĻĻিāϞে। āϤেāĻঁ āϏিāĻĻ্āϧাāύ্āϤ āϞ’āϞে āϝে āĻোঁā§°াāĻো āĻĒুāύ⧰ āύিāĻā§° āĻĒ্ā§°āĻৃāϤ āĻŽাāϞিāĻā§° āĻāĻā§°āϞৈ āϝাāĻŦ āϞাāĻিāĻŦ। āĻāύ āĻŦাāĻā§°োā§° āϏৈāϤে āĻšোā§ąা āĻŦৈāĻ āĻāĻāύ āύিā§°্āĻŖাāϝ়āĻ āĻŦুāϞি āĻĒ্ā§°āĻŽাāĻŖিāϤ āĻš’āϞ। āϤেāĻঁāϞোāĻā§° āĻĒā§°িāϝ়াāϞ⧰ āϏāϤāϤাā§° āĻŦাāĻŦে āϤেāĻঁ āĻĒ্ā§°āĻļংāϏা āĻā§°ে। āĻŽাāĻ-āĻĻেāĻāϤাāĻāĻ āĻিāύি āĻĒোā§ąাā§° āĻĻā§°ে āϏি āϞ’ā§°াāĻেāĻāĻাāĻ āĻŦিāĻļ্āĻŦাāϏ āĻā§°িāĻিāϞ। āϏেāϝ়েāĻšে āĻĒাā§°িāĻŦাā§°িāĻ āĻĒā§°āĻŽ্āĻĒā§°া āĻā§°ু āϏুāύাāĻŽ āĻŦāĻাāĻ ā§°াāĻিāĻŦāϞৈ āϞ’ā§°াāĻেāĻāĻাāĻ āĻোঁā§°াāĻোāĻ āϤাā§° āϏāĻ িāĻ āĻŽাāϞিāĻāĻ āĻূā§°াāĻ āĻĻিāϞে।
Question 3:
“One day back there in the good old days when I was nine and the world was full of every imaginable kind of magnificence, and life was still a delightful and mysterious dream……..”. The story begins in a mood of nostalgia. Can you narrate some incident from your childhood that might make an interesting story?
“āĻāĻĻিāύ āϤাāϤ āĻāĻāϤি āĻāĻšি āĻাāϞ āĻĒুā§°āĻŖি āĻĻিāύāĻŦোā§°āϤ āϝেāϤিāϝ়া āĻŽোā§° āĻŦāϝ়āϏ āύ āĻŦāĻā§° āĻāĻিāϞ āĻā§°ু āĻĒৃāĻĨিā§ąীāĻāύ āĻāϞ্āĻĒāύা āĻā§°িāĻŦ āĻĒā§°া āĻĒ্ā§°āϤিāĻো āϧ⧰āĻŖā§° āĻŽāĻšিāĻŽাā§°ে āĻā§°ি āĻāĻিāϞ, āĻā§°ু āĻীā§ąāύāĻো āϤেāϤিāϝ়াāĻ āĻāĻিāϞ āĻāĻ āĻāύāύ্āĻĻāĻĻাāϝ়āĻ āĻā§°ু ā§°āĻšāϏ্āϝāĻŽāϝ় āϏāĻĒোāύ........”। āĻাāĻšিāύীāĻো āĻā§°āĻŽ্āĻ āĻšāϝ় āύāώ্āĻাāϞāĻিāϝ়াā§° āĻāĻŽেāĻāϤ। āĻļৈāĻļā§ąā§° āĻোāύোāĻŦা āĻāĻা āĻাāĻŖ্āĻĄ āĻŦā§°্āĻŖāύা āĻā§°িāĻŦ āĻĒাā§°িāĻŦāύে āϝিāϝ়ে āĻšāϝ়āϤো āĻāĻা āĻāĻā§°্āώāĻŖীāϝ় āĻাāĻšিāύী āĻā§°ি āϤুāϞিāĻŦ āĻĒাā§°ে?
Answer:
I had just completed my primary education when I visited my uncle. He was a forest ranger in Dehradun. In those days there was a thick forest in the vicinity of the city and all sorts of wild animals prowled there. Uncle had advised us not to enter the deep forest, but forbidden fruit is sweet; My cousin Varun, a couple of his friends and I decided to explore the southern range. We had the kits of scouts and were fully prepared.
In our boyish enthusiasm, we went deep into the jungle and reached a gorge. We were amazed to see a lioness with her cubs. One of us, perhaps, Mohit clicked his camera. The flashlight scared the lioness and she roared and leaped. Fortunately there was a big ditch and she fell into it. Meanwhile, we lit our torches, collected dry leaves and twigs and set them on fire. Momentarily, we got respite from our attackers. Then we threw some green leaves on fire to give smoke signal. A patrol party noticed it and rescued us. I shudder whenever I think of this adventure when we were close to death.
