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Understanding the text 

1. What does Verrier Elwin say about the tradition of courtesy and hospitality in the modern world? what advice does he give to the people of Assam on this point? 

āφāϧুāύিāĻ• āĻĒৃāĻĨিā§ąীāϤ āϏৌāϜāύ্āϝ āφ⧰ু āφāϤিāĻĨ্āϝ⧰ āĻĒā§°āĻŽ্āĻĒā§°াā§° āĻŦিāώāϝ়ে āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ•ি āĻ•āϝ়? āĻāχ āĻŦিāώāϝ়āϤ āϤেāĻ“ঁ āĻ…āϏāĻŽā§° āϞোāĻ•āϏāĻ•āϞāĻ• āĻ•ি āĻĒā§°াāĻŽā§°্āĻļ āĻĻিāϝ়ে? 

Ans : According to Verrier Elwin, the tradition of courtesy and hospitality is a rare thing in the modern world of competition, rivalry and hurry. 
                Regarding courtesy and hospitality,, the author says that he had been to many countries but never did he find such friendliness and courtesy in ordinary people of Assam. 
        on this point, he has advised the people of Assam not to lose it.

 āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύ⧰ āĻŽāϤে, āϏৌāϜāύ্āϝ āφ⧰ু āφāϤিāĻĨ্āϝ⧰ āĻĒā§°āĻŽ্āĻĒā§°া āφāϧুāύিāĻ• āĻĒ্ā§°āϤিāϝোāĻ—িāϤা, āĻĒ্ā§°āϤিāĻĻ্āĻŦāύ্āĻĻিāϤা āφ⧰ু āĻ–ā§°āϧ⧰ āĻĒৃāĻĨিā§ąীāϤ āĻāĻ• āĻŦিā§°āϞ āĻŦāϏ্āϤু। 
 āϏৌāϜāύ্āϝ āφ⧰ু āφāϤিāĻĨ্āϝ⧰ āϏāύ্āĻĻā§°্āĻ­āϤ āϞেāĻ–āĻ•ে āĻ•āϝ় āϝে āϤেāĻ“ঁ āĻŦāĻšুāϤো āĻĻেāĻļāϞৈ āĻ—ৈāĻ›িāϞ āĻ•িāύ্āϤু āϤেāĻ“ঁ āĻ•েāϤিāϝ়াāĻ“ āĻ…āϏāĻŽā§° āϏাāϧাā§°āĻŖ āϞোāĻ•āϏāĻ•āϞ⧰ āĻŽাāϜāϤ āĻāύে āĻŦāύ্āϧুāϤ্āĻŦ āφ⧰ু āϏৌāϜāύ্āϝ āĻŦিāϚাā§°ি āĻĒোā§ąা āύাāĻ›িāϞ। 
        āĻāχ āĻ•্āώেāϤ্ā§°āϤ āϤেāĻ“ঁ āĻ…āϏāĻŽā§° āϜāύāϏাāϧাā§°āĻŖāĻ• āχāϝ়াāĻ• āĻšেā§°ুā§ąাāĻŦ āύিāĻĻিāĻŦāϞৈ āĻĒā§°াāĻŽā§°্āĻļ āĻĻিāĻ›ে।

2. what difference does Verrier Elwin draw between the Game Sanctuaries of Kenya and Kaziranga?

āĻ•েāύিāϝ়া āφ⧰ু āĻ•াāϜিā§°āĻ™াā§° āĻ–েāϞ āĻ…āĻ­āϝ়াā§°āĻŖ্āϝāϏāĻŽূāĻšā§° āĻŽাāϜāϤ āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ•ি āĻĒাā§°্āĻĨāĻ•্āϝ āφāϕ⧰্āώāĻŖ āϕ⧰ে?


Ans: Verrier Elwin had observed a sharp difference between the game sanctuaries of Kenya and Kaziranga.
      In Kenya and Tanganyika there was a sort of tradition that everybody should  co-opera-ate to make the sanctuaries a success. A lot of money was spent on one dreamed of poaching. there one could see hundreds of poaching. there one could see hundreds of giraffe, zebras, ostriches, elephants and lions moving about near the road in perfect confidence. the animals treated man as their friends and vice versa.   
    on the other hand, in Kaziranga Verrier Elwin found entirely an opposite picture. the animals in Kaziranga do not feet safe and they do not feet safe and they do not appear so readily. the people do not co-operate with the animals in the same way as done in Kenya.

āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ•েāύিāϝ়া āφ⧰ু āĻ•াāϜিā§°āĻ™াā§° āĻ–েāϞ⧰ āĻ…āĻ­āϝ়াā§°āĻŖ্āϝāϏāĻŽূāĻšā§° āĻŽাāϜāϤ āϤীāĻŦ্ā§° āĻĒাā§°্āĻĨāĻ•্āϝ āϞāĻ•্āώ্āϝ āϕ⧰িāĻ›িāϞ।
       āĻ•েāύিāϝ়া āφ⧰ু āϟাāĻ™্āĻ—াāύিāĻ•াāϤ āĻāĻ• āĻĒ্ā§°āĻ•াā§°ā§° āĻĒā§°āĻŽ্āĻĒā§°া āφāĻ›িāϞ āϝে āϏāĻ•āϞোā§ąে āĻ…āĻ­āϝ়াā§°āĻŖ্āϝāĻŦোā§° āϏāĻĢāϞ āϕ⧰িāĻŦāϞৈ āϏāĻš-āĻ…āĻĒেā§°া āϕ⧰া āωāϚিāϤ। āϚোā§°াং āϚিāĻ•াā§°ā§° āϏāĻĒোāύ āĻĻেāĻ–া āĻāϜāύ⧰ āĻŦাāĻŦে āĻŦāĻšুāϤ āϟāĻ•া āĻ–ā§°āϚ āϕ⧰া āĻšৈāĻ›িāϞ। āϤাāϤ āĻāϜāύে āĻļ āĻļ āϚোā§°াং āϚিāĻ•াā§° āĻĻেāĻ–িāĻŦāϞৈ āĻĒাāχāĻ›ে। āϤাāϤ āĻāϜāύে āĻļ āĻļ āϜিā§°াāĻĢ, āϜেāĻŦ্ā§°া, āωāϟāĻĒাāĻ–ি, āĻšাāϤী āφ⧰ু āϏিংāĻšāĻ• āύিāĻ–ুঁāϤ āφāϤ্āĻŽāĻŦিāĻļ্āĻŦাāϏেā§°ে ā§°াāϏ্āϤাā§° āĻ“āϚ⧰āϞৈ āϘূā§°ি āĻĢুā§°া āĻĻেāĻ–িāĻŦāϞৈ āĻĒোā§ąা āĻ—ৈāĻ›িāϞ। āϜāύ্āϤুāĻŦোā§°ে āĻŽাāύুāĻšāĻ• āϤেāĻ“ঁāϞোāϕ⧰ āĻŦāύ্āϧু āĻšিāϚাāĻĒে āĻ—āĻŖ্āϝ āϕ⧰িāĻ›িāϞ āφ⧰ু āχāϝ়াā§° āĻŦিāĻĒā§°ীāϤে।   
    āφāύāĻšাāϤে, āĻ•াāϜিā§°āĻ™াāĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āϏāĻŽ্āĻĒূā§°্āĻŖāĻŦিāĻĒā§°ীāϤ āĻ›āĻŦি āĻŦিāϚাā§°ি āĻĒাāχāĻ›িāϞ। āĻ•াāϜিā§°āĻ™াā§° āϜāύ্āϤুāĻŦোā§°ে āĻ­ā§°ি āϏুā§°āĻ•্āώিāϤ āύāϕ⧰ে āφ⧰ু āϏিāĻšঁāϤে āĻ­ā§°ি āϏুā§°āĻ•্āώিāϤ āύāϕ⧰ে āφ⧰ু āϏিāĻšঁāϤ āχāĻŽাāύ āϏāĻšāϜে āĻĻেāĻ–া āύাāϝাāϝ়। āĻŽাāύুāĻšে āĻ•েāύিāϝ়াā§° āĻĻā§°ে āϜāύ্āϤুāĻŦোā§°ā§° āϏৈāϤে āϏāĻšāϝোāĻ—িāϤা āύāϕ⧰ে।




3.What appeal does the author make to the scholars of Assam concerning the songs and poems of the state? why does he make this appeal? 

    ā§°াāϜ্āϝāĻ–āύ⧰ āĻ—ীāϤ āφ⧰ু āĻ•āĻŦিāϤাāϏāĻŽ্āĻĒā§°্āĻ•ে āϞেāĻ–āĻ•ে āĻ…āϏāĻŽā§° āĻĒāĻŖ্āĻĄিāϤāϏāĻ•āϞāĻ• āĻ•ি āφāĻŦেāĻĻāύ āϕ⧰ে? āϤেāĻ“ঁ āĻ•িāϝ় āĻāχ āφāĻŦেāĻĻāύ āϕ⧰ে? 


Ans: the author of this article 'My Impression of Assam' is fascinated by songs and poems of Assam and hence he raises the questions about how many collections have been made of the songs and poems of Assam's countryside. he appeals to the scholars to those songs and poems. He Knows that it will mean a great deal of trouble, yet some scholars must do it for the preservation of them.
     He marks this appeal because these songs and poems are rapidly disappearing. the school boys prefer jazz music from Hollywood and naturally the local songs of Assam will soon disappear.

āĻāχ āĻĒ্ā§°āĻŦāύ্āϧ 'āĻŽাāχ āχāĻŽ্āĻĒ্ā§°েāϚāύ āĻ…ā§ą āφāĻ›াāĻŽ'ā§° āϞেāĻ–āĻ• āĻ…āϏāĻŽā§° āĻ—ীāϤ āφ⧰ু āĻ•āĻŦিāϤাā§° āĻĻ্āĻŦাā§°া āφāϕ⧰্āώিāϤ āĻšāϝ় āφ⧰ু āϏেāϝ়েāĻšে āϤেāĻ“ঁ āĻ…āϏāĻŽā§° āĻ—্ā§°াāĻŽাāĻž্āϚāϞ⧰ āĻ—ীāϤ āφ⧰ু āĻ•āĻŦিāϤাā§° āĻ•িāĻŽাāύ āϏংāĻ•āϞāύ āύিā§°্āĻŽাāĻŖ āϕ⧰া āĻšৈāĻ›ে āϤাāĻ• āϞৈ āĻĒ্ā§°āĻļ্āύ āωāϤ্āĻĨাāĻĒāύ āϕ⧰ে। āϤেāĻ“ঁ āĻĒāĻŖ্āĻĄিāϤāϏāĻ•āϞāĻ• āϏেāχ āĻ—াāύ āφ⧰ু āĻ•āĻŦিāϤাāĻŦোā§°ā§° āĻŦাāĻŦে āφāĻŦেāĻĻāύ āϕ⧰ে। āϤেāĻ“ঁ āϜাāύে āϝে āχāϝ়াā§° āĻ…ā§°্āĻĨ āĻš'āĻŦ āϝāĻĨেāώ্āϟ āϏāĻŽāϏ্āϝা, āϤāĻĨাāĻĒিāĻ“ āĻ•িāĻ›ুāĻŽাāύ āĻĒāĻŖ্āĻĄিāϤে āϤেāĻ“ঁāϞোāϕ⧰ āϏংā§°āĻ•্āώāĻŖā§° āĻŦাāĻŦে āĻāχāϟো āϕ⧰িāĻŦ āϞাāĻ—িāĻŦ।
       āϤেāĻ“ঁ āĻāχ āφāĻŦেāĻĻāύāϟো āϚিāĻš্āύিāϤ āϕ⧰ে āĻ•াā§°āĻŖ āĻāχ āĻ—াāύ āφ⧰ু āĻ•āĻŦিāϤাāĻŦোā§° āĻĻ্ā§°ুāϤāĻ—āϤিāϤ āύাāχāĻ•িāϝ়া āĻšৈ āĻ—ৈ āφāĻ›ে। āϏ্āĻ•ুāϞ⧰ āϞ'ā§°াāĻŦোā§°ে āĻšāϞীāωāĻĄā§° āĻĒā§°া āϜেāϜ āϏংāĻ—ীāϤ āĻĒāĻ›āύ্āĻĻ āϕ⧰ে āφ⧰ু āϏ্āĻŦাāĻ­াā§ąিāĻ•āϤে āĻ…āϏāĻŽā§° āϏ্āĻĨাāύীāϝ় āĻ—াāύāĻŦোā§° āϏোāύāĻ•াāϞেāχ āύাāχāĻ•িāϝ়া āĻš'āĻŦ।



4.why, according to Verrier Elwin, should wood carving be taught and encouraged in our educational centers?
         
  āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύ⧰ āĻŽāϤে, āφāĻŽাā§° āĻļিāĻ•্āώাāĻ•েāύ্āĻĻ্ā§°āϏāĻŽূāĻšāϤ āĻ•াāĻ āĻ–োāĻĻাāχ āϕ⧰া āĻļিāĻ•োā§ąা āφ⧰ু āĻ‰ā§ŽāϏাāĻšিāϤ āϕ⧰া āωāϚিāϤ āĻ•িāϝ়?