āĻĒ্ā§°াāĻĨāĻŽিāĻ āĻļিāĻ্āώা āϏāĻŽাāĻĒ্āϤ āĻā§°িāϝ়েāĻ āĻŽাāĻŽাā§° āĻāĻā§°āϞৈ āĻৈāĻিāϞোঁ। āϤেāĻঁ āĻāĻিāϞ āĻĄেā§°াāĻĄুāύ⧰ āĻŦāύ⧰ীāϝ়া। āϏেāĻ āϏāĻŽāϝ়āϤ āĻāĻšā§°ā§° āĻāĻļে-āĻĒাāĻļে āĻāĻāύ āĻĄাāĻ āĻ ā§°āĻŖ্āϝ āĻāĻিāϞ āĻā§°ু āϤাāϤ āύাāύা āϧ⧰āĻŖā§° āĻŦāύ⧰ীāϝ়া āĻāύ্āϤুā§ąে āĻূā§°ি āĻĢুā§°িāĻিāϞ। āĻুāĻĄ়াāĻ āĻāĻŽাāĻ āĻāĻীā§° āĻšাāĻŦিāϤ āϏোāĻŽাāĻŦ āύাāϞাāĻে āĻŦুāϞি āĻāĻĒāĻĻেāĻļ āĻĻিāĻিāϞ, āĻিāύ্āϤু āύিāώিāĻĻ্āϧ āĻĢāϞ āĻŽিāĻ া; āĻŽোā§° āĻুāϞāĻļাāϞীāϝ়েāĻ āĻŦā§°ুāĻŖ, āϤেāĻঁā§° āĻŦāύ্āϧু āĻĻুāĻāύāĻŽাāύ āĻā§°ু āĻŽāĻ āĻĻāĻ্āώিāĻŖā§° ā§°েāĻ্āĻāĻো āĻ āύ্āĻŦেāώāĻŖ āĻā§°াā§° āϏিāĻĻ্āϧাāύ্āϤ āϞ’āϞোঁ৷ āĻāĻŽাā§° āĻšাāϤāϤ āϏ্āĻাāĻāĻā§° āĻিāĻ āĻāĻিāϞ āĻā§°ু āϏāĻŽ্āĻĒূā§°্āĻŖ āϏাāĻু āĻāĻিāϞোঁ।
āĻāĻŽাā§° āϞ’ā§°াāϞিā§° āĻā§āϏাāĻšāϤ āĻāĻŽি āĻংāĻāϞ⧰ āĻāĻীā§°āϤাāϞৈ āĻৈ āĻāĻা āĻā§°্āĻāϤ āĻāĻĒāύীāϤ āĻš’āϞোঁ৷ āϏিংāĻšāύী āĻāĻā§°াāĻীāĻ āĻĒোā§ąাāϞিā§° āϏৈāϤে āĻĻেāĻি āĻāĻŽি āĻāĻā§°িāϤ āĻšৈ āĻĒā§°িāϞোঁ। āĻāĻŽাā§° āĻŽাāĻā§° āĻāĻāύে āĻšāϝ়āϤো, āĻŽোāĻšিāϤে āύিāĻā§° āĻেāĻŽেā§°াāĻো āĻ্āϞিāĻ āĻā§°িāϞে। āĻā§°্āĻāĻোā§ąে āϏিংāĻšāύীāĻ āĻāϝ় āĻুā§ąাāĻ āĻā§°্āĻāύ āĻā§°ি āĻāĻĒিāϝ়াāĻ āĻāĻ িāϞ। āĻাāĻ্āϝ āĻাāϞ āϝে āĻāĻা āĻĄাāĻā§° āĻাā§ąৈ āĻāĻিāϞ āĻā§°ু āϤাāĻ āϤাāϤ āĻĒā§°িāϞ। āĻāĻĢাāϞে āĻāĻŽি āĻāĻŽাā§° āĻŽāĻļাāϞ āĻ্āĻŦāϞাāĻ āĻļুāĻাāύ āĻĒাāϤ āĻā§°ু āĻĄাāϞ āĻোāĻাāĻ āĻুāĻ āϞāĻাāĻ āĻĻিāϞোঁ। āĻ্āώāĻŖিāĻā§° āĻŦাāĻŦে āĻāĻŽি āĻāĻŽাā§° āĻāĻ্ā§°āĻŽāĻŖāĻাā§°ীā§° āĻĒā§°া ā§°েāĻšাāĻ āĻĒাāϞোঁ। āϤাā§° āĻĒিāĻāϤ āĻāĻŽি āϧোঁā§ąাā§° āϏংāĻেāϤ āĻĻিāĻŦāϞৈ āĻিāĻুāĻŽাāύ āϏেāĻāĻীāϝ়া āĻĒাāϤ āĻুāĻāϤ āĻĒেāϞাāĻ āĻĻিāϞোঁ। āĻāĻা āĻāĻšāϞāĻĻাā§°ী āĻĻāϞে āϞāĻ্āώ্āϝ āĻā§°ি āĻāĻŽাāĻ āĻāĻĻ্āϧাā§° āĻā§°িāϞে। āĻāĻŽি āĻŽৃāϤ্āϝুā§° āĻāĻā§°āϤ āĻĨাāĻোঁāϤে āĻāĻ āĻĻুঃāϏাāĻšāϏিāĻ āĻ āĻিāϝাāύ⧰ āĻāĻĨা āĻাāĻŦিāϞেāĻ āĻŽোā§° āĻঁāĻĒি āĻāĻ ে।
4. The story revolves around characters who belong to a tribe in Armenia. Mourad and Aram are members of the Garoghlanian family. Now locate Armenia and Assyria on the atlas and prepare a write-up on the Garoghlanian tribes. You may write about people, their names, traits, geographical and economic features as suggested in the story.
āĻাāĻšিāύীāĻো āĻā§°্āĻŽেāύিāϝ়াā§° āĻāĻা āĻāύāĻোāώ্āĻ ীā§° āĻ āύ্āϤ⧰্āĻāϤ āĻā§°িāϤ্ā§°āĻŦোā§°ā§° āĻāĻĒā§°āϤ āĻāĻŦāĻĻ্āϧ। āĻŽৌā§°াāĻĻ āĻā§°ু āĻā§°াāĻŽ āĻাā§°োāĻ্āϞাāύিāϝ়াāύ āĻĒā§°িāϝ়াāϞ⧰ āϏāĻĻāϏ্āϝ। āĻāϤিāϝ়া āĻāĻāϞাāĻāϤ āĻā§°্āĻŽেāύিāϝ়া āĻā§°ু āĻ āĻূā§°ā§° āϏ্āĻĨাāύ āύিā§°্āĻŖāϝ় āĻā§°āĻ āĻā§°ু āĻাā§°োāĻ্āϞাāύিāϝ়াāύ āĻāύāĻোāώ্āĻ ীā§° āĻāĻĒā§°āϤ āĻāĻা ā§°াāĻāĻ-āĻāĻĒ āĻĒ্ā§°āϏ্āϤুāϤ āĻā§°āĻ। āĻāĻĒুāύি āĻšāϝ়āϤো āĻাāĻšিāύীāĻোāϤ āĻĒā§°াāĻŽā§°্āĻļ āĻĻিāϝ়াā§° āĻĻā§°ে āĻŽাāύুāĻšā§° āĻŦিāώāϝ়ে, āϤেāĻঁāϞোāĻā§° āύাāĻŽ, āĻŦৈāĻļিāώ্āĻ্āϝ, āĻৌāĻোāϞিāĻ āĻā§°ু āĻ ā§°্āĻĨāύৈāϤিāĻ āĻŦৈāĻļিāώ্āĻ্āϝ⧰ āĻŦিāώāϝ়ে āϞিāĻিāĻŦ āĻĒাā§°ে
Answer: The Garoghlanian Tribes
The Garoghlanian family was an Armenian tribe. Eleven centuries ago it was the wealthiest family in that part of the world. However, now every branch of the Garoghlanian tribe was living in the most amazing and comical poverty in the world. These poor people had no money. Nobody could understand where they ever got money enough to keep them with food in their bellies. The Garoghlanian tribes were famous for their honesty.
It had been the hallmark of the tribe for many centuries. They were proud of their family. Honesty came next and then they believed in right and wrong. None of them would take advantage of anybody in the world. No member of the Garoghlanian family could be a thief. The elders felt pained to remember that they had lost their homeland. These people shifted their residence from one place to the other. The narrator says, “That year we lived at the edge of the town, on Walnut Avenue.” They loved countryside having vineyards, orchards, olives and Walnuts. The names of the people are semi- Arabic: Mourad, Aram, Khosrove etc.