Ans: Observing the wood carving done by the Koryaks, Moas, Maras, Agamas and proms, the author Verrier Elwin was much enamored of. He, in praising tone, said that the wood carvings done by the people of Assam were of extraordinary vigor and beauty and this tradition of wood carving should not be lost. he wanted that this art of wood carvings should be taught and encouraged in the educational institutions so that this beautiful art might remain alive and would not die with the passing of time.


     āĻ•োā§°িāϝ়াāĻ•, āĻŽোā§ąাāϚ, āĻŽাā§°াāĻ›, āφāĻ—āĻŽা āφ⧰ু āĻĒ্ā§°āĻŽā§° āĻĻ্āĻŦাā§°া āϕ⧰া āĻ•াāĻ ā§° āĻ•াā§°ুāĻ•াā§°্āϝ āϞāĻ•্āώ্āϝ āϕ⧰ি āϞেāĻ–āĻ• āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύ āϝāĻĨেāώ্āϟ āφāϕ⧰্āώিāϤ āĻšৈāĻ›িāϞ। āϤেāĻ“ঁ āϏুā§°ā§° āĻĒ্ā§°āĻļংāϏা āϕ⧰ি āĻ•āϝ় āϝে āĻ…āϏāĻŽā§° āĻŽাāύুāĻšে āϕ⧰া āĻ•াāĻ ā§° āĻ•াā§°ুāĻ•াā§°্āϝāĻ…āϏাāϧাā§°āĻŖ āĻļāĻ•্āϤি āφ⧰ু āϏৌāύ্āĻĻā§°্āϝ⧰ āφāĻ›িāϞ āφ⧰ু āĻ•াāĻ  āĻ–োāĻĻাāχ⧰ āĻāχ āĻĒā§°āĻŽ্āĻĒā§°া āĻšেā§°ুā§ąাāĻŦ āύাāϞাāĻ—ে। āϤেāĻ“ঁ āĻŦিāϚাā§°িāĻ›িāϞ āϝে āĻ•াāĻ ā§° āĻ•াā§°ুāĻ•াā§°্āϝ⧰ āĻāχ āĻ•āϞাāϟো āĻļিāĻ•্āώাāύুāώ্āĻ াāύāϏāĻŽূāĻšāϤ āĻļিāĻ•োā§ąা āφ⧰ু āĻ‰ā§ŽāϏাāĻšিāϤ āϕ⧰া āωāϚিāϤ āϝাāϤে āĻāχ āϏুāύ্āĻĻā§° āĻ•āϞাāϟো āϜীāϝ়াāχ āĻĨাāĻ•িāĻŦ āĻĒাā§°ে āφ⧰ু āϏāĻŽāϝ় āĻĒাā§° āĻšৈ āϝোā§ąাā§° āϞāĻ—ে āϞāĻ—ে āĻŽā§°িāĻŦ āύোā§ąাā§°ে।


 5."you have a great treasure there."- what treasure is Verrier Elwin referring to and what is his suggestion about the treasures? 

"āϤাāϤ āφāĻĒোāύাā§° āĻ“āϚ⧰āϤ āĻāϟা āĻĄাāϙ⧰ āϧāύ āφāĻ›ে।" - āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ•ি āϧāύ⧰ āĻ•āĻĨা āĻ•ৈāĻ›ে āφ⧰ু āϧāύ⧰ āĻŦিāώāϝ়ে āϤেāĻ“ঁā§° āĻĒā§°াāĻŽā§°্āĻļ āĻ•ি? 

Ans: Verrier Elwin has found a great treasure of old culture among the hill people of Assam. He askes the hill people of Assam not to be ashamed of their old culture, much of which is noble and beautiful. He has praises that this old culture of the people of Assam has good taste, sense of colour, form and mu- sic of their own.
He suggests that this beautiful thing should never be looked down upon and thrown away easily. Such things grow out of ancient soil and once they are gone they cannot be recovered.

āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ…āϏāĻŽā§° āĻĒাāĻšাā§°ীāϝ়া āϞোāĻ•āϏāĻ•āϞ⧰ āĻŽাāϜāϤ āĻĒুā§°āĻŖি āϏংāϏ্āĻ•ৃāϤিā§° āĻāĻ• āĻŦৃāĻšā§Ž āĻ­াāĻŖ্āĻĄাā§° āĻŦিāϚাā§°ি āĻĒাāχāĻ›ে। āϤেāĻ“ঁ āĻ…āϏāĻŽā§° āĻĒাāĻšাā§°ীāϝ়া āϞোāĻ•āϏāĻ•āϞāĻ• āϤেāĻ“ঁāϞোāϕ⧰ āĻĒুā§°āĻŖি āϏংāϏ্āĻ•ৃāϤিā§° āĻŦাāĻŦে āϞāϜ্āϜিāϤ āύāĻš'āĻŦāϞৈ āĻ•āϝ়, āϝাā§° āĻŦেāĻ›িāĻ­াāĻ—েāχ āĻŽāĻšā§Ž āφ⧰ু āϏুāύ্āĻĻā§°। āϤেāĻ“ঁ āĻĒ্ā§°āĻļংāϏা āϕ⧰ে āϝে āĻ…āϏāĻŽā§° āϜāύāϏাāϧাā§°āĻŖā§° āĻāχ āĻĒুā§°āĻŖি āϏংāϏ্āĻ•ৃāϤিā§° āĻ­াāϞ āϏোā§ąাāĻĻ, ā§°āϙ⧰ āĻ…āύুāĻ­ূāϤি, ā§°ূāĻĒ āφ⧰ু āϤেāĻ“ঁāϞোāϕ⧰ āύিāϜা āĻŽিāω-āϚিāĻ• āφāĻ›ে।
āϤেāĻ“ঁ āĻĒā§°াāĻŽā§°্āĻļ āĻĻিāϝ়ে āϝে āĻāχ āϧুāύীāϝ়া āĻŦāϏ্āϤুāϟোāĻ•েāϤিāϝ়াāĻ“ āϤāϞāϞৈ āϚাāĻŦ āύাāϞাāĻ—ে āφ⧰ু āϏāĻšāϜে āĻĒেāϞাāχ āĻĻিāĻŦ āϞাāĻ—ে। āĻĒ্ā§°াāϚীāύ āĻŽাāϟিā§° āĻĒā§°া āĻāύে āĻŦāϏ্āϤু āĻŦিāĻ•āĻļিāϤ āĻšāϝ় āφ⧰ু āĻāĻŦাā§° āϏেāχāĻŦোā§° āϝোā§ąাā§° āĻĒিāĻ›āϤ āϏেāχāĻŦোā§° āĻĒুāύ⧰ুāĻĻ্āϧাā§° āϕ⧰িāĻŦ āύোā§ąাā§°ি


ADDITIONAL QUESTION-ANSWERS

1. What does Verrier Elwin say I about India?

āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻŽāχ āĻ­াā§°āϤ⧰ āĻŦিāώāϝ়ে āĻ•ি āĻ•āϝ় ?

 Ans: The author Verrier Elwin says that India is his home and his love. He lived in India for twenty five years. Yet he feels that he does not know the land.

āϞেāĻ–āĻ• āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ•ৈāĻ›ে āϝে āĻ­াā§°āϤ āϤেāĻ“ঁā§° āϘ⧰ āφ⧰ু āϤেāĻ“ঁā§° āĻĒ্ā§°েāĻŽ। āĻāχāϚ āĻĒঁāϚিāĻļ āĻŦāϛ⧰ āĻ­াā§°āϤāϤ āĻŦাāϏ āϕ⧰িāĻ›িāϞ। āϤāĻĨাāĻĒিāĻ“ āϤেāĻ“ঁ āĻ…āύুāĻ­ā§ą āϕ⧰ে āϝে āϤেāĻ“ঁ āĻŽাāϟিāĻ–িāύি āύাāϜাāύে।

2.What does the writer the rhino seen in Assam? say about the rhino seen in Assam?

āĻ—ঁāĻĄ়āϟোā§ąে āĻ…āϏāĻŽāϤ āĻ•ি āĻĻেāĻ–িāĻ›ে āϞেāĻ–āĻ•? āĻ…āϏāĻŽāϤ āĻĻেāĻ–া āĻ—ঁāĻĄ়āϟোā§° āĻŦিāώāϝ়ে āĻ•'āĻŦ āύেāĻ•ি?

Ans: The writer Verrier Elwin says that he saw a dozen of rhinos in Assam within a couple of hours. He noticed that some of them were angry but one of them was not angry. Then he got down from his elephant and took a photograph of the rhino.