āĻাā§°োāĻ্āϞাāύিāϝ়াāύ āĻāύāĻাāϤি
āĻাā§°োāĻ্āϞাāύিāϝ়াāύ āĻĒā§°িāϝ়াāϞāĻো āĻā§°্āĻŽেāύিāϝ়াāύ āĻāύāĻোāώ্āĻ ী āĻāĻিāϞ। āĻāĻাā§° āĻļāϤিāĻাā§° āĻāĻāϤে āĻ āĻāĻিāϞ āĻĒৃāĻĨিā§ąীā§° āϏেāĻ āĻ ংāĻļā§° āĻāĻাāĻāϤāĻৈ āϧāύী āĻĒā§°িāϝ়াāϞ। āĻ ā§ąāĻļ্āϝে āĻāϤিāϝ়া āĻাā§°োāĻāϞাāύীāϝ়া āĻāύāĻোāώ্āĻ ীā§° āĻĒ্ā§°āϤিāĻো āĻļাāĻাāĻ āĻĒৃāĻĨিā§ąীā§° āĻāĻাāĻāϤāĻৈ āĻāĻā§°িāϤ āĻā§°ু āĻšাāϏ্āϝāĻā§° āĻĻā§°িāĻĻ্ā§°āϤাāϤ āĻীā§ąāύ āĻāĻাāĻŦāϞāĻীāϝ়া āĻšৈāĻিāϞ। āĻāĻ āĻĻুāĻীāϝ়া āĻŽাāύুāĻšā§° āĻšাāϤāϤ āĻāĻা āύাāĻিāϞ। āĻোāύেāĻ āĻŦুāĻিāĻŦ āĻĒā§°া āύাāĻিāϞ āϝে āϤেāĻঁāϞোāĻে āĻেāϤিāϝ়াāĻ āĻ’ā§° āĻĒā§°া āĻāĻŽাāύ āĻāĻা āĻĒাāϞে āϝে āĻĒেāĻāϤ āĻাāĻĻ্āϝ āϞৈ ā§°াāĻিāĻŦ āĻĒাā§°ি। āĻাā§°োāĻ্āϞাāύীāϝ়া āĻāύāĻোāώ্āĻ ীāϏāĻāϞ āϏāϤāϤাā§° āĻŦাāĻŦে āĻŦিāĻ্āϝাāϤ āĻāĻিāϞ।
āĻŦāĻšু āĻļāϤিāĻা āϧ⧰ি āĻ āĻāύāĻাāϤিāĻোā§° āĻিāύাāĻি āĻāĻিāϞ। āĻĒā§°িāϝ়াāϞāĻোāĻ āϞৈ āĻৌā§°ā§ą āĻā§°িāĻিāϞ। āĻāϝ়াā§° āĻĒিāĻāϤ āϏāϤāϤা āĻāĻšিāϞ āĻā§°ু āϤাā§° āĻĒিāĻāϤ āϤেāĻঁāϞোāĻে āϏāĻ িāĻ āĻā§°ু āĻুāϞāϤ āĻŦিāĻļ্āĻŦাāϏ āĻā§°িāϞে। āϤেāĻঁāϞোāĻā§° āĻোāύোā§ąেāĻ āĻĒৃāĻĨিā§ąীā§° āĻাā§°ো āϏুāĻŦিāϧা āϞ’āĻŦ āύোā§ąাā§°িāĻŦ। āĻাā§°োāĻ্āϞাāύিāϝ়াāύ āĻĒā§°িāϝ়াāϞ⧰ āĻোāύো āϏāĻĻāϏ্āϝāĻ āĻোā§° āĻš’āĻŦ āύোā§ąাā§°িāϞে। āĻŦāϝ়োāĻ্āϝেāώ্āĻ āϏāĻāϞে āύিāĻā§° āĻৃāĻšāĻূāĻŽি āĻšেā§°ুā§ąাāĻ āĻĒেāϞোā§ąাā§° āĻāĻĨা āĻŽāύāϤ āĻĒেāϞাāĻ āĻŦেāĻĻāύা āĻ āύুāĻā§ą āĻā§°িāϞে। āĻāĻ āϞোāĻāϏāĻāϞে āύিāĻā§° āĻŦাāϏāĻৃāĻš āĻāĻ াāĻā§° āĻĒā§°া āĻāύ āĻ াāĻāϞৈ āϏ্āĻĨাāύাāύ্āϤ⧰িāϤ āĻā§°িāϞে। āĻāĻĨāĻāĻāύে āĻāϝ়, “āϏেāĻ āĻŦāĻā§° āĻāĻŽি āĻāĻšā§°ā§° āĻĒ্ā§°াāύ্āϤāϤ, ā§ąাāϞāύাāĻ āĻāĻিāύিāĻāϤ āĻŦাāϏ āĻā§°িāĻিāϞো।” āĻāĻুā§°ā§° āĻŦাāĻিāĻা, āĻĢāϞ⧰ āĻŦাāĻিāĻা, āĻāϞāĻĒাāύ āĻā§°ু āĻāĻā§°োāĻ āĻĨāĻা āĻ্ā§°াāĻŽ্āϝ āĻ āĻ্āĻāϞ āϤেāĻঁāϞোāĻে āĻাāϞ āĻĒাāĻāĻিāϞ। āϞোāĻāϏāĻāϞ⧰ āύাāĻŽ āĻ ā§°্āϧ- āĻā§°āĻŦী: āĻŽৌā§°াāĻĻ, āĻā§°াāĻŽ, āĻোāĻā§°োā§ąে āĻāϤ্āϝাāĻĻি।
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Edit & Check by - Mukesh Borah