    āϞেāĻ–āĻ• āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ•ৈāĻ›ে āϝে āϤেāĻ“ঁ āĻ•েāχāϘāĻŖ্āϟাāĻŽাāύ⧰ āĻ­িāϤ⧰āϤে āĻ…āϏāĻŽāϤ āĻāĻ• āĻĄāϜāύ āĻ—ঁāĻĄ় āĻĻেāĻ–িāĻ›িāϞ। āϤেāĻ“ঁ āϞāĻ•্āώ্āϝ āϕ⧰িāĻ›িāϞ āϝে āϤেāĻ“ঁāϞোāϕ⧰ āĻ•িāĻ›ুāĻŽাāύ āĻ–ং āωāĻ িāĻ›িāϞ āĻ•িāύ্āϤু āϤেāĻ“ঁāϞোāϕ⧰ āĻāϜāύāĻ–ং āϕ⧰া āύাāĻ›িāϞ। āϤাā§° āĻĒিāĻ›āϤ āϤেāĻ“ঁ āĻšাāϤীā§° āĻĒā§°া āύাāĻŽি āĻ—ঁāĻĄ়āϟোā§° āĻĢāϟো āϤুāϞিāϞে।

 3. Why did Verrier Elwin say that he was unconventional as a visitor? 

      āϞেāĻ–āĻ• āĻ­েā§°িāϝ়াā§° āĻāϞāωāχāύে āĻ•ৈāĻ›ে āϝে āϤেāĻ“ঁ āĻ•েāχāϘāĻŖ্āϟাāĻŽাāύ⧰ āĻ­িāϤ⧰āϤে āĻ…āϏāĻŽāϤ āĻāĻ• āĻĄāϜāύ āĻ—ঁāĻĄ় āĻĻেāĻ–িāĻ›িāϞ। āϤেāĻ“ঁ āϞāĻ•্āώ্āϝ āϕ⧰িāĻ›িāϞ āϝে āϤেāĻ“ঁāϞোāϕ⧰ āĻ•িāĻ›ুāĻŽাāύ āĻ–ং āωāĻ িāĻ›িāϞ āĻ•িāύ্āϤু āϤেāĻ“ঁāϞোāϕ⧰ āĻāϜāύāĻ–ং āϕ⧰া āύাāĻ›িāϞ। āϤাā§° āĻĒিāĻ›āϤ āϤেāĻ“ঁ āĻšাāϤীā§° āĻĒā§°া āύাāĻŽি āĻ—ঁāĻĄ়āϟোā§° āĻĢāϟো āϤুāϞিāϞে।

Ans: The author of the essay 'My Impression of Assam' said that he was unconventional as a visitor. It was because he was not a visitor to the true sense. He had come to Assam only to take up his responsibility as a government employee. He noticed the things that came on his during his stay in Assam.
  
.'āĻŽাāχ āχāĻŽ্āĻĒ্ā§°েāϚāύ āĻ…ā§ą āφāĻ›াāĻŽ' āĻĒ্ā§°āĻŦāύ্āϧāϟোā§° āϞেāĻ–āĻ•ে āĻ•ৈāĻ›িāϞ āϝে āϤেāĻ“ঁ āĻāϜāύ āĻĻā§°্āĻļāύাā§°্āĻĨী āĻšিāϚাāĻĒে āĻ…āĻ—āϤাāύুāĻ—āϤিāĻ• āφāĻ›িāϞ। āĻāχāϟো āĻāχāĻ•াā§°āĻŖে āφāĻ›িāϞ āĻ•াā§°āĻŖ āϤেāĻ“ঁ āĻĒ্ā§°āĻ•ৃāϤ āĻ…ā§°্āĻĨā§° āĻĻā§°্āĻļāύাā§°্āĻĨী āύাāĻ›িāϞ। āϤেāĻ“ঁ āĻ•েā§ąāϞ āϚ⧰āĻ•াā§°ী āϕ⧰্āĻŽāϚাā§°ী āĻšিāϚাāĻĒে āĻĻাāϝ়িāϤ্āĻŦ āϞ'āĻŦāϞৈ āĻšে āĻ…āϏāĻŽāϞৈ āφāĻšিāĻ›িāϞ। āĻ…āϏāĻŽāϤ āĻĨāĻ•া āϏāĻŽāϝ়āĻ›োā§ąাāϤ āϤেāĻ“ঁ āϝিāĻŦোā§° āĻ•āĻĨা āφāĻšিāĻ›িāϞ āϏেāχāĻŦোā§° āϞāĻ•্āώ্āϝ āϕ⧰িāĻ›িāϞ।



